Music
Lil Nas X Leads A Futuristic Version Of Santa Claus’ Workshop In His ‘Holiday’ Video
The new single comes after the singer flew past music’s heat thanks to the worldwide success of his ‘Old Town Road’ track. …
Lil Nas X flew into 2018 with his monster hit song, “Old Town Road,” a track that took over TikTok and eventually took over the Billboard singles chart. The song would remain at the No. 1 position for nineteen straight weeks, longer than any other song in the chart’s history. The success continued for Lil Nas X as he went on to win Grammy awards for Best Music Video and Best Pop Duo/Group Performance as well as wins at the MTV VMAs, AMAs, and CMAs. However, that’s all in the past now and after going more than a year with a new release, the Georgia native makes his return as Santa just in time for the impending Christmas season with his new single, “Holiday.”
The “Rodeo” singer announced the song with a trailer that featured Michael J. Fox and presents the singer as a cowboy who has traveled through time all to become Santa Claus. The track’s official video sees Lil Nas X working in a futuristic version of Santa;s workshop. Here, the singer is surrounded by robots who do all the gift-prepping while he drives around in a toy car and wreaks havoc. Later, he joins his robotic reindeer and takes off into the cold night sky to deliver the gifts to the awaiting citizens.
The song arrives after Lil Nas X shared a portion of the album’s tracklist back in September. While the tracklist’s length or guest features are still unknown, the singer revealed four tracks that would appear on the release. The song’s include “Call Me By Your Name,” a track he teased on Twitter, “One Of Me,” “Don’t Want It,” and “Titanic.”
Press play on the video above to hear “Holiday.”
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Sadie Brown delivers a heartfelt illusion of a fake life with her new single “Counterfeit”
At the heart of “Counterfeit” is a tale of love manipulated for selfish purposes, yet still feels captivating. Sadie Brown’s new single “Counterfeit” invites listeners into the deceptive lull of beautiful and bleak love, one that promises everything while lacking genuine vulnerability, ultimately delivering only heartbreak. Brown adeptly illustrates the anguish of being entangled in a romantic relationship that never fully reveals itself, leaving listeners caught between longing and the painful acknowledgment of reality. Through ethereal pop sensibilities and a bittersweet melody, Brown explores the complexity of a “counterfeit love life” alluring yet reserved, a love that’s perpetually poised to “cut its losses.” The outcome is a sonic experience that feels as vast and unreachable as a memory of love gone awry.
“Counterfeit” doesn’t just touch on the hurt that comes from unrequited love; it captures the quiet resignation accompanying it. With “Counterfeit,” Sadie Brown steps into a new creative direction in her music, mixing introspective storytelling with emotional resonance.
Written during the lockdown and produced by Cashybear (Tim Ross, formerly of Cash+David), “Counterfeit” builds a hazy, indie-pop atmosphere that feels grounded and otherworldly. The collaboration with guitarist Jimmy Sims (known for his work with George Ezra) lends a retro warmth, creating swirling riffs that complement Sadie’s soft yet piercing vocal delivery. This subtle instrumentation mirrors the song’s themes: a relationship built on false pretenses, with its sweetness fading away like mist.
Brown draws inspiration from artists like Camera Obscura, Kate Bush, and Lana Del Rey, bringing a charming and restrained sense of vulnerability. Like Joni Mitchell, Brown leans into the contradictions of love, evoking nostalgia but never retreating from the reality of unfulfilled desire. “Counterfeit” is a thought-provoking piece that establishes Sadie Brown as a voice that can authentically convey both the charm and the ache of illusion.
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Indie
“Is Everything Okay?” by Tom Minor drops an anthemic vibe wrapped in a gold question
The newest single by Tom Minor, entitled “Is Everything Okay?” presents a compelling fusion of introspective lyrics and vibrant soundscapes, establishing a unique intersection where self-reflection meets the assertiveness of indie rock. The song commences with an almost casual inquiry, “If you are unhappy and you do not know it, what value does it possess?” This opening lyric serves as both a reflective mirror and a cautionary prompt; it suggests that well-meaning inquiries from others may compel listeners to confront uncomfortable truths they might prefer to overlook while seeking clarity within their complex emotions.
What renders “Is Everything Okay?” particularly noteworthy is Minor’s effective amalgamation of contemplative lyricism with a multifaceted, genre-defying composition. While indie rock sound with splashes of new wave and power pop have a discernible influence, the track ventures into unexpected realms of psychedelic music. Under the meticulous production of Teaboy Palmer, the song radiates the vitality of garage rock, simultaneously incorporating subtle elements of soul and R&B. The arrangement, characterized by vibrant guitar riffs and a fluid rhythmic structure, conveys the emotional depth of the message without appearing overly burdensome. Minor skillfully employs melody to construct an engaging groove that embodies optimism and challenge.
Additionally, Tom Minor’s vocal delivery demonstrates notable sincerity, reflecting his earnest intent to engage with the audience personally while allowing them space to process their emotional responses. By the conclusion of “Is Everything Okay?“, this work emerges as a significant addition to the contemporary musical landscape. It acts as a dialogue that invites contemplation of one’s current circumstances. The composition provides a form of sonic therapy that avoids offering simplistic solutions. This piece may represent Tom Minor’s most substantial achievement to date, as it fosters a more profound understanding among his audience.
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