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Lil Uzi Vert Nods Nicki Minaj Lyrics To Shade Safaree On New Track

We may just receive yet another project from Lil Uzi Vert this year—at least that’s what the rapper has suggested on his Instagram Story. On March 6, Uzi dropped his highly anticipated studio album Eternal Atake and he didn’t hesitate in delivering Lil Uzi Vert vs. the World 2. On Wednesday (October 28), Uzi shared on his Instagram Story, “I guess I gotta drop,” leaving some to believe there is a project on he horizon, while others are expecting a surprise come early morning hours on Friday (October 30).

Uzi also shared a snippet of a track on his Story as well, and it seemed as if he was using Safaree Samuels’s name not only for rhyming purposes but to throw a bit of shade. “A real bad Barbie / Pushing a pink Ferrari,” Uzi raps in the clip, seemingly referencing Safaree’s ex, Nicki Minaj. “Took that girl to Africa / Got left like Safaree / Yes I got the best b*tch in America / Just ask Erica,” which left fans to believe he was giving a nod to Safaree’s wife and Love & Hip Hop New York co-star, Erica Mena.

If the lyrics seem a tad familiar, it’s because they’re similar to Nicki Minaj’s track “Getting Paid,” a song that’s over a decade old. On her track, Nicki spits, “It’s going down, down Barbie, pushing a pink Ferrari / I race through Africa just to see the safari / I am the baddest b*tch in America / Slicker than a Jheri curl, just ask Erykah.” Keep your ears out for this one because it may arrive this week, but if not, at least we were able to preview some new tunes. Check out the snippet below.

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

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“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

Morpheus von Dobenhausen

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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