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Loyle Carner Reflects On His Growth From A Boy To A Man On The Madlib-Produced ‘Yesterday’

The South Londoner returns with his first track since his April 2019 album, ‘Not Waving, But Drowning.’ …

It’s been almost three years since Loyle Carner found mainstream success by the way of his 2017 debut album, Yesterday’s Gone. The album was critically acclaimed overseas, as it was named the album of the year by The Independent, nominated for the 2017 Mercury Prize, and helped him land additional nominations at that year’s Brit Awards. Nowadays, the South Londoner is sticking to the same script that brought him fame, one he presents once again on his new Madlib-produced single, “Yesterday.”

Carner released the track with a reflective video attached. The visual starts with Loyle reimagining his childhood by holding a baby in his arms that represents himself at a younger age. As the narrative continues, viewers see the rapper grow from a young boy to a grown man as the video ends with a full-circle moment with the man, played by his Carner’s younger brother, holding a baby of his own in his arms. He alluded to this moment in the video in a tweet that announced the visual’s release. “Everything comes full circle,” he says. “Shouts to Madlib and My little brother.”

The new song is Carner’s latest release since he shared his sophomore album Not Waving, But Drowning back in April 2019. The rapper gave fans a week to prepare for the new song after he posted a tweet that read, “F*ck it, new music next week. Who’s here?” He also shouted out producer Madlib after the release of “Yesterday” by quoting one of the song’s lyrics in a tweet saying, “LC AND MADLIB IT’S MADLOYLE.”

You can watch the video for “Yesterday” above.

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Artist Spotlight

Alwyn Morrison explores betrayal, judgment, and survival on new EP “Trial”

Alwyn Morrison

Life isn’t always a straight line, and Alwyn Morrison explores that in “Trial,” a four-track EP that goes beyond the familiar territory of love and heartbreak. The project blends pop, rock, and singer-songwriter influences, exploring themes of betrayal, false accusations, emotional pain, self-defense, and survival. Each track is inspired by courtrooms and is a step in a personal journey of understanding, acceptance, and ultimately freedom.

The first track, “Puzzle Piece,” is Morrison’s raw, heavy alternative rock sound, fitting the weight of betrayal and false accusations. The song has a sense of tension, putting you in the shoes of someone trying to understand a difficult situation. Followed by “Everybody Bleeds,” which follows that emotional path, creating a song about confusion, openness, and the struggles we all face, and it’s an emotional listen, with hard truths and personal experiences laid bare.

Alwyn Morrison

The project’s focus track, “Monster,” goes into more personal territory. It explores what happens when we are judged or condemned for the choices we make, and it carries a message that goes far beyond Morrison’s own experience. The central theme will strike a chord with anyone who has felt misunderstood, unfairly labeled, or defined by others’ opinions.

Alwyn Morrison

The EP closes with “Fireflies,” a track that shifts the mood, contrasting childhood innocence and memories with the realities of adult life. The sequence moves the story toward resilience, survival, and earned acceptance. Alwyn Morrison spins a musical tale of hard life experiences put to the test. The courtroom concept gives the four songs real purpose to move on without letting past experience dictate the future.

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Artist Spotlight

Fanny Alexandra explores emotional recovery and self-discovery on “Ceasefire”

Fanny Alexandra

Not every fight ends a relationship, and there could be long-term emotional damage, with questions about identity, attachment, and the difficult path to moving on. “Ceasefire” is a ghostly alternative rock ballad in which Fanny Alexandra navigates difficult terrain, exploring emotional dependency and the search for selfhood after a toxic relationship.

“Ceasefire” is full of sad melodies and hints of atmospheric rock, making it a dark, cinematic listen. The song’s alt-rock pivot provides an emotionally charged foundation, and it’s about the internal battle, especially when your identity has been so tied to another person.

Fanny Alexandra’s ethereal vocal approach suits the song, lending real emotional weight to the exploration of self-loss and internal tension. “Ceasefire” is a reflective track, with atmospheric instrumentation and deeply personal songwriting that capture feelings that can linger long after a tough chapter closes.

It’s about finding yourself again, and its emotional arc moves from openness and dependence to the hard-earned discovery that personal freedom is more than just walking away. Fanny Alexandra’s love for dark, emotional alternative music inspired “Ceasefire.” Her art is about intimate storytelling, cinematic atmosphere, and making music that explores the quieter struggles people tend to keep inside. In this record, she turns the fallout from a toxic relationship into a meditative reflection on the long road to selfhood.

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