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Artist Spotlight

Meet H Da Monsta, Canadian Rapper To Look Out For In 2021

H Da Monsta is an all-around powerhouse who has been making BIG waves in Canada and has been steadily gaining an industry buzz for his unique smooth flow and delivery. Furthermore, H Da Monsta is a dynamic performer and one of the country’s hottest up-and-coming rappers.

H Da Monsta has managed to bring his own unique style of rap to the streets of Toronto. We had the opportunity to interview H Da Monsta about his experience in music.

This is what he has to say;

Hey, Welcome to Honk Magazine.

Tell us about your background getting to where you are today?

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H Da Monsta – Well, I was born In Grenada. Later moved to Canada when I was about 4 years old. I officially got into music at about 22 and I had my first song played on the radio titled “project bounce”. I was able to make a name for myself and have been working since then.

Where are you from?

H Da Monsta – I’m from Toronto, Canada. Born in Grenada a small island in the West Indies.
How did you get into music?
H Da Monsta – My sister initially was a rapper and brought me into music through poetry at a very young age and that turned into music over time.
What is the most challenging thing you have overcome in your life?
H Da Monsta – Losing my best friend he was murdered we were like brothers he was a very big part of my journey through music he passed away a few years after I was released from incarceration.
Are you currently signed or independent?
H Da Monsta – I am currently an independent artist. I am signed to my own label which is Uclassic Records /F.E.Y, a music group.
Who inspires you the most musically?
H Da Monsta – I am inspired not by people but more by my own experience music started as an outlet for the troubles I was dealing with in my life and eventually just became a passion.
What do you want people to take away after listening to your music?
H Da Monsta – The message which is constantly different but there’s always a message to the story’s I tell I want people to understand the good and bad of the reality I had to deal with growing up.
What is your greatest achievement as a musician?
H Da Monsta – I have a few my first ever mixtape did 14,000. I’ve gotten recognized by tory lanez a major artist from my city my new Ep is currently at 200k streams and counting and I won music competitions in Montreal and other online competitions in my earlier days my biggest achievement is being able to still do what I love and be appreciated for it.
Do you produce your own music? If not who do you work with?
H Da Monsta – I do not produce my own music. I work with a variety of producers actually too many to name right now without having feelings hurt lol.
Who is one artist you wish you could work with?
H Da Monsta – I would say Drake only because I believe he would be able to push me to a level of creativity I probably wouldn’t be able to reach on my own.
Tell us about any new music you have coming out? When is coming out? What is it about?
H Da Monsta – I currently have my new music video dropping on YouTube on July 10 “high Definition“of my latest Ep “Demon hours” which was released March 1 on my mother’s birthday.
What does a day inside your shoes look like?
H Da Monsta – Just networking talking to new people constantly I do have my own clothing line I am currently working very hard to make so when I’m not writing I’m usually working on new items for my brand.
Anything else you want the audience to know about you?
H Da Monsta – I am me. I am nothing more nothing less than what you see I want my audience to know I am a person first and an artist second I love what I do and I do what I want
Follow H Da Monsta on Instagram

Natalie is a journalism major with a focus on Entertainment and Music who aspires to become a Content Creator For Honk Magazine. Eventually, she wants to be the Publisher or Editor-in-Chief of a major Publishing House. She loves helping people find their voice and passion for writing and journalism, and she can always be found with coffee in hand, editing another article.

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Artist Spotlight

With “A New Frame of Mind” EP, We Told You So finds strength in loss, friendship, and change

We Told You So

Growth comes with loss, hard realizations, changing relationships, and the uncomfortable process of learning how to keep going when life refuses to slow down. That tension is central to “A New Frame of Mind” by We Told You So, an EP that draws from personal experience and turns it into a larger story of resilience, friendship, grief, independence, and the courage to start over.

Opening the EP is the track “Anchor in the Storm,” a particularly important, very personal tribute, written during a period of loss. This song is about how important the people in our lives are for keeping us anchored when our world feels shaky. Followed by “Echoes of Resilience,” which takes that sense of connection and extends it from the struggles of one individual to the struggles of others. The perspective is the frustration of seeing pain from afar but choosing to cling to hope.

Meanwhile, “Last for Long” ups the energy, celebrating friendships that endure tough seasons and stay when circumstances change. “Running Out of Time” is a reminder of the band’s DIY, small-town indie roots and the realization that you have to chase your dreams before the chance is gone. Next up is “Season of Change,” which is more introspective, exploring family, aging, and the inevitability of change as we grow older.

The EP’s French-language track, “Pas Besoin de Toé,” further links the record to We Told You So’s roots in Trois-Rivières, Québec, and also speaks to independence and the decision to cut toxic influences out of your life. From there, “Time to Rise” embodies the project’s essence, from individual struggle to collective action and self-belief.

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Closing the EP is “My Last Verse,” which works through its pain to clarity. At the end, We Told You So is making a record about choosing what happens next. It’s gritty when it needs to be, introspective when it wants to be, and optimistic without being naive. The EP is based on the idea that moving on is an act of strength in itself.

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Album Review

Cognitive Constellation Corps blurs humanity and technology on “Thank You for Your Feedback (I)” album

Cognitive Constellation Corps

In a world of notifications and automated responses, algorithms, and feedback requests, Cognitive Constellation Corps finds something unexpectedly human inside the machinery. “Thank You for Your Feedback (I)” is an alt-pop exploration of connection, isolation, communication, and the increasingly complicated relationship between people and technology, transforming familiar procedural language into something else.

Created by Brooke Tamsin Clevenger, a Belfast-based artist, the project’s principal composer, lyricist, producer, and conceptual director, the album is deliberately constructed around what happens to human emotion when our lives are increasingly structured by systems that process information rather than necessarily understand feelings. The album opens with “Opening Loop (i),” which introduces that world through the idea of repetition, linking software loops to the habits we humans learn in modern life.

Followed by “Signal Received (i),” the track becomes more fragile, a mix of bubbling electronic movement and the promise of waiting for a response. It picks up the strange emotional weight that can be behind something as simple as a digital signal. “Thank You For Your Feedback (i)” examines the pressure to be constantly evaluated, and “Echo Chamber (i)” reflects on how digital interaction creates intimacy and amplifies alienation. “The Curve of Clarity (i)” is a road toward understanding where data and human realization begin to converge.

On the production side, the project explores electronic textures without allowing its technological concept to overwhelm its emotional core. “Threadbare, Threadshare (i)” turns the fatigue of constant communication into an interesting concept. “The Response Loop (You’re Still Talking)” injects a sense of urgency with a faster, more club-friendly beat that mixes early-80s electronic music with state-of-the-art sounds.

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“Harmonic Distortion (i)” continues the album’s obsession with emotion that has been filtered, and “Always (i) [Sevahem]” is an appropriate closer, reflecting on organic feeling and ancient human knowledge through the prism of digital sound. “Thank you for Your Feedback” is a tech-driven concept that is always aware of the person behind the screen. Cognitive Constellation Corps is cerebral and electronic and conceptually ambitious while remaining emotionally accessible.

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