Interview
Meet Mandi Kitchen, a Multifaceted Music Producer and Sync Songwriter

In the ever-evolving world of music production and sync songwriting, Mandi Kitchen has made a name for herself with her exceptional talent, dedication, and passion for music. A prestigious Berklee College of Music graduate, Mandi has been playing, writing, producing, and selling music professionally since 2012. With an extensive background in various genres and a deep love for songwriting and film, Mandi has collaborated with numerous artists, producers, and directors to create musical masterpieces for various projects. In this exclusive interview, Mandi opens up about her creative process, the challenges she’s faced in her career, and her thoughts on the future of sync songwriting and music production.
Can you tell us about your background and how you got into music production?
Mandi Kitchen: I started writing music right around the time I started playing music- which, if you ask my Mom was 4 years old. I would play on the top part of the piano when she was practicing, and it would surprise her that it actually sounded good. I’ve been playing, writing, producing, and selling music professionally ever since I graduated from Berklee in 2012.
What inspired you to pursue a career in sync songwriting?
Mandi Kitchen: I am passionate about both songwriting and film. I love both mediums of artistic expression, and when the two work in sync (literally) with each other, it’s magic. I also love the writing process of making music vs. performing and sync is a medium where the song performance happens to be the song recording, which is a perfect fit for me.
Can you walk us through your creative process when composing music for a specific project?
Mandi Kitchen: Normally, I start with harmony, as that gives me an emotional basis for the specific style we’re working with. Melodies come after, and then lyrics. Though I will say there are times when a specific lyric and melody hit at the same time, as if it were that the two together were always meant to go together.
How do you approach collaborating with directors, producers, and other members of a production team?
Mandi Kitchen: Letting people express their vision is important in this industry, whether they are a director, producers, or fellow songwriters. We are all artists of some kind, so remembering that everyone needs their vision considered and heard, regardless of what role they play at the time, is critical. Being willing to give and take on certain things while never compromising on the quality of the production or the integrity of the song is the most important thing you can do with another collaborator or producer. I strive to stay flexible while also making sure my collaborations and I will yield the highest quality possible. Keeping up relationships over time (and I mean years of time!) is also a key element of success in this industry.
Can you give us an example of a particularly challenging project you worked on and how you overcame any obstacles during the process?
Mandi Kitchen: Yes! There are so many to choose from, lol. But recently, I was working on a co-write last winter, and the producer and I realized that our co-writer was going to be very rigid and request many last-minute changes to the track. It was hard and costly to accommodate the changes as the producer had a lot of other projects on the table, and we didn’t always have the time or desire to adjust to the demands. This led to having to re-book studio time, re-writing entire sections of the already written song, and inevitably became a lot pricier than I had hoped the project would end up landing. Instead of giving up on the project, I decided it would be better for everyone if I were okay with forking over a bit more money for the song in the name of getting it done and having the song produced as requested. It was a good learning experience to number one, learn about this person’s workflow, and take note for any similar future situations, and number two, realize that the extra bit of cash was less important than finishing the project we had spent countless hours of time on to everyone’s satisfaction. It’s my philosophy always to finish the song and leave everyone who worked on it satisfied with the end result.
How do you stay up to date with industry trends and technology advancements in music production?
Mandi Kitchen: Honestly, it’s partially thru listening to new releases coming out, keeping your ear to the ground listening to what’s being played in film/t.v. and commercials, and partially having a network to discuss new technology, how technology is influencing the industry and which sounds are coming to the forefront at any given time.
Can you discuss any notable projects you have worked on and what you learned from those experiences?
Mandi Kitchen: During covid time, I had the amazing opportunity to write on the Czech band “Vesna”’s new album – (check them out they’re a contestant on Eurovision this year!) We wrote a song titled “Blizenci.” The experience was super fun but also challenging as the lyrics had to be in Czech, and the lyrics were already written, so we had to write the music to match the vibe and messaging of the lyric. The other challenging aspect is that pop Czech lyrics are much more poetic and deeply written than current pop trends in the U.S., so feeling like we did them justice with the music we wrote with them was our goal, and I feel we succeeded. I would send melodic and harmonic ideas back and forth via WhatsApp or Facebook Messenger with the lead singer of the band, and over time we eventually landed on the hooks we loved. The track turned out incredible and has such an upbeat and inspiring feeling. I hope everyone who reads this will go listen to it!
How do you balance artistic expression with meeting the needs and vision of the client or production team?
Mandi Kitchen: I love writing in a lot of different genres because it challenges my creativity and skill set. With this in mind, writing music for sync is awesome because there are many occasions when you get to choose individual briefs to write to, so many different styles can come into play. But where the emotional expression tends to come out for me is usually thru the lyrical content and harmonies chosen in each song.
Can you share with us your favorite piece of music that you have created and what it means to you?
Mandi Kitchen: It’s interesting, but usually, whatever I’m working on at the moment tends to be my favorite. My first single, “Chrysalis,” in the mixing stages of production right now, is a really powerful piece for me. It’s powerful because it started as a piano solo. The way I started my professional career was as a pianist, and then with the help of the amazing GZN Music, we added electronic production to it, and the vocals and lyrics came last, the finishing touch on a very powerful piece. To me, “Chrysalis” represents what a caterpillar has to go through to become a butterfly. Having to bide your time, work on yourself, develop your colors, and wait and work more until you indeed are able to fly. To me, it feels a lot less like a traditional song and more like an art piece or composition.
What do you see as the future of sync songwriting and music production in the industry?
Mandi Kitchen: I think we’re getting to it now. Everyone who wants to can have a shot at working in sync. As long as their sound is at a standard of professionalism, they can customize and be flexible to the client’s needs. Also, AI and technology of sifting thru metadata/moods/genres of tracks is now starting to play a bigger and bigger role, and I’m sure will play more as we go. The one thing artists should do if they want to outperform is increase their versatility and abilities. Yes, I write pop music for sync, but I also orchestrate and notate parts for orchestras, can build choir parts and scores, and sell those for people to perform. Along with writing music, I teach composition and perform locally in the community. it’s giving the world value in a bigger and more creative way that is going to carry a sync or any artist to the top.
Interview
Fabolous Claps Back at Hazel-E Over Controversial Health Claim

After reality TV sensation Hazel-E made a bombshell statement during her recent Unwine With Tasha K interview, Fabolous ended up at the heart of controversy after she said one of his exes down in Houston died from cervical cancer caused by an undiagnosed STI. That conversation, which was quickly shared on Instagram via a widely circulated clip, was widely criticized. Some people called out Hazel-E for being insensitive and speaking on the private medical history of a deceased woman, while others questioned the legitimacy of her statement as a whole.
In either case, the online chatter was quick and heated. However, Hazel-E doubled down later in the comments, trying to redirect the focus to women’s health awareness. “Allegedly is what I heard from a veryyyyyyyy reliable source… bv, hpv… tomatoes tomatoes,” she wrote, downplaying the backlash while saying her real goal was to bring attention to important topics of women’s health. It was damage already done, and it’s safe to say Fabolous wasn’t here for that. While he hasn’t penned an epic screed about the situation, sources close to the rapper tell us that he is furious behind the scenes, saying that Hazel-E really crossed a line, including someone close to him, especially under such uncertain and intimate circumstances.
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The situation gets at a bigger conversation happening in hip-hop. Hazel-E’s effort to turn the whole thing into some PSA may have been well-motivated, but going after someone connected to Fabolous with serious health allegations finds the balance between social media’s fodder for consumption and clout chasing, and now, a conversation about respect and consent in the digital age. Although Fabolous hasn’t clapped back with the same volume as the rumor, his lack of commentary is just as loud. In an era when everyone’s business is but a click away, this latest scrap is a reminder that in hip-hop, even the touchiest of subjects are often best broached or left untouched with a little more delicacy and a lot less guesswork.
Interview
Corey Holcomb Ignites Controversy with Claims About Will Smith’s Sexuality on “Funky Friday”

Will Smith is riding high off the release of his new album, Based On A True Story, but instead of fans discussing his music, comedian Corey Holcomb has turned the attention on himself again with a very personal and controversial allegation. When Holcomb popped on Cam Newton’s Funky Friday YouTube show a while back, he didn’t pull any punches. In the middle of a conversation about celebrity polyamory and open relationships, topics that get linked to Will and Jada Pinkett Smith, Holcomb went even further, claiming Will Smith is in the closet.
“But Will is gay,” Holcomb said bluntly, leading Newton to ask whether he had any proof. Not with proof but with casserole, “I live in L.A. Does that make sense to you? I live in Los Angeles. There’s a lot of opportunities I don’t get because the guys don’t want me to be in public with their boyfriends.” I’ve suffered from that. It’s like, everyone already knows anyway.” The exchange was casual in tone but had weighty implications. Holcomb’s comments, which are not substantiated, are rooted in hearsay and subjective opinion. However, they come at a moment when speculation about Will and Jada’s unusual marriage is still trending in public. It’s a step that straddles the line between audacious opinion and invasive rumor and raises questions about the ethics of speculating on someone’s sexuality without permission.
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With Based On A True Story being a creative comeback for Smith, the re-emergence of these kinds of headlines is somewhat déjà vu for the artist, whose personal life has long been tabloid fodder. And while Will has been open about love, fame, and even his mistakes in his memoir, the relentless mining of his identity, especially in such suggestive terms, continues to eclipse his artistry. To Holcomb, the comments seemed to express annoyance with Hollywood gatekeeping above all. But during a time in which queer identity is still a deeply personal journey, flinging allegations around without explicit context is hurtful. And though Corey Holcomb might feel like “everybody knows anyway,” we’re reminded here that there’s a difference between transparency and intrusion. In this case, the latter might have spoken louder than the actual joke.
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