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Megan Thee Stallion’s Ex-BFF Kelsey Links With Carl Crawford & James Prince

Her relationship with Megan Thee Stallion remains a mystery, but it’s clear that Kelsey Nicole still has ties to the Houston Hottie’s record label. There have been rumors that Megan and Kelsey, once thick-as-thieves best friends, were no longer speaking following the July shooting incident involving Tory Lanez. Megan and Kelsey reportedly no longer follow each other on Instagram, and another one of Megan’s friends called out Kelsey for remaining silent about sharing her side of the story regarding the shooting controversy.

On Instagram Live, Kelsey recently said that she’ll soon give her account of what happened that fateful evening, but she added that she doesn’t feel obligated to tell the public anything at the moment. She popped up again in a video that Carl Crawford, head of Megan’s label, 1501 Certified Entertainment, posted to Instagram with Rap-A-Lot Records founder James Prince.

“There’s two things that is earned and cannot be bought. What is that?” Kelsey asks as she looks at Prince before he answers. “Respect and loyalty.” Kelsey was all smiles as she stood between Crawford and Prince in the clip, and many came down on her because it’s well-documented that Megan is at odds with her label.

This entire controversy had been a wild ride, but it seems that there is much more to be told. Check out the clip below.

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Artist Spotlight

Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.

Seun Kuti & Egypt 80

Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.

The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.

The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.

The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.

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Artist Spotlight

Deaf Radio returning to a place that feels familiar but has changed on “No Place Like Home”

Deaf Radio

Deaf Radio offers a deeply affecting experience with “No Place Like Home,” a haunting meditation on grief, memory, and the enduring connection between family and place. Rather than a story of loss, the song invites listeners into the emotional experience of returning to a place that feels familiar but has changed.

It’s an open letter to the people, the moments that used to make home. It captures the unsettling experience of walking into a house where everything is still there, the clothes, the scents, the light streaming through the windows, but the person who gave those details meaning is gone. There is only a lingering ache that fills every room.

It’s a complex emotional journey that runs just under eight minutes in “No Place Like Home.” Its structure does not allow for repetition, each section uncovering another layer of feeling. The song begins with a hushed looping arpeggio and the striking line “your tough mother’s love”, immediately setting a deeply personal tone. From there, it spills out into spare, humane verses before exploding into ninety seconds of crushing guitars and feedback that feel like grief breaking through emotional constraint.

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