Story
Micki Balder Gets Restless in the Midst of Pandemic with “A Feeling I Once Knew”
Micki Balder’s newest single “A Feeling I Once Knew” (released on October 1st) gives listeners a mix of heartfelt tones and introspective story-driven lyrics set against a dreamy soundscape.
In the midst of the current pandemic, Balder noticed a high number of people experiencing a pandemic-induced life crisis. She took note of the ever-changing lifestyle changes people were making….People were re-evaluating their careers, moving to new cities, and starting new milestones, among other things. Balder found herself experiencing that same crisis and used it as inspiration for her storytelling in her new single “A Feeling I Once Knew”. Detailing the sense of restlessness around her, Balder’s lyrics confront doubt in the face of adversity and the discernment of figuring out if you’re really on the right path. “I started to feel restless, but also stagnant and lacking purpose. I yearned for this pre-pandemic time where everything felt great and busy and exciting and full of life but also felt torn between craving that old life, and needing major change.” Feeling that restlessness within, Balder needed a reminder that she had been happy and content before the pandemic turned everything upside down and that eventually, she would find her way back….. to that feeling she once knew.
Micki Balder is a folksy singer-songwriter writing sad songs for happy people (and ever so occasionally, happy songs for sad people!). Her music is born from a life-long desire to be a character in a musical, unapologetically singing her feelings for the world through simple and poignant lyrics. Though she’s been dabbling with music her whole life, it wasn’t until 2018 when a friendship’s moment of truth unveiled itself in the middle of a Denver coffee shop. She walked home, wrote a song, and has been writing ever since, now a regular at local music venues around her Colorado home. Micki writes from a place of vulnerable storytelling, with people and relationships at the core of her music. She’s been compared to modern folk bands like The Weepies and Mipso, along with classic songwriters like Joni Mitchell and Paul Simon, but she draws inspiration from all over the spectrum — the swing and soul music of her lindy hop days, the earthy folk of Gregory Alan Isakov and Mandolin Orange, the candor and dry humor of John Craigie, or the heartbreak of Sara Bareilles, to name a few.
Stay updated! Click the Google News follow button for more news and updates.
Follow on Google News
News
Judge Rules Diddy’s Anonymous Accuser Must Face the Light Unmasked or Be Dismissed
In an unexpected twist in the ongoing legal drama surrounding Sean “Diddy” Combs, a judge has ordered that an anonymous accuser, identified only as Jane Doe, must reveal her identity if her case is to proceed. This latest development adds a new layer to the controversy, especially considering attorney Tony Buzbee’s representation of over 100 clients seeking legal recourse against Diddy. Jane Doe’s accusation, dating back to 2004, paints a dark picture of alleged sexual assault by the hip-hop mogul. However, Judge Mary Kay Vyskocil has ruled that she has not provided sufficient justification to remain anonymous, setting the stage for a pivotal decision that could see her case dismissed if she doesn’t reveal her identity by November 13.
Jane Doe’s complaint joins a flurry of recent allegations against Combs, with two additional cases accusing him of sexual misconduct involving minors. Despite this, Diddy’s legal team has remained unwavering, firmly denying all claims as “false and defamatory.” Attorney Erica Wolff reinforced this stance, emphasizing that Diddy “categorically denies” all allegations of abuse and looks forward to establishing his innocence in court, where evidence rather than speculation will guide the process.
For some, Judge Vyskocil’s ruling speaks to a fundamental tension between an accuser’s right to privacy and the transparency demanded by the justice system, particularly when accusations target a high-profile figure like Combs. Allowing anonymity can sometimes shield victims from public scrutiny, yet it can also hinder a defendant’s ability to address claims fully. Others argue that a public trial is a fairer pathway to truth, especially in high-stakes cases involving public figures whose reputations are constantly under media glare.
As the November deadline approaches, all eyes are on Jane Doe’s next move. This ruling could set a powerful precedent for handling similar cases involving high-profile litigation. It’s a waiting game for Diddy, whose career spans decades in the music industry, and these allegations represent a significant blow to his legacy. For the public, it’s a complex story of accountability, privacy, and the delicate dance between justice and notoriety. Will her identity be revealed, or will the weight of anonymity silence her voice?
Entertainment
50-Cent’s Quick-Witted Take on Ghostwriting for Diddy with JAY-Z
When hip-hop’s ultimate entertainer, 50-Cent, recently took a seat on an episode of The Breakfast Club this week, fans got more than just another sprinkling celebrity interview. The Power creator didn’t just drop gems about his career or latest ventures; he also let fans in on a charisma and hilarious behind-the-scenes glimpse as he recalled his ghostwriting days with none other than Sean “Diddy” Combs and how JAY-Z joined the fun.
During the episode, Charlamagne Tha God played a clip of Diddy rapping on the song called “Let’s Get It,” where the Bad Boy mogul dramatically spits, “Send the cops, the D.A., and the feds to come get me.” 50’s quick-witted response was priceless, and everyone laughed; he joked, “I ain’t tell him to say that.” Known for his dry wit and knack for masterfully stirring the pot, 50 didn’t disappoint as he served up his classic humor with a punchline that reminded everyone why he’s such a prominent figure in hip-hop.
But the real kicker came when Charlamagne played another track, prompting 50-Cent to cheekily credit JAY-Z for a specific line, laughing, “Jay helped me with that. Jay did that part right there.” He even shared that Diddy would run his ideas past JAY-Z, explaining how the Roc Nation founder’s mind is “formatted” for spontaneity. “He just has it in his head,” 50 said, admiring how JAY-Z, with his freestyle prowess, didn’t need pen or paper.
While 50’s ghostwriting tales were hilariously candid, there was a serious side, too. Diddy is currently dealing with some heavy legal issues, facing allegations that include serious crimes. Seizing the opportunity, 50-Cent revealed he’s working on a Netflix documentary that will investigate these allegations, promising to focus on the ongoing situation surrounding Diddy’s troubles, including claims of sex trafficking and racketeering. With Diddy awaiting trial in Brooklyn, the mood shifted from amusement to a more severe concern regarding his legal challenges.
As a keen analyst of hip-hop culture, 50-Cent effectively conveys anecdotes that keep the audience entertained while highlighting his vigilant perspective and willingness to express his opinions candidly. His experiences with the creative talents of JAY-Z and the signature style of Diddy illuminate the fascinating dynamics at play among the most prominent personalities within the upper echelons of hip-hop genuinely operating and their collaborations within it. For now, fans can enjoy his quick-witty quips on The Breakfast Club, and who knows, maybe Diddy will return the favor with a few humorous takes of his own.
