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NBA Youngboy Remixes Jay-Z’s “The Story Of O.J.”

“Young n***a, OG, the man that they don’t fuck with,” raps Youngboy Never Broke Again on his new remix of Jay-Z’s “The Story Of O.J.” He continues to introduce himself: “Rap n***a, trap n***a, lover boy, gang member.”

The world knows a lot about Youngboy Never Broke Again but the 21-year-old rapper remains one of the most misunderstood voices in the game. He has been championed as one of the most prolific artists of his generation, specifically for his consistency in quality and quantity. It feels like, every month, there are at least two new projects from the superstar.

While his output may not be sustainable in the long term, it allows his fans to hold him accountable to an extent, writing his own destiny with each new release. 

Today, he comes through with the tremendous remix of Jay-Z’s “The Story Of O.J.”, which takes cajones to actually release. The music video was uploaded to his YouTube page in the cold of the night and, already, it’s almost racked up 500,000 views.

Listen to the new song below and stay tuned because, rumor has it, YB might be dropping another project soon.

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Quotable Lyrics:

The Shade Room was posting things, they ain’t understand how I’m living, slime
Bet they wouldn’t understand how I’m 20, clocking over 10 million, huh
I seen labels the new age slavery so I partnered up, I’m a CEO
Now I own a percentage of United Masters, tell ’em hate me

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Artist Spotlight

Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.

Seun Kuti & Egypt 80

Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.

The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.

The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.

The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.

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Artist Spotlight

Deaf Radio returning to a place that feels familiar but has changed on “No Place Like Home”

Deaf Radio

Deaf Radio offers a deeply affecting experience with “No Place Like Home,” a haunting meditation on grief, memory, and the enduring connection between family and place. Rather than a story of loss, the song invites listeners into the emotional experience of returning to a place that feels familiar but has changed.

It’s an open letter to the people, the moments that used to make home. It captures the unsettling experience of walking into a house where everything is still there, the clothes, the scents, the light streaming through the windows, but the person who gave those details meaning is gone. There is only a lingering ache that fills every room.

It’s a complex emotional journey that runs just under eight minutes in “No Place Like Home.” Its structure does not allow for repetition, each section uncovering another layer of feeling. The song begins with a hushed looping arpeggio and the striking line “your tough mother’s love”, immediately setting a deeply personal tone. From there, it spills out into spare, humane verses before exploding into ninety seconds of crushing guitars and feedback that feel like grief breaking through emotional constraint.

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