Music

Nicki Minaj Is Still Mad About The ‘White Man Bon Iver’ Taking Her Best New Artist Grammy

Getty Image While some debated this year’s batch, Mrs. Petty re-aired old grievances. …

With the Recording Academy releasing its nominees for the 2021 Grammy Awards today, the reactions have been flying thick and fast on Twitter about the respective merits of the nominees, the mysterious absence of The Weeknd, and the most egregious snubs. However, rather than addressing this year’s batch of nominees, one person used the opportunity to revive an old grievance against the Academy. Nicki Minaj reminded her fans that she was once nominated for Best New Artist in 2012, but lost to Bon Iver.

“Never forget the Grammys didn’t give me my best new artist award when I had 7 songs simultaneously charting on billboard & bigger first week than any female rapper in the last decade- went on to inspire a generation,” she wrote. “They gave it to the white man Bon Iver.” As usual, there’s a point to her pettiness — pun intended. The Grammys have long had a history of overlooking and underrating accomplished artists in traditionally Black genres like rap and R&B — especially women, who have rarely won albums of the year in either category and are even more seldom even nominated for general categories like Album Of The Year.

Never forget the Grammys didn’t give me my best new artist award when I had 7 songs simultaneously charting on billboard & bigger first week than any female rapper in the last decade- went on to inspire a generation. They gave it to the white man Bon Iver. #PinkFriday
— Mrs. Petty (@NICKIMINAJ) November 24, 2020

In fact, this year, there are no women nominated in the Rap category at all and only Jhene Aiko and Chloe X Halle are nominated in the new spinoff R&B category, Best Progressive R&B. Also, remember the year they gave Best Rap Album to Macklemore despite Kendrick Lamar being nominated for Good Kid, MAAD City?

So this time, we have to side with Nicki. Incidentally, though, the Academy does have the chance to clean up that eight-year-old mistake; this year’s Best New Artist category includes Chika, the breakout Alabama rapper who starred on Netflix’s Project Power and collaborated with Stevie Wonder, Doja Cat, the compelling R&B/hip-hop hybrid who racked up a No. 1 with Nicki earlier this year, and Megan Thee Stallion, who garnered two No. 1s with Beyonce and Cardi B, competing against a field that includes D Smoke, Ingrid Andress, Kaytranada, Noah Cyrus, and Phoebe Bridgers.

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

Connect with Lisa Boostani on Instagram | Facebook |

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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