Music
Nicki Minaj Is Still Mad About The ‘White Man Bon Iver’ Taking Her Best New Artist Grammy
Getty Image While some debated this year’s batch, Mrs. Petty re-aired old grievances. …
With the Recording Academy releasing its nominees for the 2021 Grammy Awards today, the reactions have been flying thick and fast on Twitter about the respective merits of the nominees, the mysterious absence of The Weeknd, and the most egregious snubs. However, rather than addressing this year’s batch of nominees, one person used the opportunity to revive an old grievance against the Academy. Nicki Minaj reminded her fans that she was once nominated for Best New Artist in 2012, but lost to Bon Iver.
“Never forget the Grammys didn’t give me my best new artist award when I had 7 songs simultaneously charting on billboard & bigger first week than any female rapper in the last decade- went on to inspire a generation,” she wrote. “They gave it to the white man Bon Iver.” As usual, there’s a point to her pettiness — pun intended. The Grammys have long had a history of overlooking and underrating accomplished artists in traditionally Black genres like rap and R&B — especially women, who have rarely won albums of the year in either category and are even more seldom even nominated for general categories like Album Of The Year.
Never forget the Grammys didn’t give me my best new artist award when I had 7 songs simultaneously charting on billboard & bigger first week than any female rapper in the last decade- went on to inspire a generation. They gave it to the white man Bon Iver. #PinkFriday
— Mrs. Petty (@NICKIMINAJ) November 24, 2020
In fact, this year, there are no women nominated in the Rap category at all and only Jhene Aiko and Chloe X Halle are nominated in the new spinoff R&B category, Best Progressive R&B. Also, remember the year they gave Best Rap Album to Macklemore despite Kendrick Lamar being nominated for Good Kid, MAAD City?
So this time, we have to side with Nicki. Incidentally, though, the Academy does have the chance to clean up that eight-year-old mistake; this year’s Best New Artist category includes Chika, the breakout Alabama rapper who starred on Netflix’s Project Power and collaborated with Stevie Wonder, Doja Cat, the compelling R&B/hip-hop hybrid who racked up a No. 1 with Nicki earlier this year, and Megan Thee Stallion, who garnered two No. 1s with Beyonce and Cardi B, competing against a field that includes D Smoke, Ingrid Andress, Kaytranada, Noah Cyrus, and Phoebe Bridgers.
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Vishwa Ganesh stirs a mesmerizing pure rhythmic joy with “Don’t Wanna Go”
Hit play to briefly escape the world with “Don’t Wanna Go,” an innovative work by emerging artist Vishwa Ganesh. Based in Dubai, this dynamic vocalist embarks on a delightful creative adventure, offering listeners a richly vibrant, intimate, and cohesive auditory experience. Recorded in his hometown of Dubai, “Don’t Wanna Go” pairs rhythmic hooks with lighthearted vibes and infectious energy from the first beat. Vishwa’s velvety vocals float effortlessly over intricate production and instrumentation, while the immersive Dolby Atmos mix elevates the listening experience to a whole new dimension.
Breaking away from his customary narrative-driven style, he adopts a comprehensive role as a writer, composer, and performer, leveraging his multifaceted talents to craft an upbeat track that encapsulates a danceable anthem celebrating the sheer joy of being present at the moment. Each meticulously fused sound feels perfectly placed, enveloping audiences in a kaleidoscope of melodies that inspire their feet to move.
What truly sets this track apart is its dedication to authenticity. Eschewing pre-made samples and loops, Vishwa crafted this masterpiece entirely from scratch. That raw creativity shines through, making each note, rhythm, and harmony personal and intentional. The result is a standout track in his discography that doesn’t just entertain; it connects.
“Don’t Wanna Go” embodies a sensibility that encourages individuals to immerse themselves in its exuberant rhythms through high-energy dance scenarios or simply enjoying intimate listening vibes with headphones. It reminds us that music can be a profound source of unfiltered happiness, providing a respite from the distractions and complexities of everyday life.
Through “Don’t Wanna Go,” Vishwa Ganesh conjures an enchanting sonic vibe that merits inclusion on every playlist. He transforms mundane moments into spontaneous dance opportunities while demonstrating his versatility as an artist. This work underscores his musical evolution as a noteworthy trajectory to follow. Set it on repeat, and you will find it hard to let go.
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Artist Spotlight
“Pretty Ugly” by Archer Stevens stirs the soul with retro-modern rock vibes
“Pretty Ugly,” the inaugural single by Archer Stevens, represents a compelling homage to the golden age of 70s rock music with a fresh coat of modern vibrancy. From the outset, the track masterfully exudes an irresistible energy that embodies vintage and contemporary influences, acting as a sonic bridge between eras. The Phoenix-based ensemble skillfully weaves their influences into a pronounced, personal narrative.
A noteworthy aspect of the track is its instrumentation. Recorded across three diverse locations, Phoenix, Los Angeles, and even Peru, the song has a global resonance. The incorporation of congas introduces a surprising layer of depth and rhythm, giving “Pretty Ugly” a distinct flair that separates it from cookie-cutter rock releases. This thoughtful musical choice enhances the song’s groove, complementing the shimmering guitar lines and soulful vocal delivery.
Lyrically, “Pretty Ugly” plays on contrasts, embodying the emotional push and pull of life’s dualities. The heartfelt lyrics evoke a sense of intimate admiration and longing to please a partner, while the melodic structure ensures the track remains uplifting despite its introspective qualities.
By drawing inspiration from the enduring spirit of rock legends such as Elton John, Joe Cocker, and the Rolling Stones, Archer Stevens pays tribute to their predecessors without resorting to imitation. The soaring vocals and driving rhythm establish “Pretty Ugly” as a cathartic anthem that appeals to classic and contemporary rock enthusiasts. With this debut, Archer Stevens distinguishes itself as a band unafraid to experiment and honor its musical heritage, thus carving out its unique sonic identity. The result is a richly layered auditory experience that captivates from the first listen, revealing engaging narratives within the music.
For more information about Archer Stevens, please visit [website].
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