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Nomadic Producer-Artist Space Leopard Travels To New Dimensions On Latest Album “Flow State”

Experimentation without boundaries is a key concept for Space Leopard, a self-produced artist and nomadic beatmaker who is a near indescribable phenomenon of a musician. The Dallas-based creative has travelled all across the map over the course of his career, from Korea to Germany to several stints all around southeast Asia. Drawing inspiration from different countries and cultures has turned him into a globetrotting student of the music industry.

This drummer turned songwriter/beatmaker/rapper keeps the groove tight and his studio portable. The past five years were spent living in the tropic jungles of northern Thailand and on the seaside in a sleepy beach town in central Vietnam, and these geographic influences are on full display in his latest full-length album project, Flow State (released February 22nd, 2022).

The record showcases his signature cosmic groove in a new form with emphatic vocal performances, funky instrumentals, and creative storytelling. The album kicks off with the track “Mantra”, a psychedelic boom bap banger with Alan Watts vocal samples narrating the groove and Chiang Mai legend DJ Jeremy elevating the funk on his turntables.

Songs like the title cut “Flow State” show his penmanship at its peak, with sultry and trippy vocal stylings that almost remind the listener of Brandon Boyd’s early days with Incubus. As the album progresses, tracks like “Land of Smiles” put Space Leopard’s newfound bravado behind the mic on display, with instrumentals rooted in hip-hop’s origins (and a familiar nod to the late great Biggie Smalls) but with a unique spin. The chill, introspective lyrical stylings on “Chronic Euphoria” and “RNY SZN” gives substance and meaning to the album, letting the audience know this is not your typical hip-hop artist.

Not only is Space Leopard’s sound crafted methodically with a fusion of elements that create a truly interesting form of hip-hop, he has a respect and care for the music that came before him as he paves the lane for this new, invigorating sound. Throughout his travels, he has amassed a global fan base that supports his work and stretches from Russia to Brazil to the US and back. His music has been placed on a variety of networks, ranging from MTV and FX, to ESPN, NBC and VH1. With Mexico the next stop on his radar, Space Leopard is ready for new adventures that will shape forthcoming music and write the next chapter in the ongoing story of the traveling space cat.

https://rebrand.ly/FlowState
Artist Profile on Spotify – https://bit.ly/spaceleopard​​​​​​​​
YouTube Channel – https://www.youtube.com/spaceleopard
Instagram – https://instagram.com/space.leopard
Website (Beat Store) – http://beatsbyspaceleopard.com
Bandcamp – https://spaceleopardmusic.bandcamp.com
Soundcloud – https://soundcloud.com/beatsbyspaceleopard

Artist Spotlight

“Subterranean Homesick Blues” finds a new direction through Ghost of Panama

Ghost of Panama

Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.

This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.

“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.

Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.

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Artist Spotlight

“NO MORE” by Amanda Holley connects healing, awakening, and survival

Amanda Holley

“NO MORE carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.

“NO MORE is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.

Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.

“NO MORE is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.

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Photo Credit: Yulia Shusharina

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