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Open Mike Eagle’s Absurd ‘Headass (Idiot Shinji)’ Video Explains How Black People Talk

With help from Jak Knight and Video Dave, Open Mike breaks down how overthinking makes headasses of us all. …

In the new video for “Headass (Idiot Shinji)” from his album Anime, Trauma, And Divorce, Open Mike Eagle recruits comedian Jak Knight (who’s crafted a niche lane for himself as rap’s go-to cameo comic) to break down the meaning behind the slang term in a segment titled “How Black People Talk.” After a fed-up Professor Jak reaches his limit of explaining the phrase — which doesn’t take long — he pops in a VHS (ah, nostalgia) of the actual music video and lets Mike and Video Dave do the talking.

Because Open Mike Eagle has such an absurdist streak, he naturally appears as a person with a literal gluteus maximus on his cranium to lead a “headass support group.” Lyrically, Mike and Dave recount some of their headass, over-analyzing moments from past relationships and their anxieties about their rap careers.

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If I can be headass for a moment here, I feel like I need to explain where the “Idiot Shinji” portion of the song’s title comes from for those readers not well-versed in the first item from Mike’s album title. In the anime Neon Genesis Evangelion, which is about (among other things) a lot of trauma and the ways people deal with it (or refuse to), the lead character, teenaged robot pilot Shinji Ikari, is nicknamed “Idiot Shinji” by his fellow teenaged robot pilot Asuka Langley due to his tendency to overthink pretty much every situation he finds himself in — including the life-or-death ones they frequently encounter as the pilots of giant robots.

So, it all ties together with the theme of anime and trauma and general headassery, which is something Open Mike Eagle is very good at doing on his new album Anime, Trauma, And Divorce. The album’s out now on Mike’s own Auto Reverse Records and you can listen to it here. You can also watch the classic anime Neon Genesis Evangelion on Netflix, but unless you too would like to be traumatized, I don’t recommend it.

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Artist Spotlight

Sadie Brown delivers a heartfelt illusion of a fake life with her new single “Counterfeit”

Sadie Brown

At the heart of “Counterfeit” is a tale of love manipulated for selfish purposes, yet still feels captivating. Sadie Brown’s new single “Counterfeit” invites listeners into the deceptive lull of beautiful and bleak love, one that promises everything while lacking genuine vulnerability, ultimately delivering only heartbreak. Brown adeptly illustrates the anguish of being entangled in a romantic relationship that never fully reveals itself, leaving listeners caught between longing and the painful acknowledgment of reality. Through ethereal pop sensibilities and a bittersweet melody, Brown explores the complexity of a “counterfeit love life” alluring yet reserved, a love that’s perpetually poised to “cut its losses.” The outcome is a sonic experience that feels as vast and unreachable as a memory of love gone awry.

Counterfeit” doesn’t just touch on the hurt that comes from unrequited love; it captures the quiet resignation accompanying it. With “Counterfeit,” Sadie Brown steps into a new creative direction in her music, mixing introspective storytelling with emotional resonance.

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Written during the lockdown and produced by Cashybear (Tim Ross, formerly of Cash+David), “Counterfeit” builds a hazy, indie-pop atmosphere that feels grounded and otherworldly. The collaboration with guitarist Jimmy Sims (known for his work with George Ezra) lends a retro warmth, creating swirling riffs that complement Sadie’s soft yet piercing vocal delivery. This subtle instrumentation mirrors the song’s themes: a relationship built on false pretenses, with its sweetness fading away like mist.

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Brown draws inspiration from artists like Camera Obscura, Kate Bush, and Lana Del Rey, bringing a charming and restrained sense of vulnerability. Like Joni Mitchell, Brown leans into the contradictions of love, evoking nostalgia but never retreating from the reality of unfulfilled desire. “Counterfeit” is a thought-provoking piece that establishes Sadie Brown as a voice that can authentically convey both the charm and the ache of illusion.

 

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For more information about Sadie Brown, please visit [website]. 
CLICK HERE TO STREAM Sadie Brown’s Counterfeit on Spotify.
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Indie

“Is Everything Okay?” by Tom Minor drops an anthemic vibe wrapped in a gold question

Tom Minor

The newest single by Tom Minor, entitled “Is Everything Okay?” presents a compelling fusion of introspective lyrics and vibrant soundscapes, establishing a unique intersection where self-reflection meets the assertiveness of indie rock. The song commences with an almost casual inquiry, “If you are unhappy and you do not know it, what value does it possess?” This opening lyric serves as both a reflective mirror and a cautionary prompt; it suggests that well-meaning inquiries from others may compel listeners to confront uncomfortable truths they might prefer to overlook while seeking clarity within their complex emotions.

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What renders “Is Everything Okay?” particularly noteworthy is Minor’s effective amalgamation of contemplative lyricism with a multifaceted, genre-defying composition. While indie rock sound with splashes of new wave and power pop have a discernible influence, the track ventures into unexpected realms of psychedelic music. Under the meticulous production of Teaboy Palmer, the song radiates the vitality of garage rock, simultaneously incorporating subtle elements of soul and R&B. The arrangement, characterized by vibrant guitar riffs and a fluid rhythmic structure, conveys the emotional depth of the message without appearing overly burdensome. Minor skillfully employs melody to construct an engaging groove that embodies optimism and challenge.

Additionally, Tom Minor’s vocal delivery demonstrates notable sincerity, reflecting his earnest intent to engage with the audience personally while allowing them space to process their emotional responses. By the conclusion of “Is Everything Okay?“, this work emerges as a significant addition to the contemporary musical landscape. It acts as a dialogue that invites contemplation of one’s current circumstances. The composition provides a form of sonic therapy that avoids offering simplistic solutions. This piece may represent Tom Minor’s most substantial achievement to date, as it fosters a more profound understanding among his audience.

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CLICK HERE TO STREAM Tom Minor’sIs Everything Okay? on Spotify.
CONNECT WITH Tom Minor | Facebook |

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