Artist Spotlight

Pianist Minna Re Shin presents a new album “Sonate Tableaux”

In collaboration with ombú productions and the Quebec Breast Cancer Foundation, Gallery Gora of Montreal welcomes on June 15th the Canadian pianist Minna Re Shin who will publicly present her most recent multidisciplinary project based on the four-movement work for piano solo by Canadian composer Alain Payette, Sonate Tableaux, which serves as the inspiration for the recording of a digital album and video.

Indulge in the live performance of this dynamic pianist and feel the intense passion and musical poetry that will come to life under her deft fingers. Enjoy the public presentation of the music video which has recently garnered recognition, honours, and distinctions on the international scene, including the Best Classical Music Video Award at the 5th Music Film Festival (Buenos Aires), the Jury Diamond Award for Best Short Music Video at the March 2022 edition of the Europe Film Festival U.K., and the Judge’s Choice Award for Music Video at the 2022 Winter session of the World Premiere Film Awards (Los Angeles). Marvel at the multidisciplinary collaboration among the Canadian female artists who have join forces for the first time in this creative interpretation coloured by the interplay of different art forms (music, painting, dance, and theatre).

With your presence, you will support the Quebec Breast Cancer Foundation in its continuous role in raising awareness and funding for cutting-edge research, groundbreaking innovation, and patient-support programs, and offering hope to breast cancer fighters, survivors, caregivers, and communities.

To purchase tickets for the benefit launch concert event on June 15th, please visit https://pianist-minna-re-shin-launch-concert-june-2022.eventbrite.ca.

The digital album will be available online via CD Baby; please visit www.minnareshin.com/discography/ for updates and direct links to CD Baby for purchase.

Women: Source of Inspiration for the Project

Sonate Tableaux, featuring the musical performance by Minna Re Shin, embraces the theme of beauty, the dynamics of the female body and its movement quality, the empowerment of women, and their role in the art world. Through the prism of her solo piano performance, painter Natalija Jeremic, ballet dancer Catherine Toupin, and mime artist Laurence Castonguay Emery present their interpretations of the Canadian pianist’s rendition of the composer’s work, permitting other women’s voices to be heard through the different art forms featured in the original and multifaceted presentation. The visual musical rendition of the neo-romantic composition interweaves with the imaginative interplay of cinematic applications inspired by the music and the artwork associated with the four movements or “tableaux” of Payette’s piano œuvre.

Minna Re Shin: Pianist and Performing Artist

Winner of numerous prizes in national and international competitions, the Montreal-born pianist of Asian heritage Minna Re Shin has graced the classical music stage with her virtuoso technique, mature artistry, stage personality, and rare sensitivity. This versatile artist has won enthusiasm for her performances of diverse repertoire, including new, lesser familiar works by lesser-known composers who are under-represented on the Canadian and world stage. Here at home and overseas, critics and audiences alike have raved about her performances as “intense,” “inspiring,” and “powerful.” In the words of the legendary Russian pianist Lazar Berman, “Minna Re Shin and her great talent.”

Since her solo début at the age of ten with the Orchestre symphonique de Montréal, this dynamic artist has performed in North America, Europe, Australia, and Asia and has received high praise as recitalist, as chamber pianist, and as soloist in concerts with major orchestras, such as the Orchestre symphonique de Montréal, the Montreal Chamber Orchestra, and the chamber orchestra I Musici de Montréal, and with distinguished conductors like Charles Dutoit, Marc David, and Jacques Lacombe. She has played in many concert series and festivals, including the prestigious International Haydn Festival in Eisenstadt where she made her Austrian début.

Minna Re Shin has also been lauded as a recording artist. Her début CD devoted to Haydn piano sonatas on the ombú productions label has been released to great critical acclaim. Le Journal de Montréal hailed her as a “great performer with great sensitivity and intelligence.” Following the success of this recording, Shin has embarked on a multi-recording project with ombú. Her second solo album, Images & Ballades, which features works by the Canadian composers Alain Payette and Jean Coulthard, was applauded by Paroles et Musique: “the pianist’s interpretation is impeccable; it was as if these two composers had lent her their pen.” Her most recent music album Sonate Tableaux celebrates the world premiere performance of this unknown work, and the complementary performance video marks her début as producer.

For a preview of the video Sonate Tableaux, please visit
www.minnareshin.com/video

To listen to the album Sonate Tableaux, please visit
www.minnareshin.com/media/sonate-tableaux

www.minnareshin.com

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Artist Spotlight

Yella Beezy Shuts Down Speculation After Photo With G$ Lil Ronnie’s Murder Suspect Surfaces

Dallas rapper Yella Beezy is speaking out after a photo of him with one of the suspects linked to the murder of Fort Worth artist G$ Lil Ronnie and his young daughter began making the rounds online. On Wednesday, Beezy posted on Instagram to clarify that he had no idea who the person was when the photo was taken. He pointed out that taking pictures with fans and strangers is just part of his life as a musician. “Don’t associate my name with any of that nonsense,” Beezy wrote in his Instagram Story. “I take tons of pictures every day with people I don’t know; it’s part of my job. It’s ridiculous to use a photo of me in a situation like this. Don’t mess with my image, especially when it involves kids. Straight up. Rest in peace to Chuckie and his little girl.”

Beezy’s response came after some social media users suggested he might have a connection to the tragic incident where G$ Lil Ronnie and his daughter lost their lives in a shocking act of violence. Speculation grew after the photo emerged showing Beezy alongside one of the accused. However, the rapper quickly set the record straight, denying any false claims and expressing his strong stance against violence, especially towards innocent children. His fans and friends in the music industry quickly supported Beezy, acknowledging how difficult it can be for public figures to interact with fans.

In today’s social media world, where people often jump to conclusions based on limited information, Beezy’s message serves as a reminder that just because an artist appears in a photo with someone does not mean they are connected in any way. As the tragic news of G$ Lil Ronnie’s death continues to affect the Texas rap community, Yella Beezy’s words highlight an important point that being photographed with someone doesn’t imply guilt or involvement. While investigations into this heartbreaking case continue, Beezy is dedicated to protecting his reputation and ensuring his name isn’t wrongly involved in untrue rumors.

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Artist Spotlight

T-Pain Credits Snoop Dogg for Making Auto-Tune “Cool”

T-Pain is often considered the face of Auto-Tune, a vocal effect that became hugely popular in the 2000s. He produced some of the biggest songs of that time using this technology, but he recently clarified that he wasn’t the only one responsible for its success. In a thoughtful conversation on The Big Pod with Shaq, T-Pain explained that Snoop Dogg played a crucial role in making Auto-Tune acceptable and cool for listeners. T-Pain shared that there was a lot of resistance to Auto-Tune at first, with some people thinking of it as just a gimmick. But when Snoop Dogg started using it, everything changed. T-Pain remarked, “Snoop did it, then it was totally fine.

Everybody was like, ‘Okay, I guess we can listen to it.'” This shift in attitude allowed Auto-Tune to break into mainstream music beyond just T-Pain’s songs. Songs like Snoop’s “Sexual Eruption” showed that Auto-Tune could be a big part of many artists’ music styles, solidifying its place in both rap and pop. Interestingly, Snoop also recognized T-Pain’s influence on his own music, praising him during an episode of his show, Nappy Boy Radio. This connection between the two artists highlights how they support and inspire each other in expanding the music landscape.

Today, Auto-Tune is everywhere in music, from trap hits by Future to the catchy flows of Lil Uzi Vert. T-Pain’s effect on the music industry is clear, but his recent comments emphasize the importance of collaboration and approval in artistry. Ultimately, T-Pain acknowledges that while he revolutionized Auto-Tune, Snoop Dogg was the one who helped make it popular for everyone to enjoy. It’s heartwarming to see these music legends celebrate each other’s contributions as the industry grows and changes.

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