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Post Malone Shares His Ideas For Making Costco Even Better With Jimmy Kimmel

He adores the store but thinks it could improve when it comes to free samples. …

Post Malone is at the level of music stardom where he can pop up on a talk show without being a musical guest because, in addition to his household name status, he’s a fun guy with a big personality. He did so last night on Jimmy Kimmel Live! and had a good chat with the host, during which they both expressed their love for Costco.

Malone described the moment it clicked for him re: Costco, saying, “I never knew the beauty of Costco, and one day I woke up and I had an epiphany, and I was just like, ‘Let’s go to Costco.’ So we get up, get out of bed, go straight to Costco. I got my membership card, it’s the worst picture on the back I’ve ever seen. But it’s a beautiful place.”

Kimmel revealed he has been a member since 1994, the year before Post Malone was born. He then asked Malone about his thoughts on waiting in line for samples, and he said he’s not patient enough for it. Malone then came up with an idea to improve that system, saying, “I think we should just get rid of the samples completely, or let you just sample stuff off of the shelf, pick something out and just go for it.”

Watch the full interview above.

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Artist Spotlight

Loris Tils brings funk energy to life with “IKKI”

Loris

Loris Tils comes out swinging with “IKKI,” a single that comes with energy and musicianship right from the opening note. Borne on the unmistakable thump of Minneapolis Funk, the song surges forward with a groove that feels impressively designed and still wildly alive.

“IKKI” is a naughty conversation between slap bass and guitar, and the two instruments impressively craft around each other with both precision and flair, building a high-octane rhythm section that feels as tight as it is explosive.

The magic of “IKKI” is this tension, relentless discipline balanced by acrobats of daring improvisation. The energy never overwhelms the groove. Instead, it expands on it, making this song a celebration of rhythm, creativity, and instrumental chemistry.

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Artist Spotlight

Glass Mansions turn a possible goodbye into “SUNSETTING”

Glass

Glass Mansions return with “SUNSETTING,” a new single that came together during some uncertain times for the project. What began as a mini farewell to music turned out to be among the band’s most authentic and openhearted efforts yet.

The back story of the song’s creation feels almost cinematic. The day the decision was made to quit music altogether, a message came through from some big-time music executive who had heard about the band’s first Ep and wanted to collaborate. The band had agreed to share unreleased demos on request, though they hadn’t prepared any. That urgency caused a combustion of creativity that would shape the song’s trajectory.

“SUNSETTING” was written, tracked, and recorded in a home studio with scratch vocals in roughly two hours. What could have been a thrown-together demo became a surprise breakthrough. Confronted with the prospect of delivering just one last song, the writing became rather reflective, what would you say if it were your final creative curtain call.

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“SUNSETTING,” produced by Zack Odom and Kenneth Mount alongside Orb Studios’ Taylor Webb, captures the urgency of its origin story but colors it with a new reflective emotional depth. The upshot is a song that feels at once improvisational and profound, an affirmation that, sometimes, when we think we’re reaching the end of something, it’s actually only setting in motion the most powerful of new starts.

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