Music
Rocking Out with 28to15’s “99 Miles” EP Blending Contemporary Rock Vibes with Profound Lyrical Twist.
When it comes to crafting a seamless fusion of classic rock with a modern pop twist, 28to15’s latest EP, “99 Miles,” takes listeners on an exhilarating musical journey. With an excellent combination of upbeat melodies, thought-provoking lyrics, and a touch of contemporary electronic elements, this five-track release showcases the band’s ability to create an intriguing juxtaposition that resonates with a broad audience from beginning to end.
The EP starts with “(Hey Hey) Beautiful Day,” an upbeat track setting the tone for what’s to come. The energetic guitar riffs and dynamic drums create a feel-good atmosphere, contrasting with the relatively downbeat lyrics that delve into themes of depression and lost love. This striking juxtaposition between the music and the lyrical content makes the composition both engaging and relatable.
“19.8 Miles on Average (Like a Machine)” follows, delivering a driving rhythm and infectious hooks that will have listeners tapping their feet. The song’s clever wordplay adds depth to the narrative, exploring the struggles of everyday life with a sense of resilience and determination. As the EP progresses, the listener is treated to a cohesive collection of tracks that flow seamlessly together, each offering a unique blend of classic rock nostalgia and contemporary sensibilities.
The “99 Miles” production deserves special mention, as Marc and Nik have poured countless hours of hard work into creating a genuinely homemade industry-standard sound. The EP exudes a modern feel while paying homage to the sounds of influential bands like Counting Crows, Bruce Springsteen, and Dave Matthews Band. It’s a testament to the artist’s dedication and attention to detail that every element, from the instrumentation to the mixing, shines with clarity and professionalism.
28to15’s “99 Miles” EP is a refreshing addition to the contemporary classic rock genre. With the combination of catchy melodies, skillful songwriting, and introspective lyricism, the superb production is bound to attract diverse music enthusiasts. Whether you’re a lover of rock, pop, or anything in between, this EP offers a compelling listening experience that is poised to leave crowds craving more. So strap in, turn up the volume, and let 28to15 take you on a memorable musical journey that spans “99 Miles” of emotion, introspection, and pure rock ‘n’ roll bliss.
CLICK HERE TO STREAM 28to15’s “99 Miles” EP on Spotify.
Entertainment
Bad Bunny’s Super Bowl Halftime Show Just Swept The Emmys
Bad Bunny is officially an Emmy winner — and not just once. At Saturday’s Creative Arts Emmys, his Super Bowl LX Halftime Show swept every single category it was nominated in, all seven of them, making it the most-decorated nominee of the night.
The headline win was Outstanding Variety Special (Live), a category the show became only the third halftime show ever to claim. From there it just kept going: music direction, choreography, sound mixing, lighting design, technical direction and camerawork, and directing all went home with the Puerto Rican star’s team. There’s technically an eighth trophy with his name attached, too, though it won’t land in his hands — the “Saturday Night Live” episode he hosted last season separately won Outstanding Makeup for a Variety, Nonfiction, or Reality Program.
The sweep is good news for Jay-Z as well. As an executive producer on the halftime show, he now has two Emmys to his name, having previously won for producing Kendrick Lamar’s Super Bowl LIX performance in 2025 — the show that, until Saturday, held the record for most Emmys won by a Super Bowl performance.
Bad Bunny wasn’t the only one having a night. Sabrina Carpenter picked up her first Emmy as a performer and executive producer on “The Muppet Show,” edging out Taylor Swift’s “The Eras Tour | The Final Show” for Outstanding Variety Special (Pre-Recorded). The Billy Joel HBO miniseries “And So It Goes” won for sound mixing on a nonfiction program, and 50 Cent’s Diddy documentary “Sean Combs: The Reckoning” took home picture editing honors. A big weekend for live spectacle, all around.
Artist Spotlight
personalheartbreaker and ENCASSATOR unpack manipulation, obsession and remorse on “Sorry Eyed”
“Sorry Eyed” is a dark shoegaze and alternative rock ballad by personalheartbreaker and ENCASSATOR that explores the space between obsession, emotional dependence, manipulation, and remorse. The new single slowly reveals how reliance is a form of oppression, not just weakness. The result is a psychologically complex song that pulls you into a relationship where trust and exploitation are not mutually exclusive.
The track takes an unsettling emotional turn through its manipulator’s perspective in “Sorry Eyed.” At first, the narrator seems dependent on another person, as if they need comfort, connection, or support. But as the story progresses, that openness starts to resemble exploitation. The song’s heart is the power imbalance, where regret always clashes with self-interest.
This struggle gives the song its emotional weight, because the narrator knows the damage he’s causing but is still addicted to the perks of manipulation. The accompanying music video arrives September 30th and carries that story further with the angel’s trust, devotion, and sacrifice. What begins with faith in a fellow man ends in destruction and offers visual counterpoint to the song’s themes.
“Sorry Eyed” is a collaboration with ENCASSATOR, who produced, recorded, mixed, and mastered the song and played a major role in its development. That full creative engagement helps shape the single into one cohesive piece, where the track’s dark alternative rock, shoegaze identity doesn’t detract from the story but supports it. “Sorry Eyed” is a strong pick for fans who love exploring manipulation and complicated relationships.
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