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Roisin O’Hagan’s “I Ran (So Far)” Breathes New Life into 80’s Classic Of Nostalgic Synth-Rock Revival with Contemporary Pop Twist.

Roisin O'Hagan

Roisin O’Hagan, the talented singer-songwriter from Essex, UK, has once again captivated listeners with her latest single, “I Ran (So Far Away),” released on June 30th. Known for her heartfelt storytelling and authentic songwriting, Roisin takes on the challenge of reinventing the 80s smash hit by A Flock of Seagulls, infusing it with her own modern Rock/Pop sound.

“I Ran (So Far Away)” is an exciting departure from Roisin’s previous work, which showcased her pop/country influences. This cover release bridges her forthcoming project, signaling a shift towards a rockier musical direction. With this single, Roisin proves her versatility as an artist, seamlessly transitioning from one genre to another while maintaining her distinct style.

Staying true to the nostalgic essence of the original track, Roisin’s rendition embraces the synth-pop elements that defined the 80s. However, she adds her unique touch, infusing the song with fresh energy and captivating female vocals. The result is a modern twist on a beloved classic, appealing to fans of the original and newcomers alike.

Backed by a team of accomplished musicians, including ACM-nominated guitarist Tim Galloway, Roisin’s “I Ran (So Far Away)” pays homage to the musical traits and arrangement of the original while delivering a performance that feels entirely her own. The track’s flawless production allows Roisin’s voice to shine through and command attention.

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As an independent artist, Roisin’s dedication to her craft shines through in every aspect of her music. Her commitment to storytelling songwriting is evident as she seamlessly immerses listeners in her narrative. Drawing inspiration from legendary and modern artists, Roisin has crafted a timeless and contemporary sound.

With the release of “I Ran (So Far Away),” Roisin O’Hagan sets the stage for her upcoming original music, building anticipation for the new rock/pop direction she is exploring. Her cover is a testament to her artistic growth and showcases her ability to breathe new life into a classic, leaving us eagerly awaiting her future projects.

Roisin O’Hagan’s “I Ran (So Far Away)” is a nostalgic synth-rock revival with a modern pop twist that demands attention. Prepare to be enthralled by Roisin’s impeccable vocals, infectious energy, and captivating journey she takes you on through her music.

CLICK HERE TO STREAM Roisin O’Hagan’s “I Ran (So Far Away)” on Spotify.
CONNECT WITH Roisin O’Hagan: Instagram | Twitter

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Artist Spotlight

Loris Tils brings funk energy to life with “IKKI”

Loris

Loris Tils comes out swinging with “IKKI,” a single that comes with energy and musicianship right from the opening note. Borne on the unmistakable thump of Minneapolis Funk, the song surges forward with a groove that feels impressively designed and still wildly alive.

“IKKI” is a naughty conversation between slap bass and guitar, and the two instruments impressively craft around each other with both precision and flair, building a high-octane rhythm section that feels as tight as it is explosive.

The magic of “IKKI” is this tension, relentless discipline balanced by acrobats of daring improvisation. The energy never overwhelms the groove. Instead, it expands on it, making this song a celebration of rhythm, creativity, and instrumental chemistry.

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Connect with Loris Tils on Spotify || Facebook || Instagram || Youtube || Soundcloud

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Artist Spotlight

Glass Mansions turn a possible goodbye into “SUNSETTING”

Glass

Glass Mansions return with “SUNSETTING,” a new single that came together during some uncertain times for the project. What began as a mini farewell to music turned out to be among the band’s most authentic and openhearted efforts yet.

The back story of the song’s creation feels almost cinematic. The day the decision was made to quit music altogether, a message came through from some big-time music executive who had heard about the band’s first Ep and wanted to collaborate. The band had agreed to share unreleased demos on request, though they hadn’t prepared any. That urgency caused a combustion of creativity that would shape the song’s trajectory.

“SUNSETTING” was written, tracked, and recorded in a home studio with scratch vocals in roughly two hours. What could have been a thrown-together demo became a surprise breakthrough. Confronted with the prospect of delivering just one last song, the writing became rather reflective, what would you say if it were your final creative curtain call.

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“SUNSETTING,” produced by Zack Odom and Kenneth Mount alongside Orb Studios’ Taylor Webb, captures the urgency of its origin story but colors it with a new reflective emotional depth. The upshot is a song that feels at once improvisational and profound, an affirmation that, sometimes, when we think we’re reaching the end of something, it’s actually only setting in motion the most powerful of new starts.

Connect with Glass Mansions on Spotify || Instagram || Facebook || Youtube || Tiktok || Twitter ||  Soundcloud

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