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Tayshia Adams Reveals The First 3 Things She Did When She Became The New Bachelorette [Video]

On last week’s episode of The Bachelorette, we finally got to see the plot twist we all knew was coming: Clare Crawley opted to end her season early to pick contestant Dale Moss, leaving the other…

On last week’s episode of The Bachelorette, we finally got to see the plot twist we all knew was coming: Clare Crawley opted to end her season early to pick contestant Dale Moss, leaving the other men vying for her heart in the dust. After that, we were introduced to our new Bachelorette, Tayshia Adams.

ABC's "The Bachelorette" - Season 16

Source: Craig Sjodin / Getty

Tayshia is a fan favorite from Colton Underwood’s season of The Bachelor along with Bachelor In Paradise, so she’s not exactly new to this–but being the one in control of the whole process definitely changes things.

Following her introduction on last week’s episode, Adams (virtually) stopped by Jimmy Kimmel Live! to talk about her time as The Bachelorette, when she got the call, and how the process was different thing time around.

“As soon as I got the phone call, I said, ‘I have to do three things,’” Tayshia revealed on Kimmel. “Number one: I have to go run a mile because I just ate two donuts, number two: I have to scream into a pillow, because…what the hell just happened? And number three: I have to call my mom, and that’s exactly what I did.”

Check out the interview down below to see what we have in store for the rest of this season of The Bachelorette.

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Artist Spotlight

Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.

Seun Kuti & Egypt 80

Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.

The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.

The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.

The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.

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Artist Spotlight

Marsha Bartenetti reinvents in her own style “New York Minute”

Marsha Bartenetti

Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.

The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.

“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.

Connect with Marsha Bartenetti on Spotify || Facebook

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