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Tito Ortiz Claims COVID-19 Is A Liberal Conspiracy To Kill Old People
Since retiring from the UFC, Tito Ortiz has had some political aspirations and as it turns out, he is actually running for office. In fact, Ortiz is a huge Trump supporter and takes every single opportunity to show love to the President of the United States. This was especially true recently when he appeared on the “I Only Touch Greatness” podcast to speak on a plethora of topics.
Perhaps his most striking comments came late in the interview when he began speaking about the Coronavirus which has killed over a million people worldwide. In fact, Tito believes the virus is some sort of liberal conspiracy that aims to kill older people on social security.
“It’s all a political scam,” Ortiz said. “I just shake my head about it because there’s been a lot of people who’s lives have been taken away because of it. Once again, it’s population control by the left. They’re trying to take out all of the older people who are getting social security and so forth. It was made by a man, it’s a man-made virus and people need to understand that facts behind those things.”
This is perhaps one of the more unhinged conspiracies we have heard thus far, although, given his previous political takes, it’s not very surprising. Let’s just hope people don’t take him seriously, as that could lead to even more deaths.
Artist Spotlight
Wyn Calico create the need to support with his latest release “Support”
Wyn Calico steps into deeply personal territory with his latest single, “Support,” a heartfelt offering that addresses a feeling many people know, but rarely express so openly. It’s a song about the universal desire to be encouraged, recognised, and uplifted, turning personal frustration into a relatable message of resilience.
“Support” is a meditation on what it feels like to work tirelessly for something you want, but not have the support you need to fully achieve it. Wyn Calico expresses the emotional burden of wanting to make a difference, believing in your purpose, and still moving forward when you hit setbacks. The song is not only about disappointment, but also a rallying cry of resilience in the face of adversity.
This song also highlights an important truth, there are many talented and hard-working people out there who have everything it takes to make a difference, except the encouragement and opportunity to flourish. Wyn Calico’s lyrics and delivery shine a light on that struggle and offer a sense of solidarity to those in similar situations.
“Support” isn’t just a personal statement. It’s a conversation starter. It encourages us to think about the value of community, support, and believing in each other. Wyn Calico’s latest drop is honest, relatable, and emotionally driven, a powerful reminder that even in the moments of isolation, the desire to keep pushing forward is still stronger than ever.
Artist Spotlight
NNORDY steps into jazz fusion with latest release “Wrong Turn”
NNORDY’s latest release, “Wrong Turn” is a fully live jazz fusion album that showcases the limitless possibilities of instrumental storytelling with the remarkable chemistry between guitar, keyboards, bass, and drums. The song has no words but is an excellent story told through musicianship and sets the stage for listeners to embark on a rich jazz experience.
“Wrong Turn” shows the strength of live performance from the get-go. Each instrument feels alive and in conversation with the others, a dynamic dialogue that develops organically over the course of the piece. Without vocal guidance, each musical phrase is left to speak for itself, giving the listener the freedom to interpret the track in their own way.
The guitar and keyboards often lead, crafting complex melodic lines and textures that give the music direction and atmosphere. Meanwhile, the bass and drums lay down a solid rhythmic base, creating movement and momentum while still leaving a lot of room for exploration. NNORDY creates a track that both dedicated jazz fans and listeners looking for something adventurous and fresh will enjoy. “Wrong Turn” shows that instrumental music can be as expressive and compelling as vocal music.
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