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Today in Hip-Hop History: Lil Kim Releases Her Debut Album ‘Hard Core’ 24 Years Ago
On this day in 1996, Kimberly Jones aka Lil Kim defied all rap rules and released her first album, Hard Core, on the Atlantic/Big Beat/Undeas imprint. Following up on the heels…
On this day in 1996, Kimberly Jones aka Lil Kim defied all rap rules and released her first album, Hard Core, on the Atlantic/Big Beat/Undeas imprint.
Following up on the heels of Junior Mafia’s Conspiracy Theory album, the First Lady of Brooklyn’s JM family set out to recreate the image of female emcees and establish the sexy on the mic with not just her seductive and sometimes outlandish outfits, but also no-holds-barred lyrics. Kim broke new ground with Hard Core, a Hip-Hop version of Millie Jackson, with no filter in her description of her sexual exploits, which was only celebrated from a male POV until her coming.
Some of the stand out tracks from this album include the timeless “No Time” featuring Puff Daddy in the booth and behind the boards alongside a then-budding Stevie J. No one can forget the Stretch Armstrong-powered “Big Momma Thang” with Jigga and Lil’ Cease and of course, the hood love anthem “Crush On You” featuring Cease A Leo and Frank White himself.
Even commercially, this album can be placed in the ranks of the likes of Straight Outta Compton, and even B.I.G.’s debut, Ready To Die, with its success based off of the project’s merit instead of radio spins. Hard Core is certified double platinum by the RIAA and has sold over 5 million copies worldwide to date.
Salute to Lil Kim the Queen B for giving Hip Hop such a timeless piece of history!
The post Today in Hip-Hop History: Lil Kim Releases Her Debut Album ‘Hard Core’ 24 Years Ago appeared first on The Source.
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Bianca Censori Defies Hotel Dress Code in Scandalous Style with Kanye West
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Earlier this week, Bianca Censori and her husband Kanye West were spotted at the iconic Chateau Marmont for lunch. The Australian model, known for her daring fashion choices, turned heads yet again with her provocative outfit. Censori sported a tiny pair of shorts, black heels, and a revealing white bikini top, which undoubtedly caught the attention of both onlookers and the hotel staff.
Despite Chateau Marmont’s strict business casual dress code, Censori’s nearly nude appearance did not elicit any complaints from the staff. This is not the first time Censori has pushed fashion boundaries at the luxury hotel. Earlier this month, she made headlines by arriving in a thong and later in a sheer nude mini dress paired with long stockings, heels, and a tan hat, while Kanye shielded her from photographers.
As of now, Chateau Marmont has not commented on Censori’s repeated dress code violations. What do you think of Bianca Censori’s scandalous fashion statements at the Chateau Marmont? Share your thoughts in the comments and stay tuned to Honk Magazine for more updates.
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Keke Palmer Defends Tyler Perry Amid Misogyny Backlash, “The Real Enemy is the System!”
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In a recent episode of her podcast Baby, This is Keke Palmer, Keke Palmer hosted Tyler Perry, sparking intense discussions online. Perry’s comments, addressing long-standing criticisms that his films often depict Black women in distress, went viral. Defending his creative choices, Perry stated, “A large portion of my fans are disenfranchised. Who cannot get in the Volvo and go to therapy on the weekend. You’ve got this highbrow negro who is all up in the air with his nose up looking at everything… Don’t discount these people and say their stories don’t matter. Who are you to be able to say which Black story is important, or should be told? Get out of here with that bullsh*t.”
Perry’s remarks led to significant backlash, including accusations of misogyny. In response, Keke Palmer took to social media platform X to defend Perry. She argued that critics are misdirecting their anger. “The enemy isn’t Tyler, it’s the system that makes it hard for multiple black artists to shine at one time,” Palmer asserted. “Oppression turns you against the person that gets the shine opposed to questioning why there can only be so few at a time. Tyler is not the gatekeeper of all black stories; he’s just one creative who broke through the system. Advocating for others to do the same is the fight, not hating Tyler for his work that many do love.”
Palmer also highlighted Perry’s significant contributions to the Black community in a follow-up tweet, noting his employment of numerous Black individuals and urging followers not to “blame his movies for oppression.”
What are your thoughts on Keke Palmer’s defense of Tyler Perry amid the backlash? Share your opinions in the comments, and stay tuned to Honk Magazine for more updates.
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