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Travis Scott Explains Why He Really Deleted His Instagram Account

Getty Image A source near Travis insisted it wasn’t his off-color Batman costume that prompted the social media break. …

Despite having an excellent 2020 so far, Travis Scott opened the 11th month with a minor L after his Batman Halloween costume flopped with fans online. When Travis deleted his Instagram to kick off November, some assumed it was a response to the ridicule he received over his awkward All Hallow’s look. However, according to Page Six and a source near to the Houstonian rapper, Travis actually deleted his account to focus on being a dad.

“Halloween had nothing to do with it,” reads a quote in the report. “He is focusing on his family and their well-being and wants to influence his fans to do the same instead of being so consumed with social media.” Travis does have one daughter, Stormi Webster, with Kylie Jenner.

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Otherwise, Travis has been on an outstanding run throughout the year. Most recently, he narrated the launch trailer for the PlayStation 5 console and helped lift McDonald’s out of a pandemic sales slump thanks to his Quarter Pounder meal and its associated, wild merchandise. On the musical front, Scott racked up another two No. 1 hits as a result of collaborations with Young Thug (“Franchise“) and Kid Cudi (“The Scotts“). However, one rapper you won’t see him collab with anytime soon is Denzel Curry, who accused Scott of having a “funky” attitude during a Twitter Q&A with fans.

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Artist Spotlight

“Happy People Won’t Hear” by Arn-Identified Flying Objects and Alien Friends unmasks blissful melody on the edge

Arn-Identified Flying Objects and Alien Friends

Arn-Identified Flying Objects and Alien Friends explore the complexities of societal awareness in their latest single, “Happy People Won’t Hear.” The composition effectively combines an upbeat, melodic soundscape with starkly dark lyrics, offering a critical commentary on society’s inclination to navigate a world fraught with difficulties while remaining oblivious to its underlying issues. Initially featuring harmonies reminiscent of the Beach Boys, the track invites listeners with an aura of familiarity, only to gradually reveal poignant truths as the irony within the lyrics becomes increasingly evident.

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Listeners are exposed to a genre-blending experience co-produced by the esteemed David Myhr of The Merrymakers. “Happy People Won’t Hear” seamlessly integrates elements of power-pop, folk, and indie rock, all while maintaining a focus on lyrical depth and insight. As audiences believe they have comprehended the song’s rhythmic framework, the arrangement takes a whimsical and somewhat unsettling turn, transitioning into a 19th-century waltz that echoes the carefree essence of the 1960s and 1970s. This shift deepens the irony in the piece, highlighting the privilege of those frequently insulated from the turmoil around them.

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This genre transition serves as a calculated commentary on how the affluent often retreat into comfortable spheres, largely unaffected by external chaos characterized by oppression and violence. Repeated listening intensifies the contrast, compelling listeners to look beyond the cheerful melodies and confront the often-ignored aspects of reality.

The composition is bold, multilayered, and incisively sardonic, addressing the collective tendency toward silence and illustrating how melodies may unintentionally function as masks for underlying chaos. The track operates as a cautionary tale, intricately disguised within the framework of social entertainment, prompting reflection on whether any individuals in the audience are genuinely attuned to the message beneath the surface.

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CLICK HERE TO STREAM Arn-Identified Flying Objects and Alien FriendsHappy People Won’t Hear on Spotify.
CONNECT WITH Arn-Identified Flying Objects and Alien Friends | Instagram | Facebook |

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Artist Spotlight

Sunset Salore unleashes the brilliance of love as the inner demon slayer with her debut EP, “Love Kills The Monsters”

Sunset Salore

Melbourne-based singer-songwriter Sunset Salore steps into the spotlight as a noteworthy talent with the release of her highly anticipated debut EP, “Love Kills The Monsters.” This profoundly introspective seven-track odyssey brims with eclectic narratives centered around heartbreak, healing, and self-discovery, all cohesively interwoven through dynamic basslines, sultry rhythms, and an unmistakable Alternative Pop charm. From the initial note, Salore engages her audience in an intimate auditory adventure, peeling back the layers of personal demons and reflecting upon the trials of recent years with unfiltered authenticity.

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The EP commences with its title track, Love Kills The Monsters,” a euphoric exploration of love’s duality, encompassing its joyous aspects and darker nuances. Salore’s lyrics evoke an emotional tug-of-war, articulating the moments when love not only heals but manifests as a haunting force igniting them. It encapsulates the central thesis of the EP’s overarching notion that perhaps love has the potential to triumph over our deepest internal monsters. Her keen eye for life’s intricacies is evident, painting vivid portraits that resonate on multiple dimensions.

Subsequently, the second track, Hope,” shifts gear in tone to provide an uplifting perspective, presenting a soul-filled anthem that wraps listeners in a sense of warmth and validation. This piece highlights Salore’s versatility while serving as a poignant reminder of the presence of light amid adversity. Tracks like Call It deliver a compelling assertion of self-worth, capturing that defining moment when you recognize the necessity to exit a toxic relationship. With lyrics like “You just don’t seem to communicate” and “You shouldn’t have left me here,” Salore effectively conveys a potent dose of an alluring vibe on relatable themes grounded in authenticity, empowerment, and resilience.

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The fourth track, Feel,” continues to explore the therapeutic nature of music. Salore’s vocals harmonize beautifully with the rhythmic piano and a timeless fiery guitar, each note resonating sincerely.

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Mystery and Magic introduces another dimension to the EP with its upbeat approach to romance, reveling in the excitement of discovering someone new. Conversely, Potential echoes a more confidential vibe, emphasizing inherent potentials unintentionally unleashed in tumultuous circumstances. The concluding seventh track, Don’t Owe You Pretty,” acts as a powerful assertion of self-respect, highlighting Salore’s unwavering confidence while rejecting toxicity and reveling in resilience, thereby culminating the EP with an empowering sonic finish.

Produced by Spud Thompson and composed by Louise Acheson, “Love Kills The Monsters” is an exceptional debut that showcases Salore’s raw emotional honesty and talent for turning vulnerability into sonic strength as introspective as liberating. It reminds listeners that love, despite its complexities, may assist in confronting, slaying, and conquering their inner “monsters.” Sunset Salore’s masterful storytelling and musical artistry establish her as a vital new voice in pop, making this EP an essential listen for those seeking profoundly personal and universally relatable alternative pop music with substantial revelation.

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For more information about Sunset Salore, please visit [website].
CLICK HERE TO STREAM Sunset Salore’s EP Love Kills The Monsters on Spotify.
CONNECT WITH Sunset Salore | Instagram | Facebook |

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