Music
WAJI Captures The Full Scope Of A Failed Romance With New EP ‘The Pity Party’
The ultimate collection of anti season-of-love-anthems, The Pity Party explores heavy hearted subject matter with intensely captivating, energetic alt-pop beats.
Alt-pop artist WAJI delivers an epic collection of four infectious heartbreak anthems in their new EP, The Pity Party, out now. The tracks on the EP provide four different instances of failed romance; at its core, The Pity Party is a dynamic statement in spite of the season of love that can be such a painful time for many, especially those dealing with a recent heartbreak. For the artist, “[they] compiled it in hopes that heartbroken people wouldn’t feel so alone after hearing WAJI’s struggles.” Each song on the EP captures a vivid story invigorated with energetic pop beats. Producers Don Ozi and Enjahn collaborated with WAJI on this project, as well as mixing engineer kamenmakesmusic. WAJI poured themselves into each song on this EP in order to process the hardships recounted by each of the melancholic tracks.
“I want all the broken-hearted people to realize that we’re all in this together. Not all of us are swaying along to a generic love song playlist or eating horrible chocolate or receiving flowers that are definitely going to die due to neglect. Some of us are hurting, and that’s fine. We can all be part of ‘The Pity Party’ and hurt together.” – WAJI
The EP opens with lead single, “BMH,” which tells a heartfelt story of liberation from an abusive relationship with cascading pop instrumentation and a passionately anthemic chorus. For the artist, BMH represented an escapist fantasy in which they had the strength they needed to leave the reality of their abusive relationship. The second track on the EP, “Grieving,” reflects on the harrowing experience of a devastating heartbreak. WAJI’s somber lyrics intertwine perfectly with the harmonic tension that builds from airy synths and stacked background vocals. “HEA” (Happy Ever After) was added to the tracklist towards the end of the project. This energetic pop track – a striking collaboration between WAJI, Enjahn, and Don Ozi – quickly became one of the artist’s favorite pieces on the EP. In this story, WAJI is portrayed as the “nice guy” who desperately tries to “woo” their love interest, but ends up getting ditched for the “bad boy” with a motorcycle and leather jacket. The final track on The Pity Party, “WNB,” is the only track written and produced independently by WAJI. “WNB” tells the story of a romantic conflict rooted in lack of trust, and explores the argument from both perspectives. After the beat switches up following the second chorus, listeners get to hear the perspective of one of the lovers defending themselves against allegations of infidelity.
Listeners can stream The Pity Party on all major streaming platforms now.
More about WAJI:
WAJI is a colorful singer-songwriter known for their mesmerizing story telling abilities. Playful lyricism, catchy melodies, and relatable stories characterize the type of music listeners can expect from WAJI. Nigerian influences shine brightly through WAJI’s sound; artists like 2Baba and Asa are at the top of the list. They also gravitate towards artists like Bruno Mars and The Weeknd, who bring versatility, charisma, and confidence to their music. Having grown up in Port Harcourt, Nigeria, the now Georgia based artist made the transition to the U.S. to study mechanical engineering before diving into their music career. WAJI embraces the spotlight on every track as they deliver engaging melodies with creativity and playfulness. The songwriter channels their personal experiences into their music and offers a charming sincerity backed by a charming confidence. Despite their introverted nature, WAJI has no issue letting their personality and style shine through their music. Fans can expect new music from WAJI in 2022 while they excitedly anticipate the release of their upcoming EP.
Once in college, WAJI began exploring their personal identity and becoming more in touch with themselves than ever before. The social disapproval from their Nigerian peers made accepting the more intimate parts of themselves especially difficult; while life in the U.S. made it easier to live freely as their true self, the extreme cultural shift made it difficult for the artist to adjust. WAJI found themselves spending most of their day escaping reality through songwriting to cope with the burdens of frustration and isolation. The songwriter made the courageous decision to release one of the many stories they had stockpiled despite feelings of social anxiety and loneliness. Their first release on soundcloud, “Baby,” in 2019 was received a more than positive response from listeners. The artist joined MaxterMix Music Group Collective – a collaborative artist community – shortly after this release, and continued working to hone their craft with this newfound support system. For WAJI, they hope that listeners can find the same sense of freedom and release from their music that the artist feels while writing.
Artist Spotlight
GOODTWIN shares reflection with indie-pop single, “Soak It Up”
The indie-pop project GOODTWIN offers a subtly stirring new single, “Soak It Up,” that’s sort of like taking a deep breath after drowning out the world for so long. The track combines avant-garde jazz elements with their indie-pop sensibilities. “Soak It Up” is more of a quiet rallying cry than a rousing proclamation.
The song gently explores the push-pull of life between external pressures and inner peace, the feeling of being pulled in multiple directions while seeking a soft place to land. GOODTWIN’s leading force and vocalist, Gus Alexander, wrote the song in response to that insidious, yet understated, influence on modern life, and the need for validation, doing something useful with your time today, and, at the same time, being attractive enough to get what you need gutted from someone else.
“Soak It Up” offers an encounter with the concepts by attending to how it was made, with a focus on presence rather than performance and on significance over distraction. The balance between warmth and precision in the production is immaculate. The track, produced and engineered by Carly Bond and Germaine Dunes of Sound and Hearing at Altamira Sound, has a refined yet raw feel that doesn’t seem polished but rather suggests a human element, which suits its introspective tones.
Jack Doutt’s mastering adds another layer of depth to a soulfully rich composition, leaving enough space for each element to shine without overwhelming the others. The result is a cohesive, immersive sound that feels intentional throughout. For fans of indie-pop with a sprinkle of jazz, introspective verses, and emotionally driven production, the track is an exciting addition to GOODTWIN’s blossoming discography. It’s a piece of music that invites a slower tempo, that forces attentive listening, and, with it, an experience more fully lived.
Artist Spotlight
G3 the Plug moves like a ghost on latest release “Danny Phantom”
G3 the Plug goes darker with his new single, “Danny Phantom,” a moody slice of hip-hop whose chord, and melody-led chills make it feel less like a song and more like this state of mind you have after the witching hour. Emotionally understated and raw, the track embodies that quiet intensity of moving through the city when everything is far away and everything seems blurred, half-seen.
Built on a minimal trap foundation, “Danny Phantom” excels in its simplicity. The production is intentionally loose, leaving room for the emotions to breathe rather than smother. It’s a beat that doesn’t beg for attention, it settles in, serving as an enveloping setting that mimics the song’s motifs of isolation, motion and presence. Every bit of sound seems deliberate, supporting the introspective mood rather than competing with it.
G3 the Plug doubles down on understatement. He chisels away rather than overexplain, allowing space to pass like streetlights out a car window. It has that drifting feeling, of being in a place while actually not being there at all, that gives the album its ghostly contours. The title seems right, G3 floats through the track like a ghost, invisible but powerfully present, in landscapes where silence is as telling as language.
The key to making “Danny Phantom” stand out is its emotional honesty. This isn’t a track intended for the spectacle, it’s meant for reflection. It’s a record that speaks to anyone familiar with the sensation of being alone in motion, tumbling toward some destination and hauling thoughts up from the depths after dark. Lying in the land between underground rap and atmospheric hip-hop, “Danny Phantom” makes clear G3 the Plug’s capacity to convey mood through music without forcing it. It’s a slow-burn record, one that uncovers itself with more listens, with the music lingering long after its final beat.
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