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Wizkid And Burna Boy Reunite In The Flirtatious ‘Ginger’ Video

The two Nigerian superstars reunite for the first time since 2013 on the ‘Made In Lagos’ standout. …

Nigerian pop stars Wizkid and Burna Boy’s last official collaboration was in 2013 on Burna Boy’s L.I.F.E album cut “Jahs Love Is True.” Since then, though, both have become international superstars, been nominated for Grammys, and released well-received albums here in the US, propagating their Afro-fusion style beyond their home country. Now, they’ve reunited on Wizkid’s new album, Made In Lagos, and today, they released the video for their collab, “Ginger.”

The video is relatively straightforward, featuring the two artists performing in a massive studio as models dance and pose in front of the camera. They also share a game of Oware — otherwise known as mancala — atop a classic automobile.

Both stars have seen their profiles rise in the US over the past few years, largely as a result of their collaborations with stars here who’ve been tapped into their sound. Wizkid worked with Drake on “One Dance” in 2016, with Wale on his Shine album in 2017, and with GoldLink on Diaspora in 2019. Meanwhile, Burna’s path was less conventional; a coincidental song title mixup in 2018 led to an explosion of popularity, giving him a platform from which to launch his albums African Giant and Twice As Tall.

Watch the “Ginger” video above.

Burna Boy is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Artist Spotlight

Loris Tils brings funk energy to life with “IKKI”

Loris

Loris Tils comes out swinging with “IKKI,” a single that comes with energy and musicianship right from the opening note. Borne on the unmistakable thump of Minneapolis Funk, the song surges forward with a groove that feels impressively designed and still wildly alive.

“IKKI” is a naughty conversation between slap bass and guitar, and the two instruments impressively craft around each other with both precision and flair, building a high-octane rhythm section that feels as tight as it is explosive.

The magic of “IKKI” is this tension, relentless discipline balanced by acrobats of daring improvisation. The energy never overwhelms the groove. Instead, it expands on it, making this song a celebration of rhythm, creativity, and instrumental chemistry.

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Artist Spotlight

Glass Mansions turn a possible goodbye into “SUNSETTING”

Glass

Glass Mansions return with “SUNSETTING,” a new single that came together during some uncertain times for the project. What began as a mini farewell to music turned out to be among the band’s most authentic and openhearted efforts yet.

The back story of the song’s creation feels almost cinematic. The day the decision was made to quit music altogether, a message came through from some big-time music executive who had heard about the band’s first Ep and wanted to collaborate. The band had agreed to share unreleased demos on request, though they hadn’t prepared any. That urgency caused a combustion of creativity that would shape the song’s trajectory.

“SUNSETTING” was written, tracked, and recorded in a home studio with scratch vocals in roughly two hours. What could have been a thrown-together demo became a surprise breakthrough. Confronted with the prospect of delivering just one last song, the writing became rather reflective, what would you say if it were your final creative curtain call.

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“SUNSETTING,” produced by Zack Odom and Kenneth Mount alongside Orb Studios’ Taylor Webb, captures the urgency of its origin story but colors it with a new reflective emotional depth. The upshot is a song that feels at once improvisational and profound, an affirmation that, sometimes, when we think we’re reaching the end of something, it’s actually only setting in motion the most powerful of new starts.

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