Entertainment
Yo Gotti & Jay Z Sue Parchman Prison Over COVID-19 Outbreak
Yo Gotti and Jay Z are continuing their push for better regulations in Mississippi state’s penitentiary system. Earlier this year, the Roc Nation duo had secured legal representation for close to 200 inmates who had publicly claimed that they were experiencing deadly living conditions. According to BBC News, Jay Z and Team ROC had filed an initial lawsuit against the Mississippi Department of Corrections which revealed that inmates in the Parchman Farm/Prison were forced to endure in unsafe living environments which included a plethora of ailments including flooded cells, rat infestation, black mold, and undercooked meals that sometimes contained roaches, rat feces, and bird droppings. While Roc Nation’s prison reform initiative has been doing its best to aid the needs of the inmates at Parchman, a new threat has reared its ugly head endangering those imprisoned at the facility, COVID-19, despite the organization’s efforts to get in front of the virus during the early stages of the pandemic.
Arturo Holmes/Getty Images
In court documents obtained by Complex, the lawsuit allowed the inmates to take action against the prison’s new Department of Corrections Commissioner Nathan Burl Cain and Centurion, the healthcare provider for the Mississippi prison system. A novel coronavirus (COVID-19) questionnaire provided to the inmates by Yo Gotti, Jay Z, and Roc Nation revealed that the prisoners lacked the necessary protective equipment, social distancing procedures, and medical care for those suffering from symptoms of COVID-19. Multiple inmates also stated that they were suffering from symptoms of the potentially deadly disease without being properly treated for their ailments.
Yo Gotti released an official statement in the court lawsuit documents that reads,
“The situation in Parchman is dire. More and more of the incarcerated population are reaching out for help and pleading for immediate medical attention, especially as the coronavirus threatens their lives. Mississippi Governor Reeves, Commissioner Burl Cain and Centene — as the parent company of Parchman’s healthcare provider Centurion — can’t continue to neglect this tragedy and let the death toll rise. We will hold them accountable and fight for the rights of the incarcerated.”
Over the past couple of years, Yo Gotti has manifested one of the most inspiring glow ups in recent hip-hop history. He’s been able to obtain his masters, change his mindset, and shed a considerable amount of weight during his transformation. While both Yo Gotti and Jay Z do their best to reform the Mississippi State Penitentiary, it has to be a collective effort that society participates in to make sure that the masses are treated justly, even those in captivity.
Check out one of Yo Gotti’s latest IG snaps in the photo provided below.
Celebrity
Meek Mill Draws Mixed Reactions With Drill Take on Nico & Vinz’s “Am I Wrong”
Meek Mill has released a couple of songs that leaked online recently, giving fans a proper way to hear the tracks after they popped up over the weekend. “Philly Heathens” has been praised for its attention to street culture and youth affected by violence, but his other new album, “Am I Wrong,” has received a much more divided response.
“Philly Heathens” has been praised for its lyrics about street culture and the young people who get caught up in violence. “Am I Wrong,” however, takes a vastly different approach, remixing the song of the same name by Nico & Vinz as a drill centric interpolation.
“Am I Wrong” is now 12 years old, and its connection to the EDM sound of the time makes it especially recognizable to those who grew up with it. So Meek’s take is built on a familiar musical reference, but the response has been far from universally complimentary. A lot of the criticism has been directed at the hook. The production has also been called dated, but the track was leaked, which may explain its sound. But the strongest reactions have focused on Meek’s chorus vocals.
Read More: Drake Joins Karol G in Houston for First Live Performance of “Ahi”
Some of the responses have been good, though. Some listeners felt the track was a throwback to the blog era, while others thought the criticism targeted almost entirely the hook, not the song as a whole. One Reddit commenter wrote that the track was good, but the chorus was bad, suggesting that Meek’s performance on the rest of the song was better than the reception to the hook may suggest.
The different reactions demonstrate the contrast between Meek’s two new leaks. “Philly Heathens” has resonated with audiences for its subject matter, while “Am I Wrong” has sparked discussion due to its interpolation and vocal approach.
Both songs are now officially available on YouTube so that fans can decide for themselves. The response to “Am I Wrong” shows how difficult it is to reinterpret a well known song, especially when a recognizable hook becomes the centerpiece of the new version
Celebrity
Drake Joins Karol G in Houston for First Live Performance of “Ahi”
Drake made a surprise appearance in Houston this weekend, joining Karol G on stage for the first-ever live performance of their collaboration, “Ahi.”
The surprise appearance took place during Karol G’s show in Houston, where Drake jumped out from the bottom of the stage to perform the song with her. “Ahi” is the latest from Karol G’s project No Me Arrepiento de Sentir Tanto, and the Houston show marked the first time the pair had performed the collaboration together on stage.
Drake made his entrance to a loud reception from the crowd. The rapper popped out from under the stage, bowed to Karol G, hugged her, and launched into their collaboration. With “Ahi,” the performance was not over. Drake stayed on stage and carried on with the set, performing “Janice STFU” and “One Dance” and giving the Houston crowd a long set from the Canadian rapper.
The collaboration also sparked speculation about Drake’s upcoming music. A rumor started that Karol G was one of the collaborators on the project, along with Molly Santana and Future, days before ICEMAN is expected to drop. Future and Molly Santana were among the names on the rumored list, and Future ended up on “Run To Atlanta.”
Read More: Cardi B and Kehlani’s “Safe” Takes Best HipHop at the VMAs
Drake’s Houston appearance comes as he continues to promote music outside the traditional album release cycle. He released FOMO, a visual YouTube project featuring visuals for several songs from Habibti and Maid Of Honor nearly two weeks ago. The project also featured a couple of unreleased songs, including new material with Yeat and new unreleased music with Don Toliver.
Drake and Don Toliver have also dropped a remix of Ella Langley’s “Choosin’ Texas.” The remix has recently sparked speculation about the artists after re uploaded visuals allegedly erased all footage of Langley.
But the Houston show shifted the focus back to Drake and Karol G. The surprise appearance turned the stop into the first live showcase of “Ahi” for the audience, while Drake’s renditions of “Janice STFU” and “One Dance” extended his surprise time onstage. It also gave fans their first chance to see the two artists perform their collaboration together, adding a live chapter to the release of “Ahi. “
-
Album Review3 days agoLegends of the Seven Golden Vampires explore healing and personal growth on “The Pumphouse of Broken Dreams” [album]
-
Artist Spotlight3 days agoRicky’s Rebel Rabble honor family and remembrance through “Molly”
-
Artist Spotlight4 days agoT1M1 featuring Keybeaux confront artificial creativity with latest release “Hip Slop”
-
Artist Spotlight3 days agofor KING & COUNTRY celebrate faith and everyday joy on “the most beautiful colours”
-
Album Review3 days agoBrynja Rán finds clarity in complicated relationships on “Unblurred” [album]
-
Artist Spotlight4 days agoLil Bales unveils a love bomb on latest release “Rust”
-
Artist Spotlight1 day agoBoy Sim explores heartbreak and self-deception on “Cloud Nine”
-
Artist Spotlight4 days agoTerry Ennison examines faith, illusion, death, and transformation on latest release “Testimonial”

