Entertainment
T.I. Says His Names Should Be Mentioned Amongst The Greats Like Jay-Z & Kanye West
T.I. has been adamantly arguing with anyone who will listen about his place on the hip-hop stage lately. It all began when T.I. called out 50 Cent to match him in a Verzus battle. 50 responded, like the internet troll he is, with insults and jokes, which then escalated. The interaction opened up a wider conversation among the hip-hop culture as to which artist has more hit records. Debates sparked online, comparing everything from flow and cadence, to lyricism and features. Of course, T.I. has touted his illustrious catalog as the haymaker to dead the debate, but 50 Cent supporters aren’t budging.
T.I. sat down to speak with Big Boy about the ongoing online debate, and was borderline offended that people would even value him lower than a legend. “All the names that people be saying… I don’t think people realize who I am,” grunts T.I. sharply. “I don’t think y’all really know who I am. I don’t think y’all remember what I’ve done bro. I don’t think y’all know. Just cause I don’t jump up, step up on tables, kick over tables, and demand you to pay attention to me, that don’t mean… Listen, man. You ‘gon have to put mine up there. When you talk about careers, and legacies, and accomplishments, you gotta put me up there… You gotta go talk to Jay-Zs, you gotta go talk to Kanyes. You gotta go talk to Lil Waynes.” Do you think T.I. is a top rapper of all time?
Artist Spotlight
Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.
Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.
The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.
The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.
The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.
Connect with Seun Kuti & Egypt 80 on Spotify || Instagram || Facebook || Youtube
Artist Spotlight
Marsha Bartenetti reinvents in her own style “New York Minute”
Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.
The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.
“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.
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