Entertainment
Snoop Dogg Apologizes To Wife For “F*ckin’ ‘Round With That Lame B*tch”
Today, Problem released the remix to “Don’t Be Mad” ft. Snoop Dogg and Freddie Gibbs. Though many took it for a celebration of two of West Coast’s finest and Gangsta Gibbs joining forces for a massive remix, a few people overlooked Snoop’s verse which seemingly addressed the Celina Powell scandal.
“I’m tired of sayin’ sorry for the same shit
Damn near lost my queen, fucking ’round with that lame bitch
Ashamed of myself ’cause I shamed you
Good or bad, right or wrong, we always bang through.”
Though no names were mentioned, Snoop Dogg’s found himself entangled in the scandals over Celina Powell over the years. Given just how recently Snoop and Celina’s affair resurfaced into the public discourse, it would only make sense that the “lame bitch” is in reference to the self-proclaimed “Black Widow.”
In 2018, she attempted to “expose” Snoop Dogg for having an affair with her before he flipped the scandal on her as if it were part of some massive investigative reality show called Clout Chasers. That show has not launched nor has there been an update since then.
It was 6ix9ine who reignited the flame earlier this year after the two got into a back-and-forth on social media. Tekashi shared a video of an alleged encounter Celina had with Snoop Dogg. Clearly, this verse was meant to be a public apology for even having to deal with this mess.
Check out the track below. Who do you think had the best track on the song?
Artist Spotlight
Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.
Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.
The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.
The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.
The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.
Connect with Seun Kuti & Egypt 80 on Spotify || Instagram || Facebook || Youtube
Artist Spotlight
Marsha Bartenetti reinvents in her own style “New York Minute”
Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.
The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.
“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.
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