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Trump Calls Catching COVID-19 “A Blessing From God” In White House Video

After spending a few days in the hospital receiving treatment for COVID-19, President Donald Trump is back in the White House. America’s controversial leader has been reguarly updating his world audience since he was released from Walter Reed Hospital, and just hours ago he returned with a video where he spoke about his treatment, his plans for coronavirus patients currently battling COVID-19, and why he believes his diagnosis was a “blessing in disguise.”

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“Perhaps you recognize me, it’s your favorite president, and I’m standing in front of the Oval Office at the White House which is always an exciting place to be,” said Trump. “I got back a day ago from Walter Reed medical center. I spent four days there. Didn’t have to. I could have stayed at the White House but the doctor said because you’re President, let’s do it. I said fine. You tell me what to do and I’m gonna listen.”

He praised the doctoral staff at Walter Reed before giving a nod to all hospital care and law enforcement workers, as well as firefighters around the country. “I went in, I wasn’t feeling so hot and within a very short period of time, they gave me Regeneron and other things, too. I think this was the key. But they gave me Regeneron and it was like, unbelievable. I felt good immediately. I felt as good three days ago as I do now.”

The President added that he authorized the emergency use of Regeneron and other drugs to help those in dire need, stating that they would be available for free. He also gave an update on companies who have been working on finding a COVID-19 vaccaine, but said in the meantime, he wants to see citizen treated with the same care that he received.

“I want everybody to be given the same treatment as your President,” Trump said. “‘Cause I feel great. I feel like, perfect. So, I think this was a blessing from God that I caught it. This was a blessing in disguise. I caught it, I heard about this drug, I said let me take it, it was my suggestion, and it was incredible the way it worked.” Watch his update in its entirety below.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

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RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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Kieran James Honors Memory with “Part of the Grind”

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Singer-songwriter Kieran James delivers a devastating new single with “Part of the Grind,” a track to tackle the tangled emotions behind loss and memory. A love letter penned to a close friend who faced severe cognitive decline, the song’s emotional heft feels universal yet heartbreakingly personal.

Set to delicate instrumentation and achingly sung vocals, “Part of the Grind” is both a lament and an honoring, a means of remembering while addressing the unavoidable cost of time and illness. His voice floats, leaving room for silence and the long pauses that so often come with grief. But in that silence, there is warmth as well, a refusal to let memory be totally extinguished.

Resilience is also implied in the song’s title, a reminder that even in heartbreak, life goes on and holding the memory of someone stays with the rhythm of everyday living. it’s an anthem for anyone who has ever looked on witnessing decline, mixed sorrow with love.

In Kieran James’s “Part of the Grind,” we hear music as well as go behind it. He gives us room feel, to mourn, and to honor. In the process, he turns private pain into something achingly universal, a song for everyone who has either loved or lost.

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