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Megan Thee Stallion Calls Out Hater Doubting Her Stance On “#ProtectBlackWomen”

“#ProtectBlackWomen” has been a major topic of conversation in the last few months, being amplified in the last two weeks because of Megan Thee Stallion’s statements supporting the movement. 

During her appearance on Saturday Night Live, Megan used the platform to spread awareness and explain how Black women are the most disrespected people on the planet. Today, she penned an op-ed for the New York Times about her own experience, detailing her shooting, which allegedly happened at the hands of Tory Lanez.

“After a lot of self-reflection on that incident, I’ve realized that violence against women is not always connected to being in a relationship. Instead, it happens because too many men treat all women as objects, which helps them to justify inflicting abuse against us when we choose to exercise our own free will,” said Megan in the piece. “The issue is even more intense for Black women, who struggle against stereotypes and are seen as angry or threatening when we try to stand up for ourselves and our sisters. There’s not much room for passionate advocacy if you are a Black woman.”

Megan has been championed on social media for her words but still, there are those doubting her story and truly disrespecting the artist in her mentions. She took the time to respond to one person in particular.

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If @theestallion is taking advantage of this #PROTECTBLACKWOMEN and pandering, she gonna lose a lot of fans when the facts comes out,” wrote one person, suggesting that she’s lying about the shooting at the end. 

Megan put them on blast and said the following: “This is exactly the type of dumb comment that makes me scream PROTECT BLACK WOMEN. Please tell me why I would need to lie abt being shot to promote the protection of women… like out of all the things to lie about … this is sad coming out of a BLACK MAN’S MOUTH.”

Hopefully, people start to respect Meg because she’s currently speaking about an issue that some people really need to pay attention and listen to.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

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RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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Kieran James Honors Memory with “Part of the Grind”

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Singer-songwriter Kieran James delivers a devastating new single with “Part of the Grind,” a track to tackle the tangled emotions behind loss and memory. A love letter penned to a close friend who faced severe cognitive decline, the song’s emotional heft feels universal yet heartbreakingly personal.

Set to delicate instrumentation and achingly sung vocals, “Part of the Grind” is both a lament and an honoring, a means of remembering while addressing the unavoidable cost of time and illness. His voice floats, leaving room for silence and the long pauses that so often come with grief. But in that silence, there is warmth as well, a refusal to let memory be totally extinguished.

Resilience is also implied in the song’s title, a reminder that even in heartbreak, life goes on and holding the memory of someone stays with the rhythm of everyday living. it’s an anthem for anyone who has ever looked on witnessing decline, mixed sorrow with love.

In Kieran James’s “Part of the Grind,” we hear music as well as go behind it. He gives us room feel, to mourn, and to honor. In the process, he turns private pain into something achingly universal, a song for everyone who has either loved or lost.

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