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21 Savage & Metro Boomin’s “Savage Mode II” Not An “Official” Pen & Pixel Cover
When 21 Savage and Metro Boomin unveiled the nostalgic album cover for Savage Mode II, it was quickly reported to have been laced by Pen & Pixel. For those who don’t know, Pen & Pixel was originally founded by brothers Shawn and Aaron Brauch, who previously worked at J. Prince’s Rap-A-Lot Records. Since transitioning into graphic design, they went on to lace countless classic covers including Snoop Dogg’s Da Game Is To Be Sold, Not To Be Told,Let Em Burn by the Hot Boys, Doin Thangs by Big Bear (an arguable best, according to some), 400 Degreez by Juvenile, and many more.
And though Pen & Pixel did work on designing the cover for Savage Mode II, the final version was different from the design they contributed. During an interview with the Breaking Atoms podcast, Shawn Brauch broke down their involvement in Savage Mode II, and how it ultimately went on to change in the final released version.
“The cover that you see out there has elements of the original cover,” he explains. “The full cover was done and done to the specifics that were indicated, and the team came back and said ‘we want to make these major changes.’ However, the deadline was the 17th and they came back to me on the 16th. And I was like ‘But I got it done on the 14th because you had a major deadline for release on the 17th.’ But they were like ‘we want to make these major changes’ and I was like ‘wow, that is shocking to me after going through all of these details and I said my heart is not in that.”
“I said I could certainly do that for you,” he continues. “I said I’ll send you a new invoice and we can move on to what your changes are going to be, and I never heard from them again. And I delivered my deliverables to them and I never heard from them again. And then the next time I see the cover come out, I’m like ‘wow, so that’s it’. I was shocked to see it come out, obviously, and I was shocked to see that there were that many changes done to the cover.”
From the sound of it, the designing process of Savage Mode II’s beloved cover was not as smooth as initially believed. For those interested in checking out the original artwork as designed by Pen & Pixel, you can do so at their official website right here. While not entirely dissimilar, it’s clear that there were a few creative differences given the changes made — not to mention the disappointment evident in Brock’s statement. Be sure to catch the full interview with Shawn Brock on Breaking Atoms when it drops on October 20th. Which cover do you prefer?
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Artist Spotlight
Billy Chuck Da Goat finds his flow on new release “Vibez”
Billy Chuck Da Goat’s latest release, “Vibez,” has a laid-back, hypnotic bounce that makes it easy to listen to without ever feeling empty. It makes a place where calmness and quiet confidence come together.
“Vibez” was made on purpose, but it also sounds simple. Billy Chuck’s smooth delivery flows through the production without rushing or pushing anything. Instead, he lets the rhythm breathe, allowing people to get into the song at their own pace. This laid-back energy is the best part of the song, nothing feels forced, which is exactly what it’s trying to do.
The track changes to fit whatever you need it for, like a late-night drive, a focused workout, or a way to unwind after a long day. It has a quiet edge of confidence, it’s not loud or bragging, but it’s steady and sure of itself.
Connect with Billy Chuck Da Goat on Spotify || Instagram || Facebook || Youtube
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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”
François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.
François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.
The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.
“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.
Connect with François Marius on Spotify || Instagram || Facebook || Youtube || Twitter || Soundcloud
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