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Offset Teases “Culture 3” With Promising Migos Snippet

Only a few years ago, Migos were on the verge of oversaturating the game, releasing Culture 2, countless singles, Quavo’s Quavo Huncho album, Takeoff’s The Last Rocket, and Offset’s Father Of 4 in quick succession. Though the group was previously hailed as one of the game’s most refreshing, especially after the release of the critically acclaimed Culture, many fans proceeded to sour on the Atlanta trifecta. As a result, the once-anticipated Culture 3 was pushed back indefinitely, with the group only now beginning to test the waters once more.

Migos Culture 3

Ilya S. Savenok/Getty Images

In truth, some of the recent album material has been promising — especially the YoungBoy Never Broke Again-assisted “Need It,” which featured a solid flip of 50 Cent’s “Get In My Car” and some impressive back-and-forth rhyming. Following its release, Offset took a moment to preview a new unreleased track from the upcoming project, one that has once again elicited some positive feedback from the fanbase.

Though Offset only provides a glimpse at what sounds like a chorus, the track appears to be a reflective one by Migos standards. Handling the chorus, Quavo proceeds to walk through a rough timeline of the group’s rise throughout the game. “2014 we was trapping hard, 2015 we started taking off,” he sings, over a smooth instrumental. “2016 we had to stay clean, 2017 I upped the price of lean.” Unfortunately, that’s about all Offset decides to share for the time being — did it succeed in getting you hyped for Culture 3?

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Artist Spotlight

Billy Chuck Da Goat finds his flow on new release “Vibez”

Billy Chuck Da Goat’s latest release, “Vibez,” has a laid-back, hypnotic bounce that makes it easy to listen to without ever feeling empty. It makes a place where calmness and quiet confidence come together.

“Vibez” was made on purpose, but it also sounds simple. Billy Chuck’s smooth delivery flows through the production without rushing or pushing anything. Instead, he lets the rhythm breathe, allowing people to get into the song at their own pace. This laid-back energy is the best part of the song, nothing feels forced, which is exactly what it’s trying to do.

The track changes to fit whatever you need it for, like a late-night drive, a focused workout, or a way to unwind after a long day. It has a quiet edge of confidence, it’s not loud or bragging, but it’s steady and sure of itself.

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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