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Lil Bibby Announces He’s Coming Out Of Retirement
These days, Lil Bibby is one of the primary sources for anything happening with Juice WRLD’s posthumous releases. He has been hounded by fans to drop more of the unreleased material that the late Chicago rapper previewed prior to his untimely death and, generally, he’s been a great source of news regarding their plans for the future.
As the head of Grade A Productions, Lil Bibby worked hand-in-hand with Juice WRLD before his passing. He is also working with Australian standout The Kid LAROI, one of Juice’s proteges. However, it seems as though he’s been wanting to return to the microphone himself, announcing that, in a month’s time, he will be coming out of retirement to release some new music.

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Having stuck to his retirement pretty strictly, it looks like the pandemic has got to Lil Bibby and he can’t help himself from releasing something, making the revelation on Twitter.
“I’m moving back to Chicago and I’m coming out of retirement in 30 days,” wrote Bibby.
In his replies, a bunch of Juice WRLD fans are begging for new posthumous releases, calling out the songs they’d like to see on streaming services. Overall, it doesn’t look like people are too excited for Lil Bibby’s personal return… or maybe they just don’t remember what his music sounds like.
What are you expecting from him?
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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”
RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.
Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.
“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.
With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.
Connect with Morpheus von Dobenhausen on Spotify || Instagram || Facebook || Youtube || Tiktok
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Kieran James Honors Memory with “Part of the Grind”
Singer-songwriter Kieran James delivers a devastating new single with “Part of the Grind,” a track to tackle the tangled emotions behind loss and memory. A love letter penned to a close friend who faced severe cognitive decline, the song’s emotional heft feels universal yet heartbreakingly personal.
Set to delicate instrumentation and achingly sung vocals, “Part of the Grind” is both a lament and an honoring, a means of remembering while addressing the unavoidable cost of time and illness. His voice floats, leaving room for silence and the long pauses that so often come with grief. But in that silence, there is warmth as well, a refusal to let memory be totally extinguished.
Resilience is also implied in the song’s title, a reminder that even in heartbreak, life goes on and holding the memory of someone stays with the rhythm of everyday living. it’s an anthem for anyone who has ever looked on witnessing decline, mixed sorrow with love.
In Kieran James’s “Part of the Grind,” we hear music as well as go behind it. He gives us room feel, to mourn, and to honor. In the process, he turns private pain into something achingly universal, a song for everyone who has either loved or lost.
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