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Ceraadi Effortlessly Blends Hip Hop & R&B On “#GRWM” EP Ft. DDG

It’s been a little over a year since Roc Nation duo Ceraadi shared their Ceraadi’s Playlist EP, and fans of the sisters—Emaza and Saiyr Gibson—have been pestering them about new releases. They’ve shared singles “Favorite” and most recently “BFF,” but the ladies are ready to have their moment to demand their place in the Hip Hop-R&B scene. On Friday (October 23), Ceraadi shared their seven-track project #GRWM, an acronym that translates to Get Ready With Me. The sisters recently spoke to us about their record, describing #GRWM as a project that has “different messages for women” but also makes room for the fellas to vibe, as well.

“Hip Hop evolved—like it’s literally not like how it used to be anymore—I think people need to do the same for R&B,” said Emaza. “I definitely feel like R&B has a stronger root, though… I think people should be more open to new R&B. R&B [has been] more of a traditional genre [whereas] Hip Hop is more experimental.” Stream #GRWM by Ceraadi and listen to the two artists color outside of the R&B lines.

Tracklist

1. BFF
2. Favorite
3. She’s Ain’t Me ft. DDG
4. On God
5. Out My Face
6. Red Button
7. Secure The Bag

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Artist Spotlight

Billy Chuck Da Goat finds his flow on new release “Vibez”

Billy Chuck Da Goat’s latest release, “Vibez,” has a laid-back, hypnotic bounce that makes it easy to listen to without ever feeling empty. It makes a place where calmness and quiet confidence come together.

“Vibez” was made on purpose, but it also sounds simple. Billy Chuck’s smooth delivery flows through the production without rushing or pushing anything. Instead, he lets the rhythm breathe, allowing people to get into the song at their own pace. This laid-back energy is the best part of the song, nothing feels forced, which is exactly what it’s trying to do.

The track changes to fit whatever you need it for, like a late-night drive, a focused workout, or a way to unwind after a long day. It has a quiet edge of confidence, it’s not loud or bragging, but it’s steady and sure of itself.

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

Connect with François Marius on Spotify || Instagram || Facebook || Youtube || Twitter || Soundcloud