Music
Tyler The Creator Reveals His Scrapped 2020 Grammys Performance Plan And It Was Intricate
Getty Image The rapper ended up taking the stage with Boyz II Men, Charlie Wilson, and an army of clones. …

Little did we know at the time, but this year’s Grammys was one of the last awards shows to be held in person for a while. The night saw countless memorable moments, like when Billie Eilish became the youngest artist to win a Grammy in all four major categories. The ceremony also featured some captivating performances as well. Tyler The Creator was joined by Boyz II Men, Charlie Wilson, and an army of clones for a rendition of Igor tracks “Earfquake” and “New Magic Wand.” Now, offering insight into the set, Tyler has revealed that his original performance plan was more complex.
the original grammy idea; killed the car and zoot suits; took it home pic.twitter.com/zadobfjXmQ
— Tyler, The Creator (@tylerthecreator) November 3, 2020
Tyler stumbled upon his lofty mock-up for his performance and shared it with his fans today. The rapper had sketched out his vision down to the second, and it involved a moving car and custom-made zoot suits. Apparently, Tyler had wanted to pull up on top of a moving vehicle to face the evil head of the imaginary Igor Corp. The rapper would have still summoned his look-alikes to aid in the performance and engage in a scuffle behind his car while he performed
Boyz II Men and Charlie Wilson didn’t end up wearing full-on zoot suits in Tyler’s performance. However, they did still take some inspiration from the rapper’s original vision and sport bright red suits.
Check out Tyler’s original plan above and revisit his actual Grammys performance here.
Artist Spotlight
Alwyn Morrison explores betrayal, judgment, and survival on new EP “Trial”
Life isn’t always a straight line, and Alwyn Morrison explores that in “Trial,” a four-track EP that goes beyond the familiar territory of love and heartbreak. The project blends pop, rock, and singer-songwriter influences, exploring themes of betrayal, false accusations, emotional pain, self-defense, and survival. Each track is inspired by courtrooms and is a step in a personal journey of understanding, acceptance, and ultimately freedom.
The first track, “Puzzle Piece,” is Morrison’s raw, heavy alternative rock sound, fitting the weight of betrayal and false accusations. The song has a sense of tension, putting you in the shoes of someone trying to understand a difficult situation. Followed by “Everybody Bleeds,” which follows that emotional path, creating a song about confusion, openness, and the struggles we all face, and it’s an emotional listen, with hard truths and personal experiences laid bare.
The project’s focus track, “Monster,” goes into more personal territory. It explores what happens when we are judged or condemned for the choices we make, and it carries a message that goes far beyond Morrison’s own experience. The central theme will strike a chord with anyone who has felt misunderstood, unfairly labeled, or defined by others’ opinions.
The EP closes with “Fireflies,” a track that shifts the mood, contrasting childhood innocence and memories with the realities of adult life. The sequence moves the story toward resilience, survival, and earned acceptance. Alwyn Morrison spins a musical tale of hard life experiences put to the test. The courtroom concept gives the four songs real purpose to move on without letting past experience dictate the future.
Artist Spotlight
Fanny Alexandra explores emotional recovery and self-discovery on “Ceasefire”
Not every fight ends a relationship, and there could be long-term emotional damage, with questions about identity, attachment, and the difficult path to moving on. “Ceasefire” is a ghostly alternative rock ballad in which Fanny Alexandra navigates difficult terrain, exploring emotional dependency and the search for selfhood after a toxic relationship.
“Ceasefire” is full of sad melodies and hints of atmospheric rock, making it a dark, cinematic listen. The song’s alt-rock pivot provides an emotionally charged foundation, and it’s about the internal battle, especially when your identity has been so tied to another person.
Fanny Alexandra’s ethereal vocal approach suits the song, lending real emotional weight to the exploration of self-loss and internal tension. “Ceasefire” is a reflective track, with atmospheric instrumentation and deeply personal songwriting that capture feelings that can linger long after a tough chapter closes.
It’s about finding yourself again, and its emotional arc moves from openness and dependence to the hard-earned discovery that personal freedom is more than just walking away. Fanny Alexandra’s love for dark, emotional alternative music inspired “Ceasefire.” Her art is about intimate storytelling, cinematic atmosphere, and making music that explores the quieter struggles people tend to keep inside. In this record, she turns the fallout from a toxic relationship into a meditative reflection on the long road to selfhood.
-
Album Review3 days agoLegends of the Seven Golden Vampires explore healing and personal growth on “The Pumphouse of Broken Dreams” [album]
-
Artist Spotlight3 days agoRicky’s Rebel Rabble honor family and remembrance through “Molly”
-
Artist Spotlight4 days agoT1M1 featuring Keybeaux confront artificial creativity with latest release “Hip Slop”
-
Artist Spotlight3 days agofor KING & COUNTRY celebrate faith and everyday joy on “the most beautiful colours”
-
Album Review3 days agoBrynja Rán finds clarity in complicated relationships on “Unblurred” [album]
-
Artist Spotlight4 days agoLil Bales unveils a love bomb on latest release “Rust”
-
Artist Spotlight1 day agoBoy Sim explores heartbreak and self-deception on “Cloud Nine”
-
Artist Spotlight4 days agoTerry Ennison examines faith, illusion, death, and transformation on latest release “Testimonial”

