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Tyler The Creator Reveals His Scrapped 2020 Grammys Performance Plan And It Was Intricate

Getty Image The rapper ended up taking the stage with Boyz II Men, Charlie Wilson, and an army of clones. …

Little did we know at the time, but this year’s Grammys was one of the last awards shows to be held in person for a while. The night saw countless memorable moments, like when Billie Eilish became the youngest artist to win a Grammy in all four major categories. The ceremony also featured some captivating performances as well. Tyler The Creator was joined by Boyz II Men, Charlie Wilson, and an army of clones for a rendition of Igor tracks “Earfquake” and “New Magic Wand.” Now, offering insight into the set, Tyler has revealed that his original performance plan was more complex.

Tyler stumbled upon his lofty mock-up for his performance and shared it with his fans today. The rapper had sketched out his vision down to the second, and it involved a moving car and custom-made zoot suits. Apparently, Tyler had wanted to pull up on top of a moving vehicle to face the evil head of the imaginary Igor Corp. The rapper would have still summoned his look-alikes to aid in the performance and engage in a scuffle behind his car while he performed

Boyz II Men and Charlie Wilson didn’t end up wearing full-on zoot suits in Tyler’s performance. However, they did still take some inspiration from the rapper’s original vision and sport bright red suits.

Check out Tyler’s original plan above and revisit his actual Grammys performance here.

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Artist Spotlight

“Subterranean Homesick Blues” finds a new direction through Ghost of Panama

Ghost of Panama

Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.

This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.

“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.

Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.

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Artist Spotlight

“NO MORE” by Amanda Holley connects healing, awakening, and survival

Amanda Holley

“NO MORE carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.

“NO MORE is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.

Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.

“NO MORE is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.

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Photo Credit: Yulia Shusharina

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