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Rico Nasty Is A Destructive Force In Her Defiant ‘Oh Fr?’ Video

Rico Nasty detailed the creation of her album ‘Nightmare Vacation’ with Zane Lowe as she debuted the project’s latest single. …

Now that Rico Nasty‘s debut album Nightmare Vacation has an official release date, she and her team have turned the dial on the album’s promotion up to full. Following up “Don’t Like Me” with Don Toliver and Gucci Mane, Rico shared her latest single, “Oh Fr?,” debuting the new track on Apple Music Radio.

Of the new track, Rico told Apple Music’s Zane Lowe working with 100 Gecs again was “so natural… As soon as I heard the beat, I heard eight seconds and I just went right in there. Just like the other ones. I love it.” She also credited her A&R with introducing her to the genre-bending duo, saying, “I heard about 100 Gecs from my A&R. I’m always asking him to put me on to weird sounding sh-t. I was looking for something. I like ear orgasms. I like stuff that might be normal to another person to listen to, but it just tickles my fancy.”

She also revealed more about the process of making Nightmare Vacation while in quarantine. “I had my ego shot down a little bit by quarantine and just by growing up in general,” she said. “I just think this whole project, it was made during the time where this is probably the first time in my life where I wasn’t on ’10,’ as far as confidence. Within myself, my personal life, normally everything’s great. And making this album just started getting real tricky balancing life.”

“That’s why I named it Nightmare Vacation because all the sh*t that I was scared of at one point, scared to do and scared to say, it just became my second nature,” she elaborated. “I want to say that sh*t, I don’t care if I hurt somebody’s feelings. I’m going to wear it. I don’t care if I get dirty looks. Just et cetera, et cetera, it goes on and on. Nightmare Vacation is really just about being yourself, your truest self, going through things that people tell you you can’t get out of and getting out of them, coming out a rockstar.”

Nightmare Vacation is due 12/4 via Atlantic Recordings.

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Rico Nasty is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Artist Spotlight

Mamas Gun and Brian Jackson shines light on the truth on latest release “DIG!”

Mamas Gun

Mamas Gun makes a strong comeback with their new single “DIG!.” The track sounds more like a strong statement of intent than just a release. The UK band is known for its smooth blend of blue-eyed soul and traditional black music. They show once again that they can make music that sounds both thoughtful and very new, while still being real, emotional, and sophisticated.

“DIG!” was recorded directly onto analogue tape, and every note has warmth, grit, and soul. The production choice gives the music a rich, natural sound that complements the band’s unique groove. It is a piece of music that makes people slow down, really listen, and experience it rather than hear it.

Adding famous collaborator Brian Jackson, whose vocals, keyboard, and flute give the song a timeless elegance, adds even more depth and magic. Jackson is known for working with artists such as Stevie Wonder, Gil Scott-Heron, Roy Ayers, and Earth, Wind & Fire. His addition makes the song something truly special. His reunion with Andy Platts, the lead singer of Mamas Gun, almost twenty years after they first worked together creatively in New York, gives “DIG!” a very personal touch that can be felt throughout. “DIG!” sets a strong mood based on connection, art, and essence. Mamas Gun not only goes back to their roots but also makes them stronger. This song is heartfelt, timeless, and completely captivating.

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Artist Spotlight

Bromsen crafts a suspension between attachment and release in new single “Concendrain”

Bromsen

Bromsen’s latest release, “Concendrain,” is very immersive and lives in the space between control and disintegration. The song smoothly shifts from focused to tired, from connected to free, and captures a complex emotional balance that is both personal and universal.

“Concendrain” starts slowly and carefully, the structure has layers that change over time, so each part can come out on its own without any stress or hurry. As time goes on, electronic textures begin to emerge, giving the music a mood that eventually turns into rock-infused energy. These different sounds don’t clash, they work together to create a track that is alive, fluid, and always changing.

The guitar, voice, and rhythm should all work together on the song. These parts don’t compete for attention; instead, they work together to make a smooth flow that pulls the listener into the song’s emotional depth. The arrangement features vocals that complement complex guitar lines and a steady beat that keeps everything in line.

“Concendrain” is really interesting because it has two sides. The track is about the fight in your head between giving up and pushing through, and between staying focused and giving in to tiredness. Bromsen and Reatsch work together to make something that looks natural and well-made. “Concendrain” doesn’t try to be cool or follow trends. Instead, it gives you a slow experience that you should really pay attention to. “Concendrain” is a powerful and thought-provoking work that sticks with you long after the last note has faded away. It stands out because its structure changes, its atmosphere is rich, and its emotions are strong.

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