Music
Kash Doll, DJ Infamous, Mulatto, And Benny The Butcher Show Why The Competition Is Mad With ‘Bad Azz’
The new song was premiered during Gucci Mane and Jeezy’s Verzuz battle. …
Detroit’s Kash Doll returns to smash on the competition with “Bad Azz” produced by DJ Infamous and featuring Mulatto and Benny The Butcher. The new song was premiered during Gucci Mane and Jeezy’s Verzuz battle last night, nearly being swallowed in the drama that followed. It’s impossible to keep these three rappers down for long though; the track resurfaced a couple of hours after being played during the Verzuz intro set, driven by the 2 million viewer debut that had the audience reaching for their Shazam apps.
“Bad Azz” is Kash Doll’s first new solo single since March’s “Rich Hoochie.” Clearly, it appears that Kash’s album promo was derailed by the pandemic, like so many other plans this year. But the Detroit rapper already proved her indomitable will on 2019’s Stacked, making it a near certainty she’d overcome the setback. Recruiting Mulatto and Benny for her comeback single shows she’s unafraid of the moment and knows just how to capture the public’s attention.
Her collaborators on “Bad Azz” have both had a breakout 2020; while Mulatto appeared on XXL‘s 2020 Freshman Class and dropped her charming debut Queen Of Da Souf shortly thereafter, Benny has popped up everywhere from Russ’ new EP to Freddie Gibbs’ top five rappers list, dropping his own Burden Of Proof to widespread acclaim.
Listen to “Bad Azz” above.
Artist Spotlight
The trapheaux gracefully glides over in new release “Marble Floors”
Trapheauxly’s latest release, “Marble Floors,” is a smooth, seductive single that combines clean, complex rap verses with melodic R&B. The song’s production, soulful vocal harmonies, and steady rhythmic pulse create a luxurious yet emotionally grounded atmosphere. All of these elements work together to create this atmosphere.
The most impressive aspect of it is the way it shifts from a catchy melodic hook to a rapid-fire delivery of the lyrics. One moment, “Marble Floors” is silky smooth, and the next, it is razor sharp. This contrast is what gives the musical its identity.
When it comes to lyrical concerns of intimacy, devotion, and elevated aesthetics, the image of marble floors appears, time and time again, as a symbol of elegance and emotional weight. Trapheauxly is a polished package that combines style, substance, and value that cannot be denied in terms of replay value.
Connect with Trapheauxly on Spotify || Instagram || Soundcloud
Artist Spotlight
NIHLNØTHING unleashes increased tides on new release “ocean” Power
NIHLNØTHING’s latest release, “Ocean” is a powerful, immersive single that defies classification as heavy music. The track sounds huge, punishing, and emotionally complex, as the title promises, drawing on post-metal, alternative metal, sludge, groove metal, metalcore, and deathcore.
A sense of depth makes “ocean” appealing. The song balances atmosphere and intensity like a violent current under calm waters. This track has towering sonic weight and textured melodic darkness, suggesting it can go from hypnotic tension to explosive release in a heartbeat.
Genre DNA enables NIHLNØTHING to create something expansive. It has sludge, groove, metalcore urgency, and a post-metal mood that’s probably more than aggression. NIHLNØTHING excels in contrasting crushing weight with atmosphere, chaos with control, and brutality with reflection. Balance distinguishes loud from powerful music.
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