Music
Luh Kel Takes Us Behind The Scenes Of His Music Video ‘Feen’ Featuring Trippie Redd
The rising R&B start gives insight behind the meaning of his latest visual. …
Luh Kel dropped his album L.O.V.E. back in October and ahead of its release the rising R&B star invited Uproxx for an exclusive behind the scene peek at the making of his music video for “Feen” featuring Trippie Redd.
The set I arrived at was located in one of Hollywood’s elusive canyons where it was cold, windy, dusty, with a spread of million-dollar cars on the lot. When I got there, Trippie was shooting his part in the cave, lit by a crackling fire. While Trippie shot his part of the visual, I sat with Luh Kel, who was on day three of the shoot, and he told me more about the creation of “Feen.”
“The meaning of the song is just feigning about a girl when she not around you and you want her around,” he told me in between shots. “I got Trippie Redd on it. I felt like it matched his vibe so we sent him the song. He got on it. Sent it back and we started shooting the video. This is my biggest budget video. I’m flying in the air and getting captured by a gust of wind with a bunch of video effects.”
@uproxx is luh kel’s song feen a vibe or what? #vibecheck
Directed by Matt Zoley, “Feen” finds Luh Kel dehydrated in the middle of the desert, yearning for his love and reminiscing about the good times before being appeased with a flowing of water that turns into a clear homage to Busta Rhymes’ music video “What’s It Gonna Be?!” Kel and the woman he’s been desiring then ride off in a shiny Lamborghini to a dark cave where Trippie lets off his verse over a warm wood fire while surrounded by angels.
“I recorded it with Scott Storch. He made the beat,” he added. “We was in the studio in February and now it’s October. Trippie just sent the verse last month.”
Luh Kel’s album L.O.V.E. also features additional production from Scott Storch and the 18-year-old musician says he’s just trying to “bring love back into the world” with the project.
Watch Luh Kel’s music video for “Feen” featuring Trippie Redd above.
Artist Spotlight
Boorook creates a hip-hop anthem for change on “Fight For Your Rights”
Boorook’s latest release, “Fight For Your Rights,” is both a song and a movement. The Indigenous people have a strong voice, and from the first beat, the song has a strong, urgent, and very human energy. “Fight For Your Rights” is an example of how conscious hip-hop can serve as art activism. The track is about unfair systems, and it’s clear that it supports the Black Lives Matter movement. Clarke’s performance is more than just a show, it’s a call to action that tells people to face hard truths and connect with the pulse of community and defiance.
Thomas Lorenzo’s live guitar adds an unexpected yet beautiful layer, giving the rhythm an emotional depth that makes it feel soulful. The track sounds real because it has real instruments and hip-hop beats. This shows how good Boorook is at mixing styles and still getting the message across.
People feel like they are part of a group when they listen to the song “Fight For Your Rights.” The lyrics are deep, and the music is good. It’s a song that makes people want to get together, think, and do something. Boorook doesn’t just play music; he makes people feel strong by turning every beat into a heartbeat for change.
Boorook’s new release reminds us that music can still be a powerful force for truth and change in a world where trends come and go. “Fight For Your Rights” is a call to action, an anthem, and proof that music can still bring us together, make us think, and motivate us.
Connect with Boorook on Spotify || Instagram || Facebook || Youtube || Twitter || Tiktok || Soundcloud
Artist Spotlight
Malammore unveils a new voice rising from portugal’s margins on new album “Aurora”
Malammore, whose real name is Sandro Feliciano, is a singer, songwriter, and producer from Lisbon, Portugal. “Aurora” is his first album. The album comes out on January 23 and tells the story of his life as a young Black man, his search for belonging, and his country’s cultural resistance. The lyrics talk about love, adoption, thoughts on humanity, and how the artist sees his role in the world. The concept for the album originated from a notebook containing poems, narratives, and my self-perception within this world. It’s a record of the Black experience in Portugal, of belonging and feeling alone, of love and loss.
Sandro, also known as Malammore, was born in 2005 and lived with the Portuguese State for two years until he was adopted in 2008, which was a big change in his life. One of the main ideas in Aurora is to turn the idea of a “black hole” into “the world’s white hole,” which shows a universe that erases identities. He challenges dominant narratives and changes how people see black bodies in society by filling it with the idea of blackness.
The album mixes hip-hop, rap, trap, and spoken word, which is not something that is usually done. Malammore gets the political tone of the project from people like Malcolm X, Muhammad Ali, Angela Davis, and Fela Kuti. No Icon (Rodrigo Fernandes) did the production, mixing, and mastering for the album at Lisbon Sound Society.
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