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Interview With Dominik And Adrien, The Artists Behind German Metalcore Band Immunity

Hi Dominik and Adrien! We loved your song and video of “Trust The Algorithm” and would like to hear more about it. 

What does this project mean to you?

Nik: It’s a miracle for us. We never thought to get that much international attention for our music. Most of our songs formed during the big lockdown in Germany. Of course there was a lot of anger and frustration that influenced the songwriting during Covid. But in the end it also was kind of a therapy.

Adrien: for me it is an outlet of my creative energy. The last 1.5 years affected all of us directly so there are a lot of experiences and emotions that we both needed to channel. And this project is the perfect way. 

How did you two meet? Did you have prior experience working in a band before that?

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Nik: We met only weeks before the pandemic unfolded. I was in a German Rock band before but always wanted to do heavier music than that.

Adrien: We met when I was also looking for a new band together with a couple of other musicians. Eventually only the two of us were left but we said we will continue like that. 

The band came together in 2020. How did the pandemic affect the band’s work overall?

Nik: For nearly one year we had to work remotely. Not very band-like we basically had to sent files to each other and each of us worked alone in his basement. Even after the lockdown bands were not allowed to play together for practice. So we made our songs, booked the studio dates and only one week before recording we met for the first time in person after a year.

Adrien: We needed to adapt to the situation. But it shows that we have a good connection and are able to work together in a very focused way. 

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Do you believe that algorithms ruin people’s lives or do people allow the internet to consume them fully? Is there anything to be done to change the situation?

Nik: Algorithms may be the most devastating force in our modern history if we don’t stop them. They can not only destroy peoples lives, they are able to destroy whole democracys. Misinformation is the cold war we are living in today. Algorithms reward us for our most personal information and desires. If you look at social media you can see with your own eyes how many people are willing to do anything for attention.

We need to get much more awareness of what happens with the data we provide. We have to be aware that anything we share online can be used to manipulate us. 

Adrien: I think that algorithms themselves are neither good nor bad. Important is how they are used and they can be used in a very positive way. Nevertheless in our fast paced times it makes sense to take a step back and understand we are seeing what we see in our feeds and ads. And understand that companies are using algorithms to maximize profit. And while using social media it can drag people deeper down into a spiral of misinformation and conspiracy theories. To change the situation it needs commitment from major companies to fight the spread of misinformation even if this means some loss of profits. 

Will you be exploring similar themes in your future projects? If not, what themes/concepts are you interested in writing music about as a band?

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Nik: Our digital world is a topic that goes through our upcoming Album in many ways. The song “Faceless Void” we just recorded is about getting lost in the virtual reality of the future. Covid took many of us into a virtual world where some of us can’t escape anymore. Other songs are about personal experiences and changes. It is a weird time and the last months left none of us unaffected. 

Adrien: the digital transformation is all around us and cannot be stopped. So it is important to understand what is happening and to know that there is also an analogue life that is worth nurturing. I think that also the pandemic forced people to appreciate the close surroundings and for me it’s also inspiring. So themes are closely related to personal experiences and topics that affect us in some way. 

Can fans expect to see new projects from the band this year?

Nik: As our debut album is planned for 2022 there will soon be at least another single. We also have some ideas for our next music video. So we are definitely up for some more trouble in the near future!

Adrien: stay tuned, there is new music coming from us. 

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‘Wicked: Part One’ Stuns CinemaCon with Exclusive Trailer Reveal

Wicked: Part One

Hey Moviegoers, Universal Pictures stunned us WOW’d the world with a mind-boggling exclusive “Wicked: Part One” trailer at CinemaCon 2025, a modern film for movie and theater lovers alike. Its big-screen adaptation, featuring Renstar, Cynthia Erivo, and Ariana Grande, is one of the most Webby-obsessed, world-famous pieces of the Broadway smash you’ll have the treat to see off-Broadway released in 2025. The first “Wicked: Part One” trailer was released at CinemaCon, the biggest gathering of movie theater owners and insiders. It’s been exciting in the entertainment world. With its dazzling visuals, career-defining songs, and an all-star cast, the trailer teased a movie poised to take over the 2025 holiday box office.

Fans of Wicked and The Wizard of Oz have been anticipating the film version of the smash hit Broadway show that has delighted audiences for over 20 years. Wicked: Part One will be directed by Jon M. Chu (Crazy Rich Asians, In the Heights) and promises to bring the magical land of Oz to the big screen through advanced visual effects, awe-inspiring musical moments, and a new perspective on Elphaba and Glinda’s story. The trailer starts with a breathtaking shot of the Emerald City, with an ocean of glowing green lights, teasing the magical wonder it promises to bring. Fans were excited to see glimpses of Cynthia Erivo’s powerful performance as Elphaba, the misunderstood witch whose transformation from pariah to Wicked Witch of the West is the story’s beating heart. Ariana Grande dazzled as her Good Witch, Glinda, a bubbly but ambitious girl who becomes best friends with Elphaba, the misunderstood teenage outcast.

Check out this article: Why Do Some Artists Blow Up Overnight While Others Struggle for Years?

Universal Pictures spared no expense to make “Wicked: Part One” a visual and emotional tour de force. The CinemaCon footage offered quick glimpses of some of the musical’s most treasured songs, including Defying Gravity, which sent chills down attendees’ spines. Erivo’s powerhouse vocals during the climactic scene where Elphaba ascends into the sky sealed the movie as an instant watch for both fans of musical theater and casual moviegoers alike. Another standout from the trailer was Grande’s performance of Popular, which brought to life bright costumes, playful choreography, and trademark vocal flourishes that helped make Glinda feel both new and recognizable. The ensemble of “Wicked: Part One,” including Jonathan Bailey as Fiyero, Michelle Yeoh as Madame Morrible, and Jeff Goldblum as the Wizard, is ready to deliver unforgettable performances.

The trailer, which debuted exclusively at CinemaCon this week, received rapturous applause and excited social media reactions from industry insiders and attendees able to score a sneak peek. Many touted the film as the next great blockbuster, likening its epicness to Les Misérables and The Greatest Showman, while others sang praises of Jon M. Chu’s visionary direction in bringing the land of Oz to the big screen. Fans took to X (formerly Twitter) and Instagram to share their responses, with some calling the trailer “spellbinding” and “everything we dreamed of.” Others lauded the film for maintaining the Broadway production’s faithful adaptation, thereby preserving the magic of Wicked on the big screen.

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What lies ahead for ‘Wicked: Part One’?

With the initial entry scheduled for release in November 2025, Universal’s marketing push is likely to kick into high gear after the CinemaCon debut. The studio has teased more trailers, behind-the-scenes featurettes, and interactive fan events ahead of the movie’s release.

Moreover, splitting the film into two parts enables the full depth of Elphaba and Glinda’s journey to receive ample time to fill the screen. “Wicked: Part Two” is currently scheduled for a 2026 release. This two-part format opens up the possibility of a more expansive story, allowing viewers to get a much deeper experience than a singular, tragically told film would reach.

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The “Wicked: Part One” trailer screened at CinemaCon 2025 has laid the groundwork for what could be one of the most popular movie musicals of all time. The movie is a true nostalgic playground with exciting visuals and powerhouse performances that are sure to entice long-time fans as well as newcomers.

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As the months continue to dwindle until “Wicked: Part One” hits the theaters, one thing is for sure: this film will take us on a magical ride, and we will all be defying gravity. “Wicked: Part One,” but stay tuned to Honk Magazine for exclusive updates, interviews, and a behind-the-scenes look at the making of the film that you won’t find anywhere else.

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The First Artist to Sell 1 Million Records in a Week

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It is extremely rare when you look at the Billion Club, a million records sold in a week, but extremely rare, the Million Club ends up being one of the most exclusive clubs, and the Billion Club for only a select set of acts. Whitney Houston was the first artist to record this chart achievement, which she did with “The Bodyguard” soundtrack in 1993. Since then, only a handful of artists have reached this milestone, each marking the respective pivotal moments in the music industry’s evolution.

Breaking a Barrier With Whitney Houston

Whitney Houston’s “The Bodyguard: Original Soundtrack Album” became the first album ever to sell more than one million copies in one week (according to Nielsen SoundScan, which began tracking sales in 1991), when it sold one million seven hundred seventy-eight thousand eight hundred twenty copies in January 1993. In its sixth week of release, it sold 1.061 million copies, a record for future artists.

NSYNC’s Record-Breaking Sales

P.S. The boy band NSYNC became record breakers when their album “No strings attached” sold 2.4 million copies in the first week in March 2000. The record was not broken for more than a decade.

Eminem, “The Marshall Mathers LP”

Eminem’s “The Marshall Mathers LP” debuted with 1.76 million copies in May 2000. At the time, this meant it was the fastest-selling rap album in history, and it cemented Eminem as a prominent music figure.

Britney Spears’ “Oops!… I Did It Again”

In May 2000, Britney Spears released her second album, “Oops! I Did It Again,” which sold 1.319 million copies in its first week and set the record for most first-week sales by a female artist at the time.

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The Wildly Successful Adele Album “25”

Adele’s “25” not only sold 3.38 million copies in its debut week in 2015 but became the first album to sell more than one million copies in two different weeks. That historic feat underscored that the masses loved Adele, and all loved the album.

Taylor Swift’s “1989” and “Reputation”

Taylor Swift sold over a million copies in one week across several albums. Her album “1989” sold 1.287 million copies in its first week in 2014, making it the first album that year to break a million. She equaled that feat with her 2017 album “Reputation,” which sold 1.216 million copies in its first week.

The ability to sell more than a million copies of an album in one week is a growing rarity in the streaming age, in which digital services have fundamentally changed how listeners consume music. Artists who accomplish this feat generally adopt tried-and-true sales strategies combined with an innovative outreach to and connection with their fans. For instance, when Adele’s monstrous album “25” came out, she mostly kept it off streaming services, which would have boosted its sizable physical and digital sales.

Selling a million records in a week is still a fantastic feat, reflecting an artist’s wide-ranging talent and the success of marketing moves. There are milestones in musical history, like Whitney Houston’s crossover success with “The Bodyguard” and Adele’s record-breaking “25.” As the landscape of music consumption continues to shift, these feats speak to the staying power of artists who understand how to enlist their fans’ loyalty and flow with the tides of the marketplace.

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