Music
Interview With Dominik And Adrien, The Artists Behind German Metalcore Band Immunity
Hi Dominik and Adrien! We loved your song and video of “Trust The Algorithm” and would like to hear more about it.
What does this project mean to you?
Nik: It’s a miracle for us. We never thought to get that much international attention for our music. Most of our songs formed during the big lockdown in Germany. Of course there was a lot of anger and frustration that influenced the songwriting during Covid. But in the end it also was kind of a therapy.
Adrien: for me it is an outlet of my creative energy. The last 1.5 years affected all of us directly so there are a lot of experiences and emotions that we both needed to channel. And this project is the perfect way.
How did you two meet? Did you have prior experience working in a band before that?
Nik: We met only weeks before the pandemic unfolded. I was in a German Rock band before but always wanted to do heavier music than that.
Adrien: We met when I was also looking for a new band together with a couple of other musicians. Eventually only the two of us were left but we said we will continue like that.
The band came together in 2020. How did the pandemic affect the band’s work overall?
Nik: For nearly one year we had to work remotely. Not very band-like we basically had to sent files to each other and each of us worked alone in his basement. Even after the lockdown bands were not allowed to play together for practice. So we made our songs, booked the studio dates and only one week before recording we met for the first time in person after a year.
Adrien: We needed to adapt to the situation. But it shows that we have a good connection and are able to work together in a very focused way.
Do you believe that algorithms ruin people’s lives or do people allow the internet to consume them fully? Is there anything to be done to change the situation?
Nik: Algorithms may be the most devastating force in our modern history if we don’t stop them. They can not only destroy peoples lives, they are able to destroy whole democracys. Misinformation is the cold war we are living in today. Algorithms reward us for our most personal information and desires. If you look at social media you can see with your own eyes how many people are willing to do anything for attention.
We need to get much more awareness of what happens with the data we provide. We have to be aware that anything we share online can be used to manipulate us.
Adrien: I think that algorithms themselves are neither good nor bad. Important is how they are used and they can be used in a very positive way. Nevertheless in our fast paced times it makes sense to take a step back and understand we are seeing what we see in our feeds and ads. And understand that companies are using algorithms to maximize profit. And while using social media it can drag people deeper down into a spiral of misinformation and conspiracy theories. To change the situation it needs commitment from major companies to fight the spread of misinformation even if this means some loss of profits.
Will you be exploring similar themes in your future projects? If not, what themes/concepts are you interested in writing music about as a band?
Nik: Our digital world is a topic that goes through our upcoming Album in many ways. The song “Faceless Void” we just recorded is about getting lost in the virtual reality of the future. Covid took many of us into a virtual world where some of us can’t escape anymore. Other songs are about personal experiences and changes. It is a weird time and the last months left none of us unaffected.
Adrien: the digital transformation is all around us and cannot be stopped. So it is important to understand what is happening and to know that there is also an analogue life that is worth nurturing. I think that also the pandemic forced people to appreciate the close surroundings and for me it’s also inspiring. So themes are closely related to personal experiences and topics that affect us in some way.
Can fans expect to see new projects from the band this year?
Nik: As our debut album is planned for 2022 there will soon be at least another single. We also have some ideas for our next music video. So we are definitely up for some more trouble in the near future!
Adrien: stay tuned, there is new music coming from us.
More about IMMUNITY: Instagram – Facebook – Spotify – Website
Artist Spotlight
“Hell has frozen over” finds Sarina choosing peace over being understood
Sarina’s new track, “Hell has frozen over,” explores the less dramatic, more complicated moment of reaching the end of the road, being gaslit, ignored, rejected, and painfully lonely. It translates the emotional burnout into a rock-pop context that’s easy to understand.
“Hell has frozen over” focuses on the decision to step away, instead of explaining, defending, or seeking understanding from people who refuse to listen. The rock foundation gives it the right weight, the pop influence makes it accessible, and the focus stays on the emotional message.
Sarina’s art is the struggle of loss and being strong in yourself. It’s about understanding that protecting your peace is more important than being understood. And that’s the emotional balance that gives the release its character so that the subject matter has relevance beyond a particular circumstance.
“Hell has frozen over“ is a relief from the burden of carrying on a debate that will never be resolved. Sarina turns an experience of isolation into a statement about boundaries, resilience, and the choice not to get caught in the same cycle. The result is a record that’s at its best when it’s being true to what it feels like to finally be free from whatever has been holding you down.
Photo Credit: Andrea Hunter
Artist Spotlight
Girlhood finds summer warmth and quiet freedom on “Lemon Aid”
“Lemon Aid“ is a warm indie-pop ballad from Girlhood that finds comfort in the ordinary and weaves in a sense of release. This song is about surrendering to the moment, finding space to breathe, and letting a little lightness back in. This reflective core is surprising, given the warm summer-night feel of the track, hinting at a moment of emotional rebalancing.
Singer-songwriter Natalie Holmes has a tender personality and fronts the slow-burning “Lemon Aid.” The production supports that softness, keeping the song’s gentle mood and intimate direction front and center. Beneath the comfort is a thoughtful examination of pressure, transition, and the need to pause.
The song’s link to the streets of Stroud offers yet another layer of art to the work. Familiar places can mean something when life feels uncertain, and the emotional scene involves storefronts, parks, cafes, and leafy, winding streets. “Lemon Aid“ searches for beauty in everyday places and rituals, finding still moments that mean something without getting carried away.
The track is the first release of Girlhood’s forthcoming album, “This Will Make Sense In The End,” a more reflective chapter with hope at its heart. “Lemon Aid” is about softness, conjuring a space where dancing, wandering, and just existing can feel like a cure. It’s an unleashing of small observations and soft emotional movement and a clear indication of the thoughtful direction that Girlhood is heading next.
-
Artist Spotlight4 days ago“NO MORE” by Amanda Holley connects healing, awakening, and survival
-
Artist Spotlight1 day agoC’batch turns an old guitar performance into a new story with “Our Little Pooh Pea (The Last Light) 4 – Cinematic”
-
Artist Spotlight4 days ago“Subterranean Homesick Blues” finds a new direction through Ghost of Panama
-
Artist Spotlight2 days agoSara Diana follows a wild spirit into the moonlight on latest release “Her Hair’s Like Fire”
-
Artist Spotlight4 days agoLisa Jo draws a line under the past with latest release “Done Druggin’ Away the Pain”
-
Artist Spotlight2 days agoTabi Harlowe captures the ache behind attraction with latest release “So Pretty (It Hurts)”
-
Artist Spotlight2 days agoDusty Edinger crackle tension into rock electricity with latest release “We Outshine”
-
Artist Spotlight4 days agoCrooner Ed captures a sweet romantic moment on “I Love This View”

