Music
Critically Acclaimed Songwriter Elisa Nicolas Re-embarks On Solo Career With New Single “No Answers”

Sophisticated pop singer songwriter, producer, and multi-instrumentalist Elisa Nicolas makes an unforgettable return to her solo music career – after a twelve year long hiatus – with her new single, “No Answers,” out now. This is the lead single off of her upcoming album, ‘Year of The Locust,’ releasing late October, 2021, in which fans can see the immense growth Nicolas has made over the course of a more-than-successful songwriting career. While taking a break from her own projects, Nicolas was busy contributing her songwriting and performance skills on over 45 works, cultivating her professional reputation, and refining her artistry. This single is the first taste of a gorgeously painstaking recount of the human experience, characteristic of some of music’s most profound songwriters like Joni Mitchell, Fiona Apple, and Nora Jones. “No Answers” tells the story of longing for reciprocity in a relationship; the raw artistry that comes through on this track effortlessly immerses listeners into an epic, emotional plea for intimacy by Nicolas.
The Canada born, Ohio raised Asian American displays her honed lyricism and storytelling abilities in this vocals led, guitar forward track. Steady acoustic guitar sets the foundation for the single, conveying passion and angst through heavy strumming and dissonant extensions. Joined by invigorating percussion as the song takes off, honeyed electric guitar adds a breezy glimmer, while bright background vocals and reverberant strings lend an irrefutable sense of epicness to this track. Masterful production and instrumentation coddle Nicolas’ somber lead vocal in colorful harmony tinged with grit; the artist relishes in the rarely found, yet highly sought after cohesion between performance, writing, and insight that makes a song come together in a difficult to articulate ‘magic.’
For Nicolas, the anthemic melancholy emanating from this record finds its roots in the sexual misalignment of a relationship. “Take my hands, take my clothes, I can’t go it alone tonight,” she pleads in the second verse. She begs with a passionate exclaim “Stop whispering, go higher,” before ending the verse in shattered disappointment, “then you’re gone before I take flight.” The chorus is an anthemic moment of frustration – thoughtfully built up to in the verses – in which Nicolas bellows in defeat, “there’s no answer to my questions.”
Nicolas approached this record from a multidisciplinary perspective as a songwriter, instrumentalist, producer, and engineer. The artist created this record over the course of years; she takes the time during the writing process to etch out ideas, marinate in them, and refine the ones she feels are most worth pursuing. After recording the bones of this project and stress testing the songs at gigs, Nicolas was able to pinpoint exactly where she wanted her music to go.
In collaboration with her dream production team, Nicolas articulated her recount of the human experience exactly how she had envisioned. Main contributors are as follows: Jeffrey Ciampa (Happy Chichester, Megan Palmer, Grammy winner for production on Wayne Shorter projects) produced, mixed, and played bass and keys. Kim Rosen (Grammy winning engineer) mastered the record. Thomas Byran Eaton (Caitlin Canty, Miss Tess, Western Centuries), an imaginative guitar player and engineer, created surprising and unexpected colors throughout the course of the record, while singers Nikki Wonder, Megan Palmer, and Cathy Wicks lend epic background vocals. Though the COVID-19 Pandemic made the circumstances for the creation of this album less than convenient, through the assistance of friends in Nashville with recording gear at their disposal, Year of the Locust came together exactly how it was intended. Stream ‘No Answers’ on all major streaming platforms out now.
Artist Spotlight
Great Adamz delivers a sensual yet mesmerizing afrobeat groove with his recent single, “Fantastic”

Great Adamz is back, and he’s bringing the heat with his latest single, “Fantastic.” A masterclass in smooth, melodic Afrobeats, this track features an intoxicating blend of sultry rhythms and dreamy synths that draw listeners in from the first note.
The Nigerian-born, UK-based star has been making serious waves in the UK music scene, and “Fantastic” is another undeniable step toward the top. His signature ethereal vocals float effortlessly over a laid-back yet pulsating beat, creating an atmosphere that’s equal parts hypnotic and exhilarating. The track captures the magnetic energy of erotic attraction, painting vivid imagery of a woman’s sensual body moves that speak louder than words, leaving an irresistible impression. Its lyricism takes audiences on an emotional ride, encouraging them to move, whether lost in a dimly lit club or vibing solo at home.
Coming off a strong 2024 with hits like ‘Talk To Me’ and ‘Kilon So,’ Great Adamz shows no signs of slowing down. His ability to fuse Afrobeat’s infectious grooves with a modern, international appeal is impressive. With “Fantastic,” he delivers a seductive, feel-good anthem primed to set dance floors ablaze and solidify his status as one of the UK’s most exciting rising stars. If this is how he’s starting 2025, taking it by storm, we can’t wait to see what he has in store next, and this new release, as the title suggests, is absolutely fantastic, further proving he is here to stay.
CLICK HERE TO STREAM Great Adamz’s “Fantastic“ on Spotify.
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Artist Spotlight
Suge Knight Calls Out Kanye West Over Offensive Comments on Carter Twins

Suge Knight is known for speaking his mind, and in a recent interview on a show called Art of Dialogue, he shared strong opinions about Kanye West’s recent behavior. Kanye, who is often in the spotlight for his controversial actions, made headlines after insulting Jay-Z and Beyoncé’s children in a tweet. Suge found this particularly unacceptable. “I need to talk to Kanye,” Suge said, clearly upset. “We should never disrespect anyone’s kids.” He was disturbed by Kanye calling the Carter twins a hurtful name, emphasizing that this kind of behavior is unacceptable in both hip-hop and society in general.
“You don’t talk about Jay and Beyoncé’s kids and call them names. That’s crossing the line.” For Suge Knight, this isn’t just about one tweet, it’s about a larger issue. He feels that such hurtful comments not only impact the people involved but also reflect poorly on hip-hop and Black culture as a whole. “I expect more from people in hip-hop and our community,” he stated. “We’ve come a long way, and we should stand up for each other, especially when it comes to protecting kids and those who are vulnerable.”
This isn’t the first time Kanye has faced backlash for his controversial remarks, but Suge clarifies that calling out children is where he draws the line. “That’s not funny to me, not at all,” he remarked, suggesting that there should be real consequences for Kanye’s words. “He needs an old-fashioned lesson.” Suge Knight’s comments remind us that, regardless of how famous an artist is, there are still moral limits that shouldn’t be crossed, especially when it comes to children. His call for accountability sends a strong message to Kanye West and anyone else who might think it’s acceptable to attack innocent kids in the hip-hop world.
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