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Artist Spotlight

Meet Randyman, A Rising Rhymer Like No Other Who Is Making Waves In The Music Industry

Randyman

Randy Bibbins best known as Randyman is a rising rhymer like no other. The one-in-a-million artist is breaking through underground barriers and climbing up the mainstream of the rap game. At a young age, Randyman found himself fascinated by music and then he jumped into the hip-hop scene in middle school. It was his visual wordplay that brought clarity to those around him listening.

 

Currently, Randy has released numerous records which are still to this day again traction and are all released under his very own recording label “World Jam Music Group”. His highly anticipated Mixtape “The move″ is the perfect blend between hard-core storytelling and complete bangers that will resonate with everyone.

 

Hello Randy, welcome to HONK! Can you tell our readers about what really inspired you to write music?

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Randyman – I was born into it. Being born and raised in New Orleans music is in your blood. At a young age, we were going to parades hearing the marching bands play, our parents, grandparents, aunts, uncles playing soulful music in their cars, homes and it just becomes one of those things you find yourself loving.

I also was inspired by a lot of great music artists from New Orleans like Cash Money Records, No Limit Records, to even just going into New Orlean’s very own Peaches music store where we would go to hear music, get autographs from music artists and just vibe out.

 

When did you realize you were going to make music professionally?

Randyman – I would say it had to be a middle school for me when I was like one day I’m going to be successful with this music. I just need to stay consistent and never give up and put myself in a situation that will block me from being the next GOAT.

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Tell us what is so unique about you and your music?

Randyman – I’m from down south but sound like I’m from the east coast. I make music for the masses. I make music for everyone, not just the environment I grew up in and I can take what I’ve been through and paint a visual painting so clearly, you can create a movie from it.

 

Can you tell us about your latest releases and what inspired you to create them?

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Randyman – Each release is special to me. Some of my latest releases like Scared Money, Milli To Billi, Coco, Easy, Under The Radar, The Rebirth, Some Other Places are all real-life situations where I’ll bring you into my world. Where you’ll get the opportunity to hear some of my life stories, from pain to gain the ups and the down, the hurt to the cold heart.

 

Can you give us a brief insight into your upcoming projects?

Randyman – I have a new release dropping 4/14/2022 Titled “The Move” it’s a vibe about being taken for granted.

 

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What do you wish you were told when you first started making music that you think would help artists just starting out?

Randyman – Get everything in writing, own your own master and read and study the business side of the industry as much as possible.

 

What do you do when you don’t do music (creative or otherwise) that you are passionate about?

Randyman – I’m into Computer Engineering, Social Media Marketing, Reading, Fishing, Hiking, Playing Sports, and Shooting Guns.

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Any last piece of advice for those artists who just started making music?

Randyman – Write every single day don’t take no days off because there are so many artists trying to be great so you have to keep your skills sharp.

Read everything as many times as you need to when it comes down to contracts. Get you a lawyer and not a label-appointed lawyer get your own.

 

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How can our readers follow you online?

Randyman – You can follow me on Instagram – @randyman504

For more information you can visit me on my website:

https://www.officialrandyman.com

 

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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