Entertainment
Hip-Hop Sensation: Barbie Doll Is Back For Good
One of the most refreshing things to hear in music is an original style. In a time when everything sounds the same, and there seems to be very little creativity and innovation in music, it stands out even more when an artist dares to be great with their own style of music that they would like to bring to the world. That type of sound is what you get from Barbie Doll.
Born and raised in Oklahoma City, Alison Richardson popularly known as Barbie Doll is a multi-talented rapper and songwriter who has gained acclaim on the music scene for some time and earned a huge fan following across various social media platforms.
At the age of 18, she met an Oklahoma City rapper named Starr Lyfe and she traveled all over the US with him helping promote shows, learning about the music industry and eventually learned how to rap.
She has been a big sensation in the music industry after releasing her first music video “Barbie world” which reached over 250,000 views on Facebook in just a couple days. Because of its popularity, the producer offered her a trip to Paris, France and Amsterdam, Netherlands to shoot another video for her official single “Barbie Girl” which reached over 3 million views on Facebook within a week of posting.
Check out one her latest release “Barbie Gang” on YouTube:
Hi there, welcome to Honk Magazine. Thank you so much for taking out time to respond to us. To kick things off, Can you tell our readers about what really inspired you to write music?
Barbie Doll – I’ve been a fan of music forever, especially rap music & my home state isn’t really known in the Industry for rap music, so I thought about trying it & it worked!
When did you realize you were going to make music professionally?
Barbie Doll – In 2017, I tried it & my 1st video hit over a million views. That’s when I knew this was meant for me.
Tell us what is so unique about you and your music?
Barbie Doll – It’s authentic & comes from the experience. Either what I’ve been through or what I’ve seen so far.
Can you share a story about the funniest mistake you made when you were first starting? Can you tell us what lesson you learned from that?
Barbie Doll – OMG! my 1st performance was so scary! I was so nervous I performed with my back turned to the crowd the whole time lol. I definitely learned not to do that again lol.
Can you tell us about your latest releases and what inspired you to create them?
Barbie Doll – My latest releases were with some female artists. Kelsey Lynn, Nayborhood Barbie & Kay Kay. I wanted to start collaborating with more female artists to show our talents, especially since we’re so dominated by men in this industry.
Can you give us a brief insight about your upcoming projects?
Barbie Doll – I have a new single entitled “Push It” coming soon. The world is definitely gonna love this one.
What do you wish you were told when you first started making music that you think would help artists just starting out?
Barbie Doll – Never stop! I wish I didn’t take that long break but it’s okay. I’m back now!
Which tips would you recommend to your colleagues in your industry to help them to thrive and not “burn out”?
Barbie Doll – Keep going because the sky’s not the limit! There are so many goals out there to accomplish and you can never get enough done.
What do you do when you don’t do music (creative or otherwise) and that you are passionate about?
Barbie Doll – I’m a certified esthetician & beautician and I also love to paint. I do vlog as well.
Any last piece of advice for those artists who just started making music?
Barbie Doll – Promote, promote, PROMOTE! .. awareness is everything when it comes to music!
How can our readers follow you online?
Barbie Doll – You can find me on all social media platforms @BarbieDollOKC.
For more updates, you can follow me on Instagram – @BarbieDollOKC.
Artist Spotlight
Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.
Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.
The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.
The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.
The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.
Connect with Seun Kuti & Egypt 80 on Spotify || Instagram || Facebook || Youtube
Artist Spotlight
Marsha Bartenetti reinvents in her own style “New York Minute”
Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.
The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.
“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.
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