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Drake References The Weeknd in Latest Track, Igniting Discussion About Potential Insult
Drake released his eagerly awaited new album, “For All The Dogs”. This substantial 23-song album is brimming with prominent collaborations from artists like SZA, Bad Bunny, J. Cole, 21 Savage, Sexyy Red, Teezo Touchdown, Yeat, PARTYNEXTDOOR, Chief Keef, and Lil Yachty.
However, one notable absence from the list of featured artists is The Weeknd. Despite having collaborated with Drake in the past, The Weeknd has recently stated that he will no longer be doing features, with his appearance on Diddy’s album last month being his final guest appearance.
Despite not being physically present on the album, The Weeknd does make an appearance in the lyrics of the song “All The Parties”. The lyrics reference him directly: “My b*tches playin’ PND and them, the shorties only listen to The Weeknd.” While some fans have speculated that this could be a diss towards The Weeknd, others have pointed out that PND is a deeper cut for many Drake fans and still has a closer connection to the rapper artistically. This lyric also brings up the long-standing rumors of a feud between PND and The Weeknd dating back to their time at OVO.
Nicki Minaj, another artist, was conspicuously missing from For All The Dogs. Even though Drake had assured a new song from the enduring collaborators, it appears he didn’t fulfill that promise. This has caused Nicki’s supporters, referred to as the Barbz, to express their disappointment with the rapper on the internet.
Following the release of For All The Dogs, Drake announced that he would be taking a break from music for a while. Having released two entire albums last year and consistently producing music for years, he now plans to take some time off to focus on his health.
The release of For All The Dogs has certainly stirred up a lot of discussion and speculation. Whether Drake’s mention of The Weeknd in one of his new songs is intended as a diss or not is still up for debate. What do you think? Let us know in the comment section below.
In the meantime, fans can enjoy the new album and its many features. Despite the controversies, there’s no denying that Drake’s “For All The Dogs” is making waves in the music industry.
Artist Spotlight
“Hell has frozen over” finds Sarina choosing peace over being understood
Sarina’s new track, “Hell has frozen over,” explores the less dramatic, more complicated moment of reaching the end of the road, being gaslit, ignored, rejected, and painfully lonely. It translates the emotional burnout into a rock-pop context that’s easy to understand.
“Hell has frozen over” focuses on the decision to step away, instead of explaining, defending, or seeking understanding from people who refuse to listen. The rock foundation gives it the right weight, the pop influence makes it accessible, and the focus stays on the emotional message.
Sarina’s art is the struggle of loss and being strong in yourself. It’s about understanding that protecting your peace is more important than being understood. And that’s the emotional balance that gives the release its character so that the subject matter has relevance beyond a particular circumstance.
“Hell has frozen over“ is a relief from the burden of carrying on a debate that will never be resolved. Sarina turns an experience of isolation into a statement about boundaries, resilience, and the choice not to get caught in the same cycle. The result is a record that’s at its best when it’s being true to what it feels like to finally be free from whatever has been holding you down.
Photo Credit: Andrea Hunter
Artist Spotlight
Girlhood finds summer warmth and quiet freedom on “Lemon Aid”
“Lemon Aid“ is a warm indie-pop ballad from Girlhood that finds comfort in the ordinary and weaves in a sense of release. This song is about surrendering to the moment, finding space to breathe, and letting a little lightness back in. This reflective core is surprising, given the warm summer-night feel of the track, hinting at a moment of emotional rebalancing.
Singer-songwriter Natalie Holmes has a tender personality and fronts the slow-burning “Lemon Aid.” The production supports that softness, keeping the song’s gentle mood and intimate direction front and center. Beneath the comfort is a thoughtful examination of pressure, transition, and the need to pause.
The song’s link to the streets of Stroud offers yet another layer of art to the work. Familiar places can mean something when life feels uncertain, and the emotional scene involves storefronts, parks, cafes, and leafy, winding streets. “Lemon Aid“ searches for beauty in everyday places and rituals, finding still moments that mean something without getting carried away.
The track is the first release of Girlhood’s forthcoming album, “This Will Make Sense In The End,” a more reflective chapter with hope at its heart. “Lemon Aid” is about softness, conjuring a space where dancing, wandering, and just existing can feel like a cure. It’s an unleashing of small observations and soft emotional movement and a clear indication of the thoughtful direction that Girlhood is heading next.
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