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50 Cent Throws Shade at Low Sales Rappers, ‘I Shouldn’t Talk To Anyone Moving 31k Units

50 Cent

In the dynamic world of rap, where fans passionately champion their favorite artists and success is often measured in sales, 2023 has been a year of both triumphs and disappointments. Despite notable debuts by artists like Lil Durk and Young Thug, nearly half the year passed without a single rap album claiming the top spot on the Billboard 200. However, the game changed with the releases of Lil Uzi Vert, Drake, and Travis Scott, each boasting impressive first-week sales.

Enter 50 Cent, a seasoned pro at moving units, who recently shared his candid thoughts in a behind-the-scenes video during The Final Lap Tour. The hip-hop mogul boldly declared that he “shouldn’t talk to” any rapper struggling to sell more than 31k copies. This statement ignited a fierce debate among fans, prompting speculation about which artist 50 Cent was referring to and whether he still holds the authority to make such statements.

Some fans speculate that 50 may be targeting a recent album that fell short of sales expectations. One comment on the post suggests disappointment in the collaborative effort of rap heavyweights Meek Mill and Rick Ross, whose album, despite high expectations, only managed 35k in first-week sales—a relatively modest figure.

In the comment section, fans are also deliberating on 50 Cent’s own potential album sales in 2023. “Ain’t no way 50 cent selling 31k these days,” asserts one top comment. What are your thoughts on 50 Cent’s blunt observations regarding rappers moving 30k copies? Share your opinions in the comments below.

Artist Spotlight

Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.

Seun Kuti & Egypt 80

Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.

The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.

The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.

The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.

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Artist Spotlight

Marsha Bartenetti reinvents in her own style “New York Minute”

Marsha Bartenetti

Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.

The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.

“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.

Connect with Marsha Bartenetti on Spotify || Facebook

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