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Joe Budden Drops Bombshell, Tory Lanez Might Have Been Set Up in Megan Thee Stallion Shooting Drama!

Joe Budden

In a fresh twist on the Megan Thee Stallion shooting saga, Joe Budden has stirred up the conversation with a shocking theory. Following a recent statement from Tory Lanez’s former driver, Jauquan Smith, who claimed to have seen Kelsey Harris snatch a gun from Lanez on the night of the shooting, Budden is raising eyebrows with his own speculations.

On the latest episode of The Joe Budden Podcast, Budden suggested that Tory Lanez could have been a pawn in a much larger scheme. “I think it’s above her,” Budden stated, referring to Megan Thee Stallion. “She didn’t make anything up. This play is greater than her.”

Budden further fueled the controversy by hinting that the gun used in the shooting might have been planted in Lanez’s car. While he stopped short of naming names, he implied that he knows exactly who orchestrated the setup. “I ain’t gon’ say who I think made it up but it wasn’t her,” Budden said cryptically. He also recounted a strange interaction with Kelsey Harris, who allegedly urged him not to discuss the case.

What’s your take on Joe Budden’s explosive theory about Tory Lanez being set up? Do you think Megan Thee Stallion was merely a pawn in a bigger game? Drop your thoughts in the comments below and stay tuned to Honk Magazine for more developments!

Music

3 Powerful Tracks That’ll Shake Your Soul and Soothe Your Skin

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Some tracks hit differently, but for the feelings they harness. Our three featured songs are magically memorable for their heart, honesty, and vibe this week. Whether you’re chasing the sun, wandering in the haze, or recovering from heartbreak, these songs say a lot. Now, let’s get into this week’s top picks.

Sundrift Sky – “Sunshine on Your Skin”

If a sunset could sing, it would sound like this. “Sunshine on Your Skin” by Sundrift Sky is a warm, golden dream between an ocean breeze and a lover’s whisper. With its laid-back dubstep undercurrents and airy electronic textures, the track embodies the euphoric daze of summer romance. The vocals are gentle and honeyed, enveloping you like a longtime friend’s arms, while lyrics sketch a path of liberation, lovemaking, and sundrenched scenes. What gives this song real shimmer is its emotional weight, but that deep connection where everything else is drowned out. Imagine this on a late-night drive up the coast or a rooftop sunset sesh.

Noah Zayden – “XANAXFLOW”

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Noah Zayden is a moodscapes maker. On “XANAXFLOW,” he harnesses the soft underbelly of emotional detachment with alarming precision. The beat floats like smoke in a darkened room, while Noah’s lyrics slice through the haze to wrestle with anxiety, isolation, and the hushed numbness that can feel like peace. There’s a sorrowful beauty in this: a slow drift into oblivion wrapped in a soft melody that feels seductive. The outro, quiet as it is, stings reality has not lagged far behind, nor pain. This is an introspective trap at its best, bare-boned, vulnerable, honest in ways that hurt.

Noah Zayden – “DIOR AND XANS”

Brace yourself. “DIOR AND XANS” is raw, unfiltered, and bleeding dark emotion. Zayden lays bare his soul over a murky, brooding beat that throbs like a wounded heart. His bars “Xans on the floor, with my heart torn Fuck love, bitch, now I’m reborn” reverberate with pain and defiance. It is not simply a song but a survival note written during the witching hours. He straddles glamor and self-destruction, flex and vulnerability. There’s rage here, but there’s also rebirth and within the chaos, Zayden finds clarity.” Not any more beautiful, just more real. And at times, that’s the most powerful kind of art of all.

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Artist Spotlight

“I AM Good Enough” by TaniA Kyllikki evokes a soaring melodic anthem to liberate self-affirmation

TaniA Kyllikki

TaniA Kyllikki has never been one to shy away from vulnerability as she demonstrates commendable resilience in her soul-stirring new single, “I AM Good Enough.” This composition serves as a melodic awakening and represents a multifaceted artistic interpretation of an uplifting ballad. At its core, it is fundamentally a deeply personal assertion of self-love and emotional rebirth that hits right.

From the outset, TaniA’s voice trembles sincerely, soaring effortlessly through a meticulously stripped-back arrangement that deliberately foregrounds her message to take center stage. Her angelic harmonies envelop the listener, creating a comforting and powerful embrace. The inclusion of collaborative vocal harmonies provided by her husband, Rynellton, introduces an intimate dimension, fostering a collective aspiration for healing that amplifies the emotional significance, enhancing the overall impact of the narrative.

Lyrically, “I AM Good Enough” addresses the psychological consequences of abuse and self-doubt, illuminating the often-silenced struggles of diminished self-esteem. The song conveys a message of triumph, encouraging a reconceptualization of self-worth. With every intriguing note, TaniA affirms that liberation is attainable when individuals cease to accept the false narratives that try to define them as not enough. TaniA channels her experiences into a performance that feels deeply empathetic and human, as though she’s singing directly to the parts of us we’ve forgotten how to love.

The unvarnished authenticity of “I AM Good Enough” distinguishes it within contemporary music. The fourth single from her forthcoming album, ‘Free-Spirited,’ is a pivotal reminder to confront and process past traumas while reclaiming one’s intrinsic worth. Through her artistry, TaniA Kyllikki elevates musicality beyond mere entertainment, forging potent anthems that are essential lifelines for the weary. For anyone seeking validation or needing a sign to love themselves a little more, “I AM Good Enough” provides the necessary and timely sonic remedy for healing. It’s a reminder that our scars don’t define us, and others don’t dictate our values.

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For more information about TaniA Kyllikki, please visit [website]. 
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