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CHANDRA unveils a heartfelt sonic brilliance with its debut EP, “Lifted”

CHANDRA

Bristol’s emerging pop-rock sensation CHANDRA, a dynamic quartet fronted by the charismatic Chandra Naiir, has recently unleashed its highly anticipated debut EP, “Lifted.” This masterpiece, recorded in Chandra’s personal studio, represents the band’s official foray to impact the music scene significantly. It embodies a rich tapestry of emotions, introspection, and celebration, delivering diverse sounds that seamlessly traverse the landscape of classic rock and pop influences infused with a timeless touch of soulful musical vibes. Drawing inspiration from legends like Bowie, The Beatles, and The Carpenters, CHANDRA infuses a fresh, invigorating twist to these classic influences, amalgamating them into something novel, innovative, and uplifting.

The EP “Lifted” comprises six intricately crafted tracks, all penned by CHANDRA, who co-produced the EP alongside Aaron Shawn and Elliot Vaughan. The EP kicks off with the impactful track “Smile (No Fox Gibbon),” a poignant appeal for love and humanity. The song features a compelling flute melody that immediately captures attention and encourages listeners to embrace empathy in a world that often undervalues these principles. This track effectively combines thought-provoking lyrics with an immersive musical backdrop, establishing the thematic direction for the rest of the album.

Following this, the EP progresses into the second track, “Pretty,” a triumphant anthem challenging societal norms on beauty standards and celebrating diversity while embracing their authentic selves. CHANDRA’s masterful storytelling continues with “I’ll Be There,” a track brimming with optimism and the enduring spirit of illumination amidst life’s chaotic darkness, offering a reassuring message of unity.

The EP’s fourth and titular track, “Lifted,” encapsulates the euphoria of life’s simple pleasures, creating vivid imagery of carefree days spent with loved ones. As the EP approaches its compelling conclusion, “Lighters To The Sky (EP Version)” and the finale track “Overload” invite listeners into introspective refresh soundscapes. Featuring guitar contributions from Dean McCreadie and mastered by Stephen Kerrison, “Lifted” is a must-listen for anyone craving introspective charm wrapped in a contemporary pop-rock package. Dive into this sonic exploration, and allow yourself to be Lifted.

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For more information about CHANDRA, please visit [website].
CLICK HERE TO STREAM CHANDRA’s EP Lifted on Spotify.
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Artist Spotlight

Lisa Jo turns feeling unseen into self-acceptance with latest release “Oddball Gem”

Lisa Jo

Lisa Jo captures that feeling of being outside the crowd in “Oddball Gem.” The song is about feeling invisible, misunderstood and determined to be yourself. The emotional core is visceral. So many thoughts, not enough words, the draining effort of trying when the fight still feels unfinished. The writing gives you that feeling, makes isolation a familiar, personal thing.

The song then moves to images of becoming ‘a shadow’ and ‘a ghost’ before arriving at a stronger sense of identity. The emotional feeling of not fitting in is at the heart of this song, with the lyric “I was built this way” changing the tone from pain to self-acceptance.

“Oddball Gem,” is a declaration from someone learning to stand comfortably in their difference. The line “I don’t fit in I’m an odd ball gem” is a direct and memorable encapsulation of what the song is all about. Lisa Jo turns that feeling of being left out into a portrait of individuality. She provides the track with an emotional message of staying true to yourself when belonging seems hard today.

Connect with Lisa Jo on Spotify || Facebook || Instagram || Youtube

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Artist Spotlight

Temidayo Balogun bridges tradition and modern expression on latest release “Ori I “Concept of Democracy”

Temidayo Balogun‘s latest release, “Ori I “Concept of Democracy,” blends African musical traditions with contemporary jazz to explore identity and community. “Talking drums, native instruments, but there are also passing notes on the piano and a saxophone for another dimension to the musical language,” the song is characterized by.

The track isn’t rooted in one musical planet, but in the relationship between its different elements. Talking drums are part of African musical traditions. The piano and saxophone add a jazz-oriented dimension. That contrast lets the song explore its themes of identity and community as much through sound as concept.

If you like genre-bending work, “Ori I’ Concept of Democracy” is a thoughtful musical experience. Temidayo Balogun mixes indigenous instrumentation with contemporary jazz textures to keep the focus on the relationship between people, culture, and community. The track works because the sounds come together. It invites the listener to dwell on the musical ideas rather than just pass through them.

Connect with Temidayo Balogun on Spotify || Instagram || Facebook || Youtube

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