Artist Spotlight

Brett Matthews delivers a heartfelt ode to bond with his new single “Lucky Ones”

“Lucky Ones” by Brett Matthews delivers a soul-stirring reminder of the beauty in our connections. Right from the opening chords, the audience is enveloped in an emotional embrace as the artist celebrates the value of affection and gratitude as invaluable treasures. The Cape Breton native demonstrates his genre-blending skill, weaving together Country, Pop, and RnB influences to create something profoundly introspective yet universally relatable.

The song, co-written in collaboration with esteemed Canadian musician Ria Mae and Classified, helps Matthews strike a harmonious balance between vulnerability and optimism, tackling life’s heavier moments with an optimistic perspective. Matthews’ vocals are raw but smooth, wrapping around you like a comforting hug. Listeners can feel the authenticity in Matthews’ heartfelt lyrics and tender vocal delivery as he reflects on the often-overlooked realization of how lucky we are to have our loved ones by our side.

Building on the success of previous tracks like “If I Die Today” and “Tomorrow,” Matthews edges closer to mainstream recognition, distinguishing himself as a standout voice in the musical landscape. “Lucky Ones” underscores his vocal prowess and adeptness at crafting emotionally resonant compositions. This uplifting anthem celebrates human connection, reminding us to cherish the people who make life worth living, even amid life’s tumultuousness. He sings about the beauty inherent in the fleeting moments we are fortunate to share with our loved ones, emphasizing the significance of those who hold the utmost importance.

Whether one admires the indie spirit of Bon Iver or the emotional profundity of City & Colour, Brett Matthews is emerging as one of Nova Scotia’s most promising stars, firmly establishing himself as an artist to keep on your radar.

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Artist Spotlight

“Keep T Moving” shows Meas & Riddie’s fresh approach to house music

Meas & Riddie release their debut, “Keep T Moving,” a fusion of youthful vigor and classic electronic character. Meas & Riddie produced the track, and these two young artists have already built a clear connection with House music while still leaving room to experiment and make music on their own terms.

“Keep T Moving” is a powerful electronic and house record that speaks to the duo’s love of fusing old-school 909 sounds with more modern synths. This distinction gives the track its main artistic direction, fusing a familiar electronic base with a modern edge. Meas & Riddie see those influences as part of the sound they are beginning to make their own.

As their first independent Spotify release, “Keep T Moving” also captures the thrill of a beginning, of two young musicians stepping into the scene without putting unnecessary limits on where their sound can go. 17-year-old Riddie and 15-year-old Meas share an uncommon sense of youthful dedication on their debut release. Their age is part of the story, but more interesting is their willingness to explore on their own terms. “Keep T Moving” definitely sets the direction, but leaves plenty of room for Meas & Riddie to build on their sound with future releases.

Artist Spotlight

Max Ceddo captures one-sided communication on latest release “So You Say”

Max Ceddo takes a frustrating one-sided conversation and makes it the centerpiece of “So You Say,” a song built around communication that never seems to go anywhere. It’s a relatable portrait of the frustration of constantly trying to engage another person in conversation, only to be met with little reciprocation.

The lyrics make that imbalance clear from the beginning, “All you seem ever to say is So you say.” Every time someone calls to talk to me, the narrator says, the other person listens and says nothing, and the narrator wonders why they even called. Even the greeting seems to be limited: “all you ever say is hi at the beginning.” The repetition signals a relationship caught in a frustrating pattern.

What gives “So You Say” its character is how directly it complains. There is no need to dress up the problem, one person wants communication, while the other seems unable or unwilling to give it. “You cant speak cause all you ever say is so you say” brings the idea back around, so the repetition is part of the message itself. Max Ceddo captures the weariness of talking when no one talks back.

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