Artist Spotlight

Meek Mill Opens Up About His Fear of Suits Saying “First Time I Saw a Black Man in a Suit Was in a Casket”

Meek Mill is known for being open about his life experiences in his music and social media. In a recent post, he shared a powerful and personal story from his past that sheds light on why he used to be afraid of wearing suits. On March 2, the rapper took to Twitter to express a haunting memory, “The first time I saw a Black man in a suit was in a casket,” he wrote. He explained that this made him fearful of dressing up. Instead of seeing formal wear as something to celebrate, it reminded him of loss and sadness.

For someone like Meek, who has spent years mingling with major figures in the music industry, such as Jay-Z and Diddy, many of whom are often seen in expensive suits, this revelation may come as a surprise. While he’s been seen at fancy events wearing sharp clothing, he revealed that the connection between suits and grief was deeply rooted in his mind. He acknowledged that not everyone understands his feelings. “If you didn’t grow up like I did, you wouldn’t get what I mean. It’s cool lol,” he said. This casual comment followed a deep and serious message about his upbringing, where he felt that funerals were more common than celebrations.

Meek’s story of overcoming those painful memories to stand among influential people confidently highlights his strength and determination. While he used to fear suits, he now sees them as symbols of success, power, and new opportunities, demonstrating how far he has come. This insight into his past adds another layer to Meek’s life story, which is filled with challenges and triumphs as he works to rise above the difficulties he faced growing up.

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Artist Spotlight

“Subterranean Homesick Blues” finds a new direction through Ghost of Panama

Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.

This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.

“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.

Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.

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Artist Spotlight

“NO MORE” by Amanda Holley connects healing, awakening, and survival

“NO MORE“ carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.

“NO MORE“ is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.

Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.

“NO MORE“ is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.

Photo Credit: Yulia Shusharina

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