Music

FOLLOWAY paints love across miles with beautiful debut “In My Mind”

In a digital age where everything is at our fingertips, emerging singer-songwriter FOLLOWAY reminds us that real communication is rarely that simple when it comes to matters of the heart with “In My Mind.” This is a confession and a memory. The whole song process came together supernaturally, almost like all the elements were there without me thinking. FOLLOWAY is quickly becoming a reason to watch and listen. “In My Mind” is the official opening salvo of the young artist’s sonic transmission, and it hits you in the gut like you only can when something is profoundly personal.

The song is an aching, bursting tale of long-distance love in which memories bring heat but can’t replace the real thing. FOLLOWAY sings about emotional detachment, and they sound it. The production here is a quietly remarkable work. Where digital gloss is concerned, FOLLOWAY embraces rawness, simple and undiluted. Recorded with classic microphones, the track has that rich analog quality you can almost feel the warm embrace of the past. There’s a physicality to its sound crackles, warmth, and imperfection that makes every note feel lived in. FOLLOWAY delivers soul with an unassuming vulnerability. There’s a reserve in the performance, and therein lies the power. It doesn’t scream, it aches.

And that ache is all too authentic for anyone who has tried to make love last across time zones and discrepancies. “In My Mind” is just as arresting. Shot between Turkey and the UK, the music video is an expansive visual diary that gets under the skin of the tension between solitude and yearning. Cinematic landscapes, lingering frames, and emotionally charged imagery make a world where connection always seems on the brink of possibility, even before reality intrudes. FOLLOWAY’s debut is not simply a love letter to analog sound, however, it is a love letter to love the love that never really leaves you, even when the person has. “In My Mind” raises a high bar for what’s emotional and artistic.

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Artist Spotlight

DONELLI A.I. ENSEMBLE offers a jazz fusion and electronic atmosphere on “Previsioni del tempo incerto”

DONELLI A.I. ENSEMBLE unveils an 18-track album, “Weather Forecasts of Unknown Weather”, blending jazz fusion, world music, progressive rock, new age, and cinematic textures with sounds inspired by the 80s. The album is built on compositions made with keyboards, samplers, and DAW software, as well as collaborations with other musicians, which are then rearranged and reworked with the help of artificial intelligence. The process embeds technology directly into the creative fabric of the project.

The album opens with “Previsioni del tempo incerto”, which features trumpet and vocals with the rest of the ensemble, setting up the album’s blend of instrumental and vocal elements. “Villistas” is more dancey, with dreamy synths and layered compositions that create a lighter electronic atmosphere. The differences between these tracks show that the album is willing to move between genres rather than stay in a single fixed sonic category.

“Claudia” opens with a saxophone and the sweet presence of a jazz orchestra, adding a more traditional jazz colour to the album’s wider electronic and cinematic landscape. The quality of “Pigalle” continues to pull the listener in with its atmospheric approach and vocal effects. Together, these selections reveal the project’s oscillation between acoustic-inspired instrumental timbres and electronically shaped spaces.

The album closes with a softer track, “ninna nanna”, thanks to its gentle presence and composition. The positioning brings the stylistic range heard across the record to a peaceful close. “Previsioni del tempo incerto” is defined by its willingness to blend contrasting musical languages, jazz, world, prog rock, electronic production, cinematic atmosphere, and 80s-inspired textures into a single expansive project. That cross-genre approach, with AI-assisted reworkings as another element of the album’s evolving sound, is especially clear in the artistic direction of the DONELLI A.I. ENSEMBLE.

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Artist Spotlight

Mark Cee unveils an acoustic storytelling with a restless edge on New Album “Ghost Talk Show”

Mark Cee, an ambient indie folk artist dedicated to the art of the human recording, releases a nine-track album titled “Ghost Talk Show.” A set of folk-rock and singer-songwriter songs built on acoustic textures, personal reflection, memory, and emotional movement. The album begins with a conversational feel that lets the themes play out in character-driven tunes and melodic playing. The result is an album that is simultaneously intimate acoustic writing and sporadic ventures into electric rock.

The album begins with “I Am Dreaming Of,” an acoustic-tinged song about the possibilities of who someone could be and the desire to have that potential recognized. The way it reflects establishes the mood for what follows, a mood of memories. “Drifting Back Again” is a look back at past behavior, dealing with the complicated feeling of looking back at experiences that weren’t necessarily good but still have an undeniable emotional pull.

“Thought I Saw You Yesterday” has that reflective feel all the way through, with acoustic guitar and catchy vocals making the tune memorable and easy to get into. There’s a darker metaphorical edge to the album in “Skeletons on Your Lawn,” which explores the idea of hidden truths that can’t stay hidden. “And Now The Rain Is Gone” later turns towards leaving the past behind, and “Wish You Were Coming Home” adds an especially emotional quality to the record.

The last track, “Don’t Buy Gas Station Gummies,” shakes up the instrumental palette with catchy electric rock guitar, providing an energetic finish to an album largely defined by acoustic sensibilities. The “Ghost Talk Show” shows Mark Cee’s artistic direction, which is based on storytelling and emotional observation. The album moves around memory, regret, longing, self-reflection, and forward motion but always keeps a recognizable folk-rock base. Other tracks on the album: