“Who Am I Now” is the Intaluks’ method of shifting the atmospheric emotion, an introspective melodic trance on loss, identity, healing, and the hard work of rebuilding when life takes an unexpected turn. The musical direction is a slow emotional journey, starting in darkness and gradually opening to hope and renewal.

This production frames that journey with expressive male vocals, emotional piano, and trance textures. “Who Am I Now” leaves its mark in the feel department through progression and atmosphere, not with a dramatic festival-type drop. The arrangement gives the song a reflective feel but still maintains the forward momentum of melodic trance.

The male delivery lends a human presence to the themes of uncertainty and self-reconstruction in the song’s vocals. The track tells of an inner journey, accompanied by the piano, the cinematic production, and the experience of confronting a changed reality, asking yourself who you are now, and slowly finding the strength to move forward.

Rather than relying on spectacle, Intaluks focuses on emotional development, letting the song’s mood build organically rather than through a traditional climax. The result is a trance piece so cinematic it feels as much about reflection as it does about forward motion, connecting electronic atmosphere with a highly personal theme. In “Who Am I Now,” Intaluks offers a release defined by transition rather than closure. The sound is its greatest triumph, reflecting that journey and making darkness the beginning of a brighter artistic path.

Connect – Website | Spotify

NO IDENTITY adopts an industrial DIY approach with “Almost Nothing,” making it loud, chaotic, and impossible to ignore on purpose. NO IDENTITY is a solo artist who wrote, recorded, mixed, mastered, and did the music video, which gives the project a strong sense of personal control.

“Almost Nothing” leans into EDM and electronic textures but also pushes out to a stranger, harder edge. One of its more curious aspects is a simple clapping sound effect that is heavily processed into a bizarre, bass-like texture. The resulting sound is described as an electric bass in a septic tank, an image for the track’s deliberately unconventional design.

That strategy is also closely related to the emotional motivation behind the release. “Almost Nothing” and the album it’s from are born of mental illness and relationship anxiety. Those themes add context to the track’s chaotic presentation, implying that the odd sound and frenetic energy stem from the artist’s motivation to communicate something difficult in a simple, unfiltered way.

The accompanying music video is loud and strange, unlike anything else, just as the track doesn’t present itself conventionally. NO IDENTITY considers the visual identity and the music as part of a single creative statement. “Almost Nothing” finally separates itself by being completely devoted to its own design. NO IDENTITY’s openness to taking on all parts of the project makes this release a complete artistic experiment in its own right.

Photo Credit: Ava trying to frame the music video like a dork

Connect – IG | TikTok |