Fashion
Alessandro Michele and Gus Van Sant Discuss Their Gucci Miniseries Ouverture of Something That Never Ended
Alessandro Michele and Gus Van Sant collaborated on a seven-part miniseries showcasing Gucci’s new collection….

The miniseries documents a series of days in the life—partly real, partly invented—of Calderoni. Van Sant’s camera follows her to a theater, to a vintage shop, to a cafe—“ordinary places but pretty beautiful” because it’s Rome. As it happens, Van Sant was in Rome 30 years ago this month shooting his iconic film My Own Private Idaho. “I knew the territory as far as what I thought Alessandro was interested in,” Van Sant explains. “The story he had written was very specific and it resembled things I had done on Gerry, Elephant, and Last Days. Those were also films that had condensed shooting schedules. I like working on noncommittal stories that are sort of happening in front of your eyes.” Michele added: “it was something that we planted somehow and it grew in a spontaneous way.”
A scene from the first episode of Ouverture of Something That Never Ended. Photo: Paige Powell
Clothing has been integral to Van Sant’s storytelling since the beginning. Who can think of My Own Private Idaho without conjuring River Phoenix and Keanu Reeves’s leather jackets? More recently, Van Sant spent about a year and a half writing an adaption of Michael Chabon’s Prince of Fashion, a book about a father and son that go to Paris Fashion Week. “That was literally about fashion,” Van Sant explained, referring to the screenplay. “This was Alessandro’s designs, but also things he likes that are linked to designs, and also just linked to his world. And sometimes they were my favorite things.”
What’s the message of Ouverture, then? “I think [what] I get from the episodes is the existence of a girl in Rome, going from day to day,” is all Van Sant would say. Michele was even more noncommittal. “There is no such thing as an ultimate and final meaning, because that would end up in reducing the sensible to the intelligible,” he wrote in his press notes. “It would mean to betray that marvelous and endless overabundance of sense that we all carry along with us. After all, that is where the enchantment of life lies: in the infinite variety of its possibilities.”
That might wind up being the lasting takeaway of this project: of just how many possibilities there are beyond the traditional runway. Referring to his announcement last May that he would shake up the Gucci formula, Michele said, “I promised that things would be different. I told you we need to slow down, we need poetry, we need to talk about different things. And I found a travel companion… I learned from Gus a great lesson, that it’s possible to work with other people, to blend different languages, that it’s possible to experiment. Working in a multidisciplinary way was really nice. I needed experimenting and that was an experiment.”
Gus Van Sant and Alessandro Michele’s Ouverture of Something That Never Ended will premiere at Vogue’s Forces of Fashion summit on November 16, after which all episodes will be streamed on Vogue Runway from November 16 to November 22.
Gus Van Sant and Alessandro Michele. Photo: Paige Powell
Entertainment
A$AP Rocky Turned An Entire Manchester City Kit Into His Album Rollout
A$AP Rocky doesn’t do album rollouts quietly, and this one recruited an entire Premier League club to help. Manchester City, PUMA, and Rocky teamed up on a limited apparel run tied to “Don’t Be Dumb,” his 2026 album, timed around his September 5th show at Co-op Live.
The centerpiece is a long-sleeve PUMA King jersey in black and archive gold, with “DON’T BE DUMB” running down the sleeve and AWGE branding worked in throughout. A bold “MANCHESTER” graphic covers the back. Fans could also add limited “A$AP 11” name-and-number printing onto the club’s actual Home, Away, or Third kits, while supplies lasted at retail.
There’s a players-only version too, and it never went up for sale. That one sticks closer to City’s usual sky-blue identity, with its own sleeve detailing and back graphic — the kind of piece that exists purely because a handful of people got lucky.
The whole rollout kicked off with a one-night pop-up on September 4th, when PUMA turned a spot in Manchester’s Northern Quarter into a pop-up cafe for the night, mixing football, music, and street style into one room before the wider release hit the stadium store the next morning. Some of those jerseys even came with golden tickets to the concert or that Saturday’s match.
Rocky has called the project true to his own design language, and it’s not even his only club collaboration this cycle — a similar drop with AC Milan landed around the same time. At this point, the line between fashion week and matchday has basically disappeared.
Entertainment
Quavo And Lids Are Going All In On Atlanta With Their New Cap Pack
Quavo has never been shy about his hat obsession, and Lids just gave him another outlet for it. Their new “Atlanta” pack drops September 12th, marking another round in a partnership that’s been running strong since 2019.
The collection is a love letter to the city, spread across three very different caps. One mashes up pinstripes, script lettering, and Braves branding into a single design, working navy, red, white, and light blue into the mix. Another goes the opposite direction entirely — fully iced out in crystal detailing, done up in black and red, with both the Falcons and the Braves showing up in the design. The third strips things back to an old-school “ATL” trucker cap in red, white, and gold, the kind of understated piece that lets the city’s name do the talking.
None of this is new territory for Quavo. He’s talked before about waiting on hat releases as a kid, and that same excitement seems to be what’s kept this partnership going years past most celebrity collabs. His earlier Lids run leaned on one moment — the Braves’ 1995 World Series win — but this pack pulls from the city’s whole sports history instead of just one highlight.
Lids has called Quavo one of the rare voices who can blend music, fashion, and sports without it feeling forced, and this drop backs that up. Given how fast his past releases have moved, Atlanta might want to set an alarm for September 12th.
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