Interview
An Intimate Interview with Chart-topping Singer-Songwriter John McDonough
John McDonough has been climbing the ladder of success in the music biz for the past several years, culminating in his recent #1 National Radio Hits airplay hit, “Point Me East.” His follow-up, the title track from his highly successful EP, “We’ll Answer the Call”, is looking like it will repeat the feat. John took time from his busy schedule to sit down with us for an intimate one-one-one…
Honk: What led you to pursue a career as a singer-songwriter?
John McDonough: I have always loved to sing. As a kid, I would crank my stereo and sing along at the top of my lungs pretending I was on stage. I also loved creative writing from a young age. I even wrote a short novel when I was 12 years old. I was mesmerized by the emotion a single person could convey with only their guitar, their words, and their voice, and I wanted to be able to create that myself.
How do you approach the songwriting process?
I will think about a song for a time before I start trying to write anything. I will think about what I want to say and the feel of the music I am going for. Then I will create an outline of what I want to say in the verses and chorus. I won’t have the words written word for word, but I will know basically what I want to convey in each section of the song. I like to write the music and the lyrics at the same time. It really helps to have the song half written in my head before I sit down with the guitar and start really trying to create the finished product. I will also often take breaks when working on a song so I am mentally fresh for each section. I just finished a new song where I wrote the first verse and chorus, and purposefully stopped. I came back to it the next day and wrote the second verse. Being fresh enables me to say what I want to say as creatively and effectively as possible.
What inspires you to create music?
Two different things inspire me to create. One is the ability to express things that are going on in my life. I have written songs about unrequited love, the love I have for my niece who is very special to me, and everything in-between. I am also a history buff, and often moved to write about people in history who have experienced incredible circumstances and risen to the occasion. For example, my last EP titled ‘We’ll Answer The Call,’ tells the story of Joe Rantz, the Washington Husky rowing team, and their epic bid for gold in the 1936 Berlin Olympic Games. For my next CD I have written a couple songs about major people and moments in the Civil Rights movement of the 1950’s and 1960’s. I love sharing these stories of incredible people with my audience, and it makes me feel good to give them some added exposure I feel they deserve.
What have been some of the biggest challenges you’ve faced in your music career, and how have you overcome them?
One of the biggest challenges I faced early in my career was constant self-doubt. “Am I good enough for this incredibly tough career choice?” It took many years and some therapy to become confident enough to live with that question and fully commit to music. I committed to working as hard as I can to become as good as I can be, and not worry so much about the outcome. I often remind myself that I do this because I love it and there is nothing else I would rather be doing. I also accepted there are many levels of “success,” and I can have a successful and satisfying career even if I never sell out a stadium tour. Another tough challenge was playing the tough gigs where people weren’t really listening or paying attention. My self-confidence always took a big hit after those gigs. With more experience I learned how to use my humor and story-telling skills to better engage the crowd. I still have those tough nights, but I do my best to not let it get me down. I focus on the enjoyment of playing my guitar and singing and view it as an opportunity to gain more experience and be better in the future.
What is your biggest strength as a musician, and how do you leverage it in your work?
I think my biggest strength is my work ethic. I am 58 years old, and have accomplished some exciting things. I have had a number 1 song on a national radio chart, performed live on radio and TV, and played some big festivals. Even with this, I continue to study my craft on my quest to be the best I can be. I continue to take guitar lessons and am always studying other artists material. This field is too competitive to have any weaknesses, and I aim to be a great singer, guitarist, and songwriter. This work ethic has given me the ability and the confidence to continue to put myself out there and have the successes I have had.
What do you consider to be your most successful song or project, and why?
I would have to say my latest EP, ‘We’ll Answer at the Call,’ has been my most successful project. It has had the most streams of all my recordings, the most radio play with several songs hitting top 10 on several different national radio charts, and the best reviews in national and international publications. I also feel it has been so well received because there is so much variety in the songs while always staying true to my singer/songwriter identity. There are moments of traditional singer/songwriter styles, moments where songs have a 1970’s soft rock feel, and even moments of more current, acoustic pop vibes. I am very proud of the variety I was able to create within only five songs, while staying lyrically engaging and vocally interesting.
How do you stay current with trends and changes in the music industry, and how do you adapt your work accordingly?
Honestly I try not to worry about trends in the music industry within my creative work of being a singer/songwriter. I feel one is always going to be two steps behind and 15 minutes late to the “scene” if one is trying to make their work fit in with the current trend. I wouldn’t be staying true to myself if I was always trying to adapt my style to the current trend in hopes of being more successful. I do pay attention to the current trends in regards to the recording and production of music. I want my music to be engineered, mixed and mastered to todays standards so it translates sonically as best as possible.
Can you describe a time when you worked collaboratively with other musicians or producers?
I do most of my collaboration with musicians and producers in the studio when I am recording. I love this process! I love having the other musicians add their parts and help my songs really come alive. I have worked with the same musicians and producer for my last several projects, and I am very open to their ideas. Typically I will record my acoustic guitar and vocals at the same time. I have my engineer/producer set up the mikes, and I will get live takes of my song. Then we will layer on top of my track. Sometimes I will have ideas for what I want the other instruments to do. Often I let my musicians play parts they come up with. I know they will have ideas that I would never think of, and usually their ideas are just what the song needs. I am very lucky to have such creative and talented people in my corner, and they are always 100 percent committed to making my project as good as possible.
How do you handle criticism or negative feedback about your work?
I listen and think about what has been said. Usually, if the feedback is valid, I will agree with it and think of how I want to work with this criticism. I always remind myself that it’s going to be my name on the CD, and if I am as happy as possible with the end product, then I can live with any criticism or negative feedback.
What are your long-term career goals as a singer-songwriter, and how do you plan to achieve them?
My goal and dream is to be successful enough that I am playing to small theaters. I want to play to audiences that are there to hear me, and where I can really engage with the people. I love the nights I can talk about my songs and the history behind them. I plan to keep writing and recording with the goal of creating something so great it cannot be ignored. I also plan on continuing to play live, build my fan base, and create a grass roots movement to share my music with as many people as possible.
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San Sebastian shares his creative inspiration and aspiration for the new single “Again and Again” – [Exclusive Interview]
Swedish artist San Sebastian has released his second single, “Again and Again.” Known for his danceable pop sound infused with a nod to club music, San Sebastian presents a sonic vibe that resonates deeply with his audience. Drawing inspiration from notable artists like Tove Lo, Kylie Minogue, and Troye Sivan, he creates a distinctive blend of vulnerability and optimism. His latest single exemplifies a personal journey, exploring the intricacies of navigating complex emotions within a fractured relationship. Here, San Sebastian takes us behind the scenes, providing insights into the creation of “Again and Again,” detailing the production choices that shape its emotional core and outlining his future aspirations.
Questionnaire
1. Who are the band members, if any, and were there any particular artists, genres, or band’s main influences?
San Sebastian: I’m a solo artist, though I often perform with professional dancers Alicia Gjerulf and Elsa Davidsson. My musical inspiration is drawn from renowned artists such as Tove Lo, Kylie Minogue, and Troye Sivan.
2. Where was the single recorded, and who was involved in its production? Name the record label, producer, and sound engineer who mixed and mastered the song.
San Sebastian: “Again and Again” was originally written by the well-known Swedish artist Darin Zanyar and songwriters Pär Westerlund along with Petter Tarland. I worked on re-creating the track with senior producer Johan Kronlund, who also produced my debut single, “Hear Me Out.” Both singles were released under the auspices of my record label, Metronica.
3. Regarding production, what aspects of “Again and Again” caught your attention? What were some of the critical production decisions that shaped the final sound, and how did they contribute to the overall sonic quality of the track?
San Sebastian: I collaborated with the producer, Johan Kronlund, for nearly 2 years, so we have developed a good understanding and shared vision for the desired sound we aim for in my music. The goal was to turn my flaws into something optimistic, capturing a sense of future possibility by blending a melancholy message with an upbeat, danceable rhythm.
4. What inspired you to write “Again and Again”? Was there a particular ethos, music style, or events that sparked the songwriting process for this single? Were there any collaborations on writing the lyrics?
San Sebastian: The song “Again and Again” was initially composed by the famous Swedish artist Darin Zanyar and his co-writers. I immediately liked the idea of the song’s core concept; its melodies and lyrics spoke to me. The producer and I reimagined the sound to make the song reflect entirely my unique artistic identity.
5. How did you aim to take listeners on an emotional journey with the message or lyrical narrative you are trying to convey through this song? What feelings do you hope to evoke through the music so far?
San Sebastian: I want my lyrics to be honest and resonate with many people’s feelings. I try to transform my flaws into something optimistic, showing that everything has a future. I hope that people, by listening to “Again and Again,” will find pieces of their own experiences within the song’s lyrics while still perceiving this growing hope through the positive upbeat and alongside the danceable energy inherent in the production.
6. Please briefly describe the song, the E.P./Album, and the thinking behind the Project. What does “Again and Again” mean to you personally? How does it reflect your growth as an artist?
San Sebastian: The song tells the story of a broken relationship, where one person is left behind, feeling shattered and powerless. Unable and unwilling to let go, they cling to the memories of a love that once felt real and the hope that they might reunite. Despite knowing they will get hurt again, the chance to feel happiness, even briefly, makes the pain seem worthwhile. By combining vulnerable lyrics, expressive melodies, and a more positive and hopeful production, the song illustrates those who put on a positive front and hide the absolute truth.
“Again and Again” represents my second single in collaboration with Metronica. I describe my musical style as danceable pop inspired by club music. Both my debut single, “Hear Me Out,” and my recent release, “Again and Again,” follow this musical direction. My active involvement in a DJ duo also keeps my heart closely connected to the club vibe, which naturally influences my music.
7. Do you have any favorable quotes from previous reviews or specific aspects, lines, and phrases of the song that you would happily share?
San Sebastian: My previous song and debut single, “Hear Me Out,” was recognized across various blogs internationally. The fact that it was so well received is heartwarming and makes me very happy. However, if I have to highlight one thing, it would be all the positive comments regarding my vocal abilities, specifically its range and how I deliver the songs.
8. Did “Again and Again” create any standout moments or surprises that made it a memorable atmosphere or mood for you? If so, what were your biggest challenges, and how would you describe them?
San Sebastian: A memorable highlight was our spontaneous release party, which drew almost 500 attendees. It was an incredibly heartwarming experience to see how all these people adjusted their schedules and re-booked engagements, altered travel plans, and other meetings to join. I will be eternally grateful for this display of support and gift of love.
9. How do you envision performing this song live? Are there any special events, musical tours, and performances that San Sebastian’s fans should expect soon or plan to incorporate?
San Sebastian: I have actually had the opportunity to perform “Again and Again” live on stage several times with two of my professional dancers, Alicia Gjerulf and Elsa Davidsson. I hope to present “Again and Again” on more stages in the future, incorporating additional live band support from professional musicians and dancers to create an immersive experience for audiences.
10. Is there a music video planned for this single? If so, can you share any insights into its concept? How does this single fit into your future musical plans? Is it part of a larger project, like an album or an E.P.?
San Sebastian: I’m not planning to create a full music video for “Again and Again.” However, I have already created teaser videos, which I use in the release marketing and the ongoing song promotion. I have no concrete plans to release an EP that includes “Again and Again.” Instead, I am focusing on my next single, which I plan to release in early 2025.
CLICK HERE TO STREAM San Sebastian’s “Again and Again“ on Spotify.
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Indie
Interview with Free Mace
Free Mace’s new album “Better off Bitter” is releasing 7/19/24. This new album was independently produced, engineered and funded from a home studio location in Jacksonville, FL. All processes were done by Mason Thomas Staub over 3 years time. Mason sat down to answer some questions in this one-one-one interview…
Mason, your new album “Better off Bitter” is set to release on July 19th, 2024. Can you tell us about the inspiration behind this album and what themes, tones, and stories the listeners can expect?
The main inspiration behind this album is the evolution of artistry and production. Free Mace’s previous album, “Media,” was the transition into more Rock and Indie music. “Media” is a genre fusion set in a dystopian, technocratic, and bleak world, inspired by the global pandemic. As soon as “Media” released, I began drafting the early instrumentals to songs (such as Reality). Every album or EP has been a concept and “Better off Bitter” is no different. The main concept of “Better off Bitter” is being better off bitter. Over the 4 years of living in Jacksonville, FL and not being originally from there, I was the new guy in town. Because of this as well as the advantageous disposition of others involved in or surrounding the industry, I’ve faced ageism and superiority, judgment and prejudice, as well as seclusion and loneliness. Add an incredibly toxic relationship that consumed all my mental capacity for a bit (refer to the song Good Time Girl), and you get the varying emotions and experiences of “Better off Bitter.”
“Better off Bitter” describes the tone and tempo of the album, as well as mood of the songs. The goal of this album was to experiment and set a new standard against mainstream concepts, while not being so far removed from them that the music is unrecognizable. I have been describing “Better off Bitter” to people as a “Jazz Orchestra in a Pop-Punk band format.” I’m aware that this is a big claim to make, however, I’m confident that the unique sound that has been created is new and nostalgic at the same time.
You independently produced, engineered, and funded this album from your home studio in Jacksonville, FL, over three years. What were some of the biggest challenges and rewards of handling every aspect of the production process yourself?
Some of the biggest challenges were motivation, isolation, and insecurity. When doing everything yourself it requires an incredible amount of discipline and vision. There were countless times I found myself vacationing in the doldrums for extended periods with minimal creative output. The beginning of an album always begins as a peak that declines over a period until release. It’s simple and stressless to explore, create and form new ideas, expressions, and feelings. After this honeymoon-like period, then the reality hits of how much goes into the processes of production. The starting production is always hopeful and motivating, so it’s easy to dedicate double-digit hours in a studio. When you start getting to the nitty-gritty, like listening to the same 10-seconds of audio on loop thousands of times, that’s when things aren’t done as jubilantly. That would bring me back to a creative null for a bit, until I felt confident to approach things again with a fresh perspective. The isolation came out of my own doing when I chose solitude to separate myself from distractions, toxic attitudes, limiting perceptions, and peer approval. I prioritized myself and focused on what was important; the completion of “Better off Bitter.” I became more mindful in the process in regards to how I would spend my time in the doldrums. I had a new motivation that allowed me to be more realistic about what songs would make the album (originally 15 instead of 10), what the context and sound would definitively be, and when a deadline would be. After finally completing it, that’s where the insecurity set in when it comes to the acceptance of the album, “Better off Bitter.” 3 years of work is a lot of time to think about how things will be, but I’ll just have to wait and see.
\Which track on the album holds the most personal significance for you, and why? Can you give us some insight into the creative process and meaning behind that particular song?
I would say that the last track on the album, “The Heretic,” has the most significance to me because it’s the finale. This is the last song someone will hear and the last chapter to the story conveyed in “Better off Bitter.” The idea of “The Heretic” comes from the snake-oil sales in the name of religion. The concept that an individual with certainty can sell others with a promise rather than those individuals being at terms with uncertainty. I wanted to provide an image of an interaction between a salesperson and a potential customer. Eventually getting discovered for their fraudulence, the salesperson is forced to lead a vagabond life until the discovery of reinvention.
Over the course of three years, your musical style and influences might have evolved. How do you feel your sound has changed or matured from your previous work to this new album?
The previous Free Mace album, “Media,” was a transition into more up-tempo music. I would see how people would react at the concerts and the up-tempo would always have a better response from what I could tell. It’s not that the audience didn’t enjoy the slower tempo music, it was more about what their body language conveyed. I started to notice people would be involved dancing and moshing to up-tempo music more than standing still with a head bob to a slower tempo. I wanted to do an album that would capture this high energy from beginning to end, while telling a meaningful story about emotions, experiences, and ideologies. “Better off Bitter” is the highlight album of the Free Mace discography, available everywhere 7/19/2024.
As an independent artist, what advice would you give to other musicians looking to produce and release their own music without the backing of a major label?
The best advice I would give to anyone and everyone would be to always stay true to yourself, no matter what.
What are your plans following the release of “Better off Bitter”? Are there any upcoming tours, music videos, or other projects that fans can look forward to?
Following the release of “Better off Bitter,” there will be 2-3 music videos available in varying cinematic styles. Currently in the process are one animated video (Available 7/19/2024 on YouTube) and one live-action Frank Sinatra/Edgar Allen Poe inspired video. There will potentially be shows in the future, but am needed a backing band on location for performance, so if you’d like a Free Mace show where you are located and have a professional band to provide, I will see you there!
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