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Asian American Heritage Month – Dolly Ave Debuting ‘Sleep’ Album

Dolly Ave is releasing her debut album titled “Sleep” on May 7th, 2021. Having had a break-out hit with her 2020 collaboration on “Sunlight, Quiet, Flowers” with rapper Charlie Curtis-Beard – which trended #1 on TikTok’s Original Music charts for 7 days straight and over 428K streams on Spotify (and counting) – Dolly Ave is ready to make her own mark on the music scene with her first full-length offering to fans.

Read More: Premiere: S-EM-C Exclusive Interview with Honk Magazine Reporter

Written towards the end of 2019, Dolly’s seven-track record Sleep is a collection of lo-fi songs that sit at the intersection of pop, R&B, and bedroom vulnerability, as the tracks move through the ebb and flows of a relationship. “It’s not a heartbreak album,” Dolly insists, though she created the album freshly after a break-up while she was still in the throes of finding closure. “It’s definitely me finding empowerment in the vulnerability of each stage.”

Dolly Ave is not only an emerging artist in the creative industry, but also an award-winning photographer who has worked with the likes of Kendrick Lamar, Chance the Rapper, and the Migos. Raised in Kansas City, Missouri by two immigrant parents from Vietnam, Dolly Ave speaks of her inspiration to pursue a creative career with an undeniable fervor saying that she makes music “for young artists, for the underprivileged, and for the misunderstood.” Dolly’s parents worked as nail technicians and frequently moved the family between Sikeston, Missouri, and Kansas City in their search for jobs during her childhood. Dolly describes Kansas City as a “very strange place to immigrate to”: a small, midwestern town with not many other Asians, and with just as modest and simple expectations for life — to grow up and get a good job. Still, Dolly dreamed of bigger things. Her family was a creative one – her father played the guitar, and Dolly grew up listening to “all sorts of stuff,” from The Beatles to Vanessa Carlton, who specifically left a sizable impression on Dolly when she was younger because Carlton played the piano and sang at the same time.

In school, Dolly did theatre and choir, where she learned to sight-read and where one of her teachers remarked that the way she sang was “Eastern-wise,” she remembers. The advent of the Internet and with it, the vast and new world of YouTube, also played a significant role in Dolly’s formative years. “I noticed a lot of musicians would turn on the webcam and play their songs,” she says. “It blew my mind, like, ‘Wow people are just putting this out there in the world?’” Though she was shy and didn’t share any original music of her own on the platform, she was writing and singing little songs in her bedroom: sad and sweet tunes about feeling alone. “I was 12 singing about being lonely and sad,” she says now, laughing. As Dolly ventured deeper into the YouTube music community, she followed along as the creators she admired, among them Daniela Andrade, AJ Rafael, Tim Atlas, and Sam Tsui, grew their careers from homegrown cover videos full-blown careers in their own right. “That sparked a lot in my journey in music and the arts,” she says. “This is not just something that always has to be a hobby. There are avenues, or channels to make this a real thing, and [to] enjoy your life making it.” Eventually, at 18, Dolly left the narrow confines of Kansas City for art school in Chicago, where she bloomed. Propelled by the bustling and rich underground music and art scene of the city, one she describes to be tight-knit and immensely collaborative, Dolly found her footing in her own creative endeavors. She navigated the music community by way of her camera, having nurtured a childhood hobby into a career, taking photos and filming videos for local artists. All the while, she continued to write songs on her own.

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In June 2018, spurred on by a moment of “what if” curiosity and her friend’s urgings, she recorded and released her first song, “Birds,” a melancholy, and contemplative tune with R&B leanings about finding “the legs to run.” Shortly thereafter, encouraged by the unknown potentials of her own creativity, she began working on her first project, the Sleep, which has finally come to fruition as Dolly Ave steps into the spotlight for the first time with a full-length record.

Connect with Dolly Ave:

Website | Spotify | Instagram | YouTube | Facebook | Twitter | TikTok (@dollyavemusic)

Artist Spotlight

Loris Tils brings funk energy to life with “IKKI”

Loris

Loris Tils comes out swinging with “IKKI,” a single that comes with energy and musicianship right from the opening note. Borne on the unmistakable thump of Minneapolis Funk, the song surges forward with a groove that feels impressively designed and still wildly alive.

“IKKI” is a naughty conversation between slap bass and guitar, and the two instruments impressively craft around each other with both precision and flair, building a high-octane rhythm section that feels as tight as it is explosive.

The magic of “IKKI” is this tension, relentless discipline balanced by acrobats of daring improvisation. The energy never overwhelms the groove. Instead, it expands on it, making this song a celebration of rhythm, creativity, and instrumental chemistry.

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Artist Spotlight

Glass Mansions turn a possible goodbye into “SUNSETTING”

Glass

Glass Mansions return with “SUNSETTING,” a new single that came together during some uncertain times for the project. What began as a mini farewell to music turned out to be among the band’s most authentic and openhearted efforts yet.

The back story of the song’s creation feels almost cinematic. The day the decision was made to quit music altogether, a message came through from some big-time music executive who had heard about the band’s first Ep and wanted to collaborate. The band had agreed to share unreleased demos on request, though they hadn’t prepared any. That urgency caused a combustion of creativity that would shape the song’s trajectory.

“SUNSETTING” was written, tracked, and recorded in a home studio with scratch vocals in roughly two hours. What could have been a thrown-together demo became a surprise breakthrough. Confronted with the prospect of delivering just one last song, the writing became rather reflective, what would you say if it were your final creative curtain call.

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“SUNSETTING,” produced by Zack Odom and Kenneth Mount alongside Orb Studios’ Taylor Webb, captures the urgency of its origin story but colors it with a new reflective emotional depth. The upshot is a song that feels at once improvisational and profound, an affirmation that, sometimes, when we think we’re reaching the end of something, it’s actually only setting in motion the most powerful of new starts.

Connect with Glass Mansions on Spotify || Instagram || Facebook || Youtube || Tiktok || Twitter ||  Soundcloud

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