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bbno$ Links With Lentra For Album, ‘good luck have fun’
Fresh off the successful release of Baby Gravy 2, his collaborative album with Yung Gravy from earlier this year, bbno$ wasted little time in bringing listeners yet another distinct body of work to embrace.
This time, he’s recruited the talents of the up-and-coming rapper, Lentra, a dexterous producer with a similar wit in his music taste. The pair’s collaboration resulted in a 13-track, 31-minute album, with features from Gooch, Yung Gravy, Crosby, and TrippyThaKid.
Numerous tracks feature production twitching with whip-smart pop infusions, from the simplistic and enthused percussion of “mememe”, to the frenetic bounce of strings in “admit it”.
The “Bad Boy” rapper brings his signature flow to a dense venture that demands nothing less than the utmost tenacity. Still, Lentra manages to make his presence known, despite being accompanied by a litany of noted MCs.
Given his background in the type of Dance/Electronic music one might expect to hear with their head in the clouds, he proves to be a subversive, yet complementary addition to bbno$ talents, with his complexity donating a texture to the album that distinguishes it from the countless other joint efforts we’ve seen this year.
Even then, it appears his influence was most prominent with the good luck have fun’s final track, “feeling good”. The track showcases a stark divergence from its predecessors, with a foot-tapping rock sensibility and grandiose excitement that hearkens back to The Ramone’s “Blitzkrieg Bop”.
The album’s end cements its tone as a piece bound to feel familiar, yet inventive with its often subtle twists on modern rap standards.
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Tiri The Seed Breathes New Life into Nostalgia with ‘Back In The Room’
Tiri The Seed expertly blends vintage musical elements with contemporary production techniques in “Back In The Room.” This track pulsates with a retro vibe, yet maintains a fresh sonic identity, largely due to Tiri’s charismatic vocal delivery, which infuses the mix with an effortlessly cool energy. Thematically, “Back In The Room” explores the nuances of reconnection, encapsulating that poignant emotional experience of revisiting spaces or moments previously perceived as lost.
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The listening experience is intimate, akin to sharing a personal revelation, which enhances the profound quality of the piece. As the final notes fade, the lingering resonance of the song invites reflection, echoing themes of hope and resilience that are striking in their simplicity. Janet Noh successfully cultivates an atmosphere of comfort and contemplation, which speaks to the listener on a personal and universal level.
